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The Talk of the Town

Play trailer Poster for The Talk of the Town 1942,  1h 55m,  Comedy/ Drama/ Romance/ Mystery & Thriller Play Trailer Watchlist
Stream Now Watchlist 89% 18 Reviews Tomatometer 84% 2,500+ Ratings Popcornmeter
89% Tomatometer 18 Reviews 84% Popcornmeter 2,500+ Ratings
Leopold Dilg (Cary Grant), who was wrongfully convicted of arson, manages to escape from prison. While on the lam, he finds the home of Nora Shelley (Jean Arthur), an old friend from school for whom he harbors a secret affection. Nora believes in Dilg's innocence and lets him pose as her landscaper; meanwhile, Professor Lightcap (Ronald Colman), a legal expert, has just begun renting a room in Nora's home. Lightcap, like Dilg, also has eyes for Nora, leading to a series of comic misadventures.
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Critics Reviews

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Tom Milne Time Out Jun 24, 2006
An attractive serio-comic tale of civic corruption. Go to Full Review
Bosley Crowther New York Times Mar 25, 2006
3.5/5
It may be off beam in its philosophy, but its quality of humor is not strained. Go to Full Review
Dave Kehr Chicago Reader Jan 1, 2000
Overblown, too long, and not nearly as much fun as it's cracked up to be. Go to Full Review
Matt Brunson Film Frenzy Jan 5, 2025
3.5/4
A seriocomedy in which laughs and legalities easily commingle. Go to Full Review
Danielle Solzman Solzy at the Movies Dec 17, 2024
4.5/5
Three's a crowd in The Talk of the Town and the laughs are a plenty. Go to Full Review
Yasser Medina Cinefilia Jul 15, 2020
7/10
The rhythm is irregular, but the drama and comedy are very well balanced. In the plot there is humor, surprises, very nice characters and a delicate love triangle that works properly. [Full review in Spanish] Go to Full Review
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Audience Reviews

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Kylo S Oct 20, 2018 Watch this just to see how fast Jean Arthur can talk.
Finn W May 25, 2018 A strong cast with two leading men, comedic moments, and intelligent commentary on justice in America all make this a very good film. Cary Grant is a man in jail in a small town on trumped up arson charges, and Ronald Colman is an eminent legal mind who is just arriving there to work on a book. Grant escapes to the home of his old friend Jean Arthur, and Colman shows up the same night to begin renting it from her. Grant is hidden away in the attic for awhile, but soon strikes up a friendship with Colman while pretending to be Arthur's gardener, and the pair engage in some interesting debates on justice and the law. Colman represents the viewpoint of the dispassionate letter of the law, while Grant cautions that such thought is too idealistic for the way justice is often administered. As a mob has been whipped up into a frenzy against him by the local corrupt businessman whose factory burned down, he ought to know. Grant and Colman are given equal chance to charm us and shine, and they do. Arthur more than keeps up them, delivering her lines so naturally, and she's delightful. The film keeps us guessing as to who she may end up with, as both men are attractive in their own way. I loved seeing a little bit of darkness and danger in Grant here, as well as moments of charm, such as when he widens his eye and assures Arthur that they won't recognize him from the photograph on a Wanted poster, because they hadn't captured his spirit. The film gets a little heavy-handed in some of its messaging as the film plays out, but I was swayed by just how relevant it is in the times of today's populism. The danger of the mob being manipulated by someone who is corrupt (how can one not think of 'lock her up' while watching that today?), the danger of rushing to judgment instead of listening to the facts and the evidence, and the need to fight for principles were certainly appropriate in 1942, but they're also timeless. Rex Ingram is strong as Colman's servant, including a moment where he gets choked up watching Colman shave off his beard. It seemed a rather odd to me at the time, but since it means Colman is going to fight for justice in this particular case, going against the mob, it may be that Ingram relates this to countless mobs lynching African-Americans, with no one standing up for them. The film has a few moments where you have to suspend disbelief, but I enjoyed it for its intelligence, and added dimension to what otherwise would have been a standard comedy or romantic comedy. It's a film that will charm you one moment, and make you think the next, and that's not bad. Here's a quote from Colman's speech to the mob: "This is your law and your finest possession - it makes you free men in a free country. Why have you come here to destroy it? If you know what's good for you, take those weapons home and burn them! And then think... think of this country and of the law that makes it what it is. Think of a world crying for this very law! And maybe you'll understand why you ought to guard it. Why the law has got to be the personal concern of every citizen. To uphold it for your neighbor as well as yourself. Violence against it is one mistake. Another mistake is for any man to look upon the law as just a set of principles. And just so much language printed on fine, heavy paper. Something he recites and then leans back and takes it for granted that justice is automatically being done. Both kinds of men are equally wrong! The law must be engraved in our hearts and practiced every minute to the letter and spirit. It can't even exist unless we're willing to go down into the dust and blood and fight a battle every day of our lives to preserve it. For our neighbor as well as ourself!" Hallelujah. See more
Leia L Mar 1, 2018 Cheap theatrics, a rushed climax and cliches weakened the ending in this one. It seemed like it couldn't decide if it wanted to be a comedy or a drama. I did enjoy the "tyranny of the mob" and the SCOTUS business though. It looked like it was legitimately filmed in the SCOTUS too. See more
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The Talk of the Town

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Movie Info

Synopsis Leopold Dilg (Cary Grant), who was wrongfully convicted of arson, manages to escape from prison. While on the lam, he finds the home of Nora Shelley (Jean Arthur), an old friend from school for whom he harbors a secret affection. Nora believes in Dilg's innocence and lets him pose as her landscaper; meanwhile, Professor Lightcap (Ronald Colman), a legal expert, has just begun renting a room in Nora's home. Lightcap, like Dilg, also has eyes for Nora, leading to a series of comic misadventures.
Director
George Stevens
Producer
Fred Guiol
Screenwriter
Irwin Shaw, Sidney Buchman, Sidney Harmon
Production Co
Columbia Pictures Corporation
Genre
Comedy, Drama, Romance, Mystery & Thriller
Original Language
English
Release Date (Theaters)
Aug 27, 1942, Original
Release Date (Streaming)
Apr 16, 2012
Runtime
1h 55m
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