Trace Thurman
Horror Queers Podcast
Jan 21, 2025
4/5
Gorgeously shot with some handsomely foggy production design, The Wolf Man rightfully earns its place as one of Universal's more memorable monsters.
Go to Full Review
Mike Massie
Gone With The Twins
Jan 17, 2025
7/10
It wastes not a minute, since the running time is barely over an hour, detailing the curse and concluding it in the only way possible for this monumental horror film that would pave the way for so many derivative productions after it.
Go to Full Review
Matt Brunson
Film Frenzy
Oct 24, 2023
4/4
The best werewolf movie ever made also gets my vote as the finest film in the entire Universal series (edging out 1935’s The Bride of Frankenstein).
Go to Full Review
Stephanie Archer
Film Inquiry
Oct 7, 2023
While The Wolf Man may not have stood the test of time like many of its predecessors, it is a classic film that would lay the groundwork for a continuing cycle of wolves for decades to come.
Go to Full Review
Brian Eggert
Deep Focus Review
Mar 20, 2022
4/4
Essential for devising the modern concept of the werewolf, from which nearly every subsequent werewolf film has drawn inspiration, the film uses the guise of a horror yarn to consider the duality of human beings.
Go to Full Review
Brian Costello
Common Sense Media
Nov 9, 2021
3/5
This is a classic horror movie that's showing its age.
Go to Full Review
Keith Phipps
AV Club
Apr 13, 2020
B+
It finds modern sophistication and cultured intellects unprepared to deal with a threat that's already at hand, maybe even under our own skin.
Go to Full Review
Daniel Barnes
Sacramento News & Review
Apr 13, 2020
3/5
Ironically, The Wolf Man is stronger and creepier in the scenes without the wolf man.
Go to Full Review
SMH Staff
Sydney Morning Herald
Apr 13, 2020
The whole thing is nonsensical, but occasionally strangely compelling.
Go to Full Review
Age Staff
The Age (Australia)
Apr 13, 2020
Lon Chaney, junior, has his first big role as The Wolf Man, but it would take a genius to "get away" with this role.
Go to Full Review
J.W. Stepp
Washington Star
Apr 13, 2020
This vehicle features Lom Chaney, jr., as a rather pathetic, and certainly unawesomely made-up. werewolf as the Thing which severs innocents' jugular veins in the mists of English moors.
Go to Full Review
THR Staff
The Hollywood Reporter
Apr 7, 2015
The Wolf Man serves its horror straight. A very substantial cast undertakes to sell believably a tale of superstitious folklore.
Go to Full Review
Paul Chambers
Movie Chambers
Oct 26, 2014
B+
The original and only entry in the Wolf Man series that I truly like. Lon Chaney, Jr. was born to play the troubled Larry Talbot, a guy who gets bitten by a werewolf (Bela Lugosi) and openly laments his future as the hairiest man in Europe. Nicely done.
Go to Full Review
Scott Nash
Three Movie Buffs
Oct 13, 2014
3.5/4
Horror movies today rely on gore and as many jump out of your seat moments as they can throw at you. This one relies on old fashioned atmosphere and acting ability and that's all it really needs.
Go to Full Review
Alan Jones
Radio Times
Oct 6, 2013
4/5
This Universal classic not only established Lon Chaney Jr as a horror star but also instigated most of the cinematic werewolf lore concerning pentagrams, the Moon and the fatality of silver.
Go to Full Review
Emanuel Levy
EmanuelLevy.Com
Oct 31, 2012
A-
Go to Full Review
Rob Humanick
Projection Booth
Feb 13, 2010
3/4
Most horrifying is the potential inability to sway our own innately darker tendencies.
Go to Full Review
Josh Larsen
LarsenOnFilm
Feb 10, 2010
3/4
Chaney may appear to have had a bad run-in with a hair dryer, but he's still the definitive villain as tragic hero.
Go to Full Review
Tim Brayton
Antagony & Ecstasy
Oct 26, 2009
8/10
A film of sometimes uncertain greatness that is nonetheless the most entertaining and effective Universal monster movie since Bride of Frankenstein.
Go to Full Review
Nick Davis
Nick's Flick Picks
Mar 10, 2009
B+
The Wolf Man's tantamount pleasures are its economy and speed, its silvery manipulations of light and shadow, and the panache with which the lighting, the story, and the rich cast navigate [its] tone.
Go to Full Review