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The Sound

Play trailer 1:34 Poster for The Sound 2017,  1h 32m,  Horror/ Mystery & Thriller Play Trailer Watchlist
The Sound: Trailer 1 The Sound: Trailer 1 Now Playing View more videos
Watchlist 25% 8 Reviews Tomatometer 16% 50+ Ratings Popcornmeter
25% Tomatometer 8 Reviews 16% Popcornmeter 50+ Ratings
A writer ventures into an abandoned subway station to debunk reports that the place is haunted. Her skepticism gets put to the test when an unforeseen evil forces her to face her darkest memories.

Critics Reviews

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Justin Lowe The Hollywood Reporter Oct 3, 2017
A vaguely conceived suspenser that's unlikely to find much support among horror audiences with justifiably higher expectations. Go to Full Review
John Anderson Wall Street Journal Sep 29, 2017
The effectiveness of The Sound really comes from its atmospherics, which are rich and disturbing Go to Full Review
Noel Murray Los Angeles Times Sep 28, 2017
Mostly, "The Sound" gets by on pure sensation. Mattison finds a lot to look at in the shadows - and in the heavy hum of the subway's deep holes, she finds a lot to hear. Go to Full Review
Todd Jorgenson Cinemalogue Sep 29, 2017
Some intriguing concepts become lost amid all the supernatural nonsense. Go to Full Review
Mark Dujsik Mark Reviews Movies Sep 29, 2017
1.5/4
The Sound ... tries for too much with too little. Go to Full Review
Maitland McDonagh Film Journal International Sep 28, 2017
A debunker sets out to disprove an urban legend, but things don't go as planned in this tedious horror movie. Go to Full Review
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Audience Reviews

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Rey L Apr 8, 2019 THRILL... as Rose McGowan takes a bunch of naps! GASP... as Christopher Lloyd changes light bulbs! SCREAM... as you lose track of which story you're supposed to be following! Sometimes I just feel bad for movies. Obviously, with the good ones, you beam at them; their story lines are strong, their actors full of pathos, their edits effective and well-placed. You know they're going to do well out in the world. Holding their own at the box office or rising to the top of the indie circuit. With the not-so-good ones, though... they're like the wayward children of the film world. You watch them and think, "wait, you're gonna introduce a brand new character now?!" or "hey, what happened to the story you were telling earlier?" And you just know all the other movies are going to pick on them during recess. I have a feeling The Sound (a.k.a., Paranormal: White Noise) got picked on. A lot. I really wanted to like this movie. Writer/director Jenna Mattison's directorial debut grabbed me with its premise: super low-frequency sound (infrasound) was to blame for supposed "paranormal" experiences. As in, the effects of extremely low-frequency sounds -- sounds too low for the human ear to pick up -- on the human body caused people to hallucinate, feel a "presence", and many of the other things associated with a traditional haunting. Pretty cool, right? Because science! And, to be fair, the movie started out okay. Kelly Johansen (Rose McGowan; Scream (1996)) is an infrasound expert, blogger, and debunker of the paranormal. With her blatantly advertised Apple MacBook laptop computer and oh, so convenient Apple iPhone (both of which probably should have been given their own credits at the end), Kelly travels around debunking reports of ghosts. Which somehow makes her money. Regardless, she just gets back from a farmhouse where she scientifically proved a little boy was a liar-liar-pants-on-fire, when an anonymous tip comes in about scary things in Toronto, Canada. What?! Scary things in Canada? It's no wonder she left again in a hurry. Next thing we know, she's in a cab on her way to the haunted, abandoned subway underneath the not haunted, fully active subway. Hotel? We don't need no stinking hotel. Luckily, the people who run the subway in Toronto are very trusting and they keep all the doors unlocked. Wanna get into the abandoned sub-subway? Just open the door and it's all yours! Down goes our heroine, where she meets a young fellow who tells her how to get to the most haunted spot. The spot where, 50-some-odd years ago, a lady was pushed and/or jumped onto the tracks and died. Happily, these forgotten subway tunnels under the working subway tunnels have excellent WiFi so she can continue posting her progress to Twitter. And that's just the first of many storylines you can choose to follow. In the course of Kelly's initial exploration she discovers a dead body. The most shocking thing about that is that she actually calls the cops! Who does that?! Nobody in a normal horror movie, I can assure you. Detective Richards (Michael Eklund; Netflix's Altered Carbon (2018)) shows up, but the body has mysteriously disappeared. Natch. Once he finds out she's a blogger, though, it's obvious that she should be allowed to prowl around alone in the abandoned tunnels so he leaves and she takes a nap. The first of many, as it turns out. You can just tell she's thinking, "oh, I feel a flashback coming on... I should take a nap." Once Kelly wakes up from her flashback-laden nap she continues with her exploration. Going deeper and deeper into the haunted subway system looking for the place where the low-frequency sound is at its strongest and most dangerous. Along the way, she meets Clinton Jones (Christopher Lloyd; Piranha 3D (2010)) who spends the entire movie changing light bulbs. Though he does take time out of his busy schedule to show her some nice graffiti and to explain how the subway was built on an old Potter's Field cemetery where the poor and unknown were buried (which sounds oddly familiar). Eventually, our friend Kelly finds the area containing the lowest of the low-frequency sound waves. As an infrasound expert, she knows the area to be extremely dangerous for the human body. She understands that the time she can stay there safely is counted in minutes, so she only takes one nap and only does a few random Google searches that she could've easily done topside once her investigation was over. And that's only the halfway point. The main problem with this movie (in addition to it being waaay too slow and thoroughly ridiculous) is that it's trying to be too clever for its own good. Plot lines come and go faster than characters in the Game of Thrones. Did it have something to do with a psychiatric hospital? What the Hell was all that with the detective? Was the cemetery bit completely irrelevant? While I do love a good pseudo-science and I'm always looking to promote more women writers and/or directors in the male-dominated horror genre, I gotta say stay away from this one. Follow Rose McGowan's example and just take a nap instead. Robert Zilbauer https://scariesthings.com See more
Hermione R Mar 4, 2019 This is a film that starts off with a lot of promise as the atmosphere and sounds play a role in setting the mood for a much more suspenseful film. It does however get lost or confused somewhere along the way attempting to build a story. It doesn't seem to know what it wants to be and bores you into submission while you question exactly what you're watching. See more
Ron G Feb 11, 2019 Sorry Rose, but this was a waste of your talents. Garbage.
Finn W Oct 14, 2018 Awful. Also Toronto has magic comms signals that penetrate deep underground. Oh and they bury the dead extremely deep too! Utter nonsense!! See more
Han G Aug 4, 2018 This movie was so slow and boring! I've seen paintings move faster. The story is confusing too. I still have no clue what the big twist was about. See more
Apr 8, 2018 Interesting concept, but all over the place. Not conclusive enough and very slow. Just about fell asleep before half way in.
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The Sound

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Movie Info

Synopsis A writer ventures into an abandoned subway station to debunk reports that the place is haunted. Her skepticism gets put to the test when an unforeseen evil forces her to face her darkest memories.
Director
Jenna Mattison
Producer
Michele Weisler, Jenna Mattison
Screenwriter
Jenna Mattison
Distributor
Samuel Goldwyn Films
Production Co
Hackybox Pictures
Genre
Horror, Mystery & Thriller
Original Language
English
Release Date (Theaters)
Sep 29, 2017, Limited
Release Date (Streaming)
Sep 29, 2017
Runtime
1h 32m
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