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Pin Cushion

Play trailer 1:58 Poster for Pin Cushion 2018,  1h 22m,  Drama Play Trailer Watchlist
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Watchlist 89% 38 Reviews Tomatometer 71% 100+ Ratings Popcornmeter
89% Tomatometer 38 Reviews 71% Popcornmeter 100+ Ratings
A mother hopes that a move to a new town will provide a better life for both herself and her awkward daughter.
Pin Cushion

What to Know

Critics Consensus

Pin Cushion explores the prickly dynamics of mother-daughter relationships and female friendships, led by striking work from leads Lily Newmark and Joanna Scanlan.

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Critics Reviews

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Katie Walsh Los Angeles Times Jul 20, 2018
Writer-director Deborah Haywood makes her feature directorial debut with the surreal and whimsical mother-daughter nightmare Pin Cushion, driven by a singular vision and masterful control of a unique tone, which tiptoes the line of beauty and terror. Go to Full Review
Serena Donadoni Village Voice Jul 19, 2018
Haywood's formidable first feature is at once a ruthless dissection of cruelty, capturing the relentless torment of outcasts for the pleasure of self-styled superiors, and a warm evocation of an interdependent mother-daughter bond. Go to Full Review
Anna Smith Time Out Jul 19, 2018
4/5
It's not always an easy watch but it's a sensitive, assured film with characters you'll warm to and root for. Go to Full Review
Andrew Murray The Upcoming Feb 2, 2021
4/5
Refreshingly charismatic and full of its own unique personality, Pin Cushion is an endearing and eye-opening exploration of the impact of bullying, wrapped in a colourful coming-of-age tale. Go to Full Review
Emilie Black Cinema Crazed Apr 12, 2020
4.5/5
The acting is superb all around with two stunning performance from Joanna Scanlan and Lily Newmark. Go to Full Review
Becky Kukla The Digital Fix Mar 8, 2019
8/10
A dark fairy-tale, Pin Cushion is at once a wickedly funny and a deeply emotional experience Go to Full Review
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Audience Reviews

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Ron P Dec 1, 2018 Weird out of the box, but an interesting look into a young girl and her mom's life - trying to find their place and friends. Girls are terrible to each other...but the mom definitely strikes the greatest blow with a really impactful ending. See more
Harry R Nov 4, 2018 11/22/2018 The fantasy coming of age should have woven a little bit more magic into this theme that has been told and retold a countless different permutations. I somehow wasn't able to root for the protagonist enough to like this. See more
Poe P Oct 24, 2018 Good movie about growing pains, peer pressure. Kinda sad at the end.
George R Sep 17, 2018 The performances of Newmark and Scanlan apart (the appalling shortcomings of the film not being their fault at all), this was absolutely dire. A truly revolting film without any merit at all (oh, the music was quite nicely done). But ... I could waste an awful lot of time analysing it, but I won't bother. It was the very opposite of entertaining (I had to force myself to stick with it and not walk out, in the hopes that it might develop some kind of redeeming dramatic resolution.) Nor was it intellectually stimulating or thought-provoking. Incredibly, it didn't really have a social message either, it was all in a kind of puerile vacuum. I felt I'd gone back 50 years to film school, though I don't think I ever saw a film as bad at this in the three years I was at film school. I can't really think of any film in my whole life that I've enjoyed less. 92 minutes of sewage that I'm now trying to erase from my memory like a very bad dream. See more
Anakin S Aug 26, 2018 It's a cruel, cruel world for kids. There are a lot of harsh truths that you never see coming, and, depending on your class status and family, they can be drastically more difficult to deal with. That's probably why Lady Bird hit so hard a year ago because intrinsic to its standard coming-of-age plot line was a subtler undercurrent of socio-economic struggle. Where many of these types of films focus almost exclusively on the protagonist's emotional state, Lady Bird and now Deborah Haywood's Pin Cushion have quite a lot to do with the mechanisms that surround the elucidation of adulthood. Starting life fresh in a new town, Lyn (Joanna Scanlan) and her teen daughter Iona (Lily Newmark) are eccentric and in sync with each other, but the insular and catty nature of their new home drives them apart in spite of themselves. Their naive and passive proclivities give them away to the most callous inhabitants of their community, and they fall prey to an almost hyperbolic series of bullyings. This thing gets dark then darker. If I were forced to provide a point of reference for the sense of unsettling dread that permeates this movie I would immediately say Hereditary. Yet somehow Pin Cushion seems more sincere than that critically acclaimed darling of a film because however absolutely bizarre Lyn and Iona act, there isn't some silly satanic cop-out. They really are struggling with not only sanity but the absurdly vindictive society that they isolated themselves from until it was too late for them to be able to deal with it. Much of the film focuses on Iona's experiences as she traverses her school's small social sphere like any film of this particular genre. But when she tries to fit in, she is subjected to passive aggressive agony all the way to outright slanderous hatred. That "small victory" sense of triumph characteristic of other similar set films is rarely seen. Instead we are treated to the darkest humor riddled with gorgeously shot fantasy sequences of how she would wish her life to be, so the highs are high enough that the lows are absolutely devastating. It's equal parts hilarious, depressing, and thoughtful, and it's a film that makes you want to be nicer to people. See more
George S Aug 7, 2018 That movie was f**k all! Wtf?!?! Little bastards cu*nts burn another human being like that and aren't even arrested?! Then the gutless mother gets a chance to bash their heads in and hangs herself?!??!?! See more
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Pin Cushion

My Rating

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Movie Info

Synopsis A mother hopes that a move to a new town will provide a better life for both herself and her awkward daughter.
Director
Deborah Haywood
Producer
Gavin Humphries, Maggie Monteith
Screenwriter
Deborah Haywood
Distributor
Cleopatra Entertainment
Production Co
BFI Film Fund, Dignity Film Finance, Cleopatra Records
Genre
Drama
Original Language
English
Release Date (Theaters)
Jul 20, 2018, Limited
Release Date (Streaming)
Aug 7, 2018
Runtime
1h 22m
Aspect Ratio
Flat (1.85:1)
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