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Zero Fucks Given Reviews
Directors Julie Lecoustre and Emmanuel Marre's expertly crafted social-realist film nails perfectly the wearying struggle of navigating the gig economy. For all the harshness of its subject matter, the film is often buoyant.
Zero Fucks Given succeeds because it captures the existential irresolution that many people face nowadays.
Exarchopoulos continues to be a daring and transcendent performer; she is expensive in the best way possible.
The movie works as a reverse of the millennial ideology that preaches travel as a cure-all. [Full review in Spanish]
Exarchopoulos remains the takeaway, riveting in how she balances a character who is fitfully fighting between maturity and personal growth and just throwing everything away.
The film, like Exarchopoulos’ performance, feels more documentary than slick; the cinematography is simple, but gorgeous.
This might be an at-times painfully gruelling depiction of someone caught between the crushing gears of grief and modern capitalism, but Julie Lecoustre and Emmanuel Marre have imbued it with the life-affirming energy that runs through the best of cinema.
The drama is a powerful examination of the many forms of grief.
This excellent debut feature from writer-directors Emmanuel Marre and Julie Lecoustre stars the captivating Adèle Exarchopoulos as Cassandre.
Exarchopoulos’ central turn is a mesmerising cipher, blending and animating this world of monotony and absurdism.
Cassandre is usually clubbing, drugging, and/or hooking up. When her situation changes about midway through this seriocomic slice of life, however, we begin to grasp the familial pain she has in fact been on the run from.
Lecoustre and Marre’s hypnotic feature debut is richer and more textured for how it sees that lifestyle through the eyes of a crew member instead of a passenger.
Julie Lecoustre and Emmanuel Marre's Zero Fucks Given (Rien à foutre) is a character study about a flight attendant struggling under the indifference and sexism of working for a big corporation.
The filmmakers overperform in showing the monotony of the profession. That is a compliment and a criticism.... The biggest problem with "Zero F**ks Given" is that, truth in titling, it never quite engenders the emotions it should.
Exarchopoulos is constantly compelling and simultaneously striking as the forlorn Cassandra, whose loneliness casts a languid melancholy.
Lecoustre and Marre have good sense...in delicate, truthful touches, they suggest for her the possibility of a future...
A careful, patient, and authentic study of isolation as a result of trauma. [Full Review in Spansh]
What the film does a good job at is showing how empty a flight attendant's working life can be.
As emotions sneak up on [its lead], they are bound to do so on one watching this wily, seriocomic drama, which is never as brash in conceit as you might expect from the title, but formally daring.
A strange and charming debut feature by directors Emmanuel Marre and Julie Lecoustre.