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Rust Reviews
In an equally uncomfortable paradox, Halyna Hutchins is the movie’s saving grace. Without her work, it wouldn’t be worth a look at all.
Rust might actually be a good film. It isn’t exactly Oscar bait, though a posthumous nomination for Hutchinson would be nice. A well shot and structured western with maybe one casting choice I would have changed.
A western about pain, guilt, and redemption. [Full review in Spanish]
The Western genre doesn't need so much cartographic detail, and the film jumps from one town to another exhibiting a supposed historical rigor that ultimately becomes dizzying. [Full review in Spanish]
While [Rust]... is a handsome, if somewhat generic frontier adventure, the fetishisation of firearms feels jarringly inappropriate given the circumstances.
A mind-numbingly dull script and zombie crawl pacing hinder the otherwise familiar spaghetti western homage Rust, its capable cast hobbled by banality, doomed to be forever eclipsed by the accidental death of Halyna Hutchins.
…there’s cruel irony in that Rust will be remembered for all the wrong reasons, but this harsh, unsparing film itself will presumably allow the creative team behind it to move on, and its very existence might allow those who can’t to rest in peace…
The plot, co-written by Souza and Baldwin, toggles soap-operatically... It’s methodically told, but often ravishingly captured.
What a strange, gloomy and deeply beautiful film this is.
Steadily performed and beautifully photographed, it’s a western of the dusty, old-school variety that, though marred by tragedy, deserves a look-in.
On its own merits, it's a pretty good Western.
There’s little about “Rust,” despite the unique horror of its production, to distinguish it, in form or style, from other fiction features.
Not a western genre standout, 'Rust' is slow paced but watchable. The sublime cinematography tragically underscores the on-set death of the cinematographer.
Plagued by the much publicized tragic death of the 42-year-old Ukrainian cinematographer Halyna Hotchins.
Authentically mounted and rich in genre tropes/traditions, RUST is a finely rendered contemporary staging of an ol’ Hollywood ‘oater’, bolstered by resonant performances by Baldwin and McDermott.
Rust doesn’t reinvent the wheel or break new ground like, say, Unforgiven. But for an indie movie marred by tragedy, the outcome is sturdy, enhanced by strong turns by Travis Fimmel and, yes, Alec Baldwin.
Rust” makes for a passable Western sojourn that will forever be steeped in tragic ignominy.
It’s a sad irony that the best thing about “Rust” is its atmospheric cinematography.
In spite of the woe in its making, there’s enough beneath the surface of Rust to overcome its flaws.
Touched by tragedy, Rust, despite Halyna Hutchins’s beautiful, moody cinematography, is an uncomfortable watch and overstays its welcome at 140 minutes.