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The Devils

Play trailer Poster for The Devils R,  1971,  1h 49m,  Horror Play Trailer Watchlist
Watchlist 55% 101 Reviews Tomatometer 88% 2,500+ Ratings Popcornmeter
55% Tomatometer 101 Reviews 88% Popcornmeter 2,500+ Ratings
In 17th-century France, Father Grandier (Oliver Reed) is a priest whose unorthodox views on sex and religion influence a passionate following of nuns, including the sexually obsessed Sister Jeanne (Vanessa Redgrave). When the power-hungry Cardinal Richelieu (Christopher Logue) realizes he must eliminate Grandier to gain control of France, Richelieu portrays Grandier as a satanist and spearheads a public outcry to destroy the once-loved priest's reputation.
The Devils

What to Know

Critics Consensus

Grimly stylish, Ken Russell's baroque opus is both provocative and persuasive in its contention that the greatest blasphemy is the leveraging of faith for power.

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Critics Reviews

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Penelope Houston The Times (UK) Aug 24, 2026
Denying his characters so much, Russell denies himself nothing. Go to Full Review
Julian Norridge London Evening Standard Aug 24, 2026
The obscenity and torture are so overdone that they will either drive you from the cinema or reduce you to a state of numbness. Go to Full Review
Jeff Millar Houston Chronicle Aug 24, 2026
At times I found myself surrendering to Russell's excess and getting some sort of vertiginous cheap-thrill reaction to the carryings-on. Russell does know what he's doing and how to get what he wants. Go to Full Review
P.S. Morris Sarasota Herald-Tribune Aug 24, 2026
Because Redgrave and Reed are fine actors and because there is a story with credible dialogue, their movie is, perhaps, more sinister than horrifying. Go to Full Review
Monica O'Hara Liverpool Echo Aug 24, 2026
I'm not disputing Mr. Russell's undoubted talent, just wondering what sort of nuns he has met up with to get such a crazy idea of what makes them tick. Go to Full Review
Giles M. Fowler Kansas City Star Aug 24, 2026
Some directors can get away with epic horror, but Russell doesn't know where to let up. His offense is less to good taste than to good dramatic sense. Go to Full Review
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Audience Reviews

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Leia M Dec 30, 2018 This is definitely a B movie cult film. From all accounts, the uncut version is even more controversial than the version that was released. This review is based on the uncut version. This was a true story about the fall of Urband Grandier, a french priest. The priest was tried and executed for his black magic and dealing with the devil. I was glad the priest got what was coming to him due to his actions early in the film, but the trial was an absolute stage show. This film has TONS of controversy due to the things that "happen"to the nuns, plus what happens to the christian statutes. It was definitely a fun watch to experience something so unique. See more
Poe L Dec 24, 2018 Such a shame censorship kept Russell from putting out the whole intended footage of the movie. Still a great movie.
Han P Oct 14, 2018 In 17th Century France, Cardinal Richelieu is influencing Louis XIII in an attempt to gain further power. He convinces Louis that the fortifications of cities throughout France should be demolished to prevent Protestants from uprising. Louis agrees, but forbids Richelieu from carrying out demolitions in the town of Loudun, having made a promise to its Governor not to damage the town. Meanwhile, in Loudun, the Governor has died, leaving control of the city to Father Urbain Grandier (Oliver Reed), a dissolute and proud but popular and well-regarded priest. He is having an affair with a relative of Father Canon Jean Mignon, another priest in the town; Grandier is, however, unaware that the neurotic, hunchbacked Sister Jeanne des Anges (Vanessa Redgrave) (a victim of severe scoliosis who happens to be abbess of the local Ursuline convent), is sexually obsessed with him. Sister Jeanne asks for Grandier to become the convent's new confessor. Grandier secretly marries another woman, Madeleine De Brou (Gemma Jones), but news of this reaches Sister Jeanne, driving her to jealous insanity. When Madeleine returns a book by Ursuline foundress Angela Merici that Sister Jeanne had earlier lent her, the abbess viciously attacks her with accusations of being a "fornicator" and "sacrilegious bitch," among other things. Baron Jean de Laubardemont arrives with orders to demolish the city, overriding Grandier's orders to stop. Grandier summons the town's soldiers and forces Laubardemont to back down pending the arrival of an order for the demolition from King Louis. Grandier departs Loudun to visit the King. In the meantime, Sister Jeanne is informed by Father Mignon that he is to be their new confessor. She informs him of Grandier's marriage and affairs, and also inadvertently accuses Grandier of witchcraft and of possessing her, information that Mignon relays to Laubardemont. In the process, the information is pared down to just the claim that Grandier has bewitched the convent and has dealt with the Devil. With Grandier away from Loudon, Laubardemont and Mignon decide to find evidence against him... "The Devils" is a 1971 British historical drama horror film directed by Ken Russell. Russell's screenplay is based partly on the 1952 book The Devils of Loudun by Aldous Huxley, and partly on the 1960 play The Devils by John Whiting, also based on Huxley's book. The film is a dramatised historical account of the rise and fall of Urbain Grandier, a 17th-century Roman Catholic priest executed for witchcraft following the supposed possessions in Loudun, France. The film faced harsh reaction from national film rating systems due to its disturbingly violent, sexual, and religious content, and originally received an X rating in both the United Kingdom and the United States. It was banned in several countries, and eventually heavily edited for release in others. The film has never received a release in its original, uncut form in various countries, and is largely unavailable in the home video market. The film remains controversial since the time of its first release in July 1971. In the UK, 17 local authorities banned the film's distribution. Critics gave it equally scathing reviews. Judith Crist called it a "grand fiesta for sadists and perverts", while Derek Malcolm called it "a very bad film indeed." Roger Ebert gave the film a rare zero-star rating. However, it won the award for Best Director-Foreign Film in the Venice Film Festival, despite being temporarily confiscated in Verona. The film was granted release a few weeks later. The United States National Board of Review awarded Ken Russell best director for The Devils and his next film, The Boy Friend. Film historian Joel W. Finler described The Devils as Russell's "most brilliant cinematic achievement, but widely regarded as his most distasteful and offensive work". In 2002, when 100 film makers and critics were asked to cite what they considered to be the ten most important films ever made, The Devils featured in the lists submitted by critic Mark Kermode and director Alex Cox. "The Devils" is a film that has been on my to see list for a long long time. Ken Russell pushes the envelope in witchhunting, herecy, devil worship, possession of evil doings, love, religion and sexual lust. It´s an intense film to say the least with great performances from Oliver Reed and Vanessa Redgrave. Russell does everything he can to add shock value for the audience in 1971 (maybe not as shocking in 2018) and once you have seen it you won´t forget it I can promise you that. I reckon he went for offending as many people as possible to get a reaction on how he thinks religion and the church "possess" people in our society and use it as a tool of power to supress and make people lose their independency. Russell tries to portray Grandier as he sees Christianity in the flesh so to speak. Grandier´s faith in God is so strong that he will not allow anyone to make him deviate from his path. The controversy surrounding this film adds of course to it´s reputation, but it´s a unique film that has its place in movie history no matter what you might think of it. Trivia: A major sequence in which the nuns tear down and ravish a life-sized icon of Christ in an orgiastic frenzy was cut from the film and subsequently vanished. Film critic Mark Kermode discovered the footage many years later. Ken Russell was keen to reinstate the scene but found that Warner Brothers were not interested in doing a director's cut. The footage can be seen in a documentary Kermode made about Russell and was subsequently included in an uncut DVD release. See more
Luke S Aug 3, 2018 Ken Russell's work here is deliberately thought-provoking as a priest (Reed) living on the edge of popular thought, and stubbornly argumentative with the powers-that-be, is therefore expeditiously accused of worshipping Satan. Hysteria follows. The finger pointed at modern society is strong with this one. Don't say I didn't warn you. Parental guidance suggested. For your parents, too. See more
Hagrid M May 9, 2018 For a while, the impression one gets is that Russell is not interested in discussing insanity (or its nature) but just to show it - bare naked - in a purely exploitative, surrealistic way; which is true, until everything moves so confidently towards an apotheotic display of mad depravity. See more
Leia R Apr 26, 2017 Oliver reed is great in this movie as an out of control priest who ends up getting burnt alive and his city gets destroyed
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The Devils

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Movie Info

Synopsis In 17th-century France, Father Grandier (Oliver Reed) is a priest whose unorthodox views on sex and religion influence a passionate following of nuns, including the sexually obsessed Sister Jeanne (Vanessa Redgrave). When the power-hungry Cardinal Richelieu (Christopher Logue) realizes he must eliminate Grandier to gain control of France, Richelieu portrays Grandier as a satanist and spearheads a public outcry to destroy the once-loved priest's reputation.
Director
Ken Russell
Producer
Ken Russell, Robert H. Solo
Screenwriter
Ken Russell
Distributor
Warner Bros. Pictures, Warner Home Vídeo
Production Co
Warner Brothers, Russo Productions
Rating
R
Genre
Horror
Original Language
English
Release Date (Theaters)
Jul 16, 1971, Wide
Release Date (Streaming)
Oct 13, 2017
Box Office (Gross USA)
$1.7M
Runtime
1h 49m
Sound Mix
Mono
Aspect Ratio
Scope (2.35:1)
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