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Mr. Arkadin

Play trailer Poster for Mr. Arkadin 1956,  1h 33m,  Drama Play Trailer Watchlist
Watchlist 72% 29 Reviews Tomatometer 80% 1,000+ Ratings Popcornmeter
72% Tomatometer 29 Reviews 80% Popcornmeter 1,000+ Ratings
Claiming that he doesn't know his own past, a rich man enlists an ex-con with an odd bit of detective work. Gregory Arkadin says he can't remember anything before the late 1920s, and convict Guy Van Stratten is happy to take the job of exploring his new acquaintance's life story. Guy's research turns up stunning details about his employer's past, and as his work seems linked to untimely deaths, the mystery surrounding Mr. Arkadin deepens.

Critics Reviews

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Penelope Houston Sight & Sound Mar 18, 2020
Beneath the baroque extravagance of its style, and the characteristic romantic retreat from reality into another Xanadu, the film crumbles emptily away. Go to Full Review
Richard Brody The New Yorker Mar 11, 2013
This fractured Citizen Kane, built of frames within frames and mirrors within mirrors, is aptly brought to life by Welles's later style, born of low budgets and high anxiety, its grotesque closeups and cocked angles suggesting worlds and minds askew. Go to Full Review
Variety Staff Variety Mar 26, 2009
Engaging meller it may be, but missing the incisive delineation that marked Kane. Go to Full Review
Yasser Medina Cinefilia Oct 29, 2023
6/10
Its plot has a start full of intrigue in which Welles demonstrates, above all, his skill in elevating the compositional thickness of the frame, but whose degree of mystery is lost in its routine of international hunts. [Full review in Spanish] Go to Full Review
Herman G. Weinberg Film Culture Mar 28, 2022
That rara avis among films -- the intensely personal expression of a highly gifted artist, intoxicated by the creative possibilities of the film medium, and who imparts something of this prodigality of joy in the medium to us. Go to Full Review
Frank Alberts Brooklyn Daily Eagle Aug 1, 2020
Wells, always a master of the Bright Idea, falters when it comes to real ideas. Go to Full Review
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Audience Reviews

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Anakin R Nov 13, 2017 There are 7 or 8 different versions of Confidential Report (a.k.a. Mr. Arkadin) but none of them apparently represent Orson Welles' vision of the film. Although Criterion released a 105 minute version with all of the available footage drawn from every different English-language version (there are also Spanish), this still didn't contain the opening shot that Welles described to Peter Bogdanovich in the lengthy book of interviews called "This is Orson Welles" (a shot of Milly's body washed up on a beach). I had a VHS copy (entitled "Mr. Arkadin") that was 92 minutes long that I always found utterly confusing. So, when I bought a used DVD from the local library last weekend (entitled "Confidential Report") that is 95 minutes long, I was surprised to find that it felt a lot more coherent. Of course, this could also be because I've seen (and read about) the film a bunch of times now. Due to financial problems, this is another picture that Welles shot in piecemeal fashion, in different locations, with lots of reshooting when new actors replaced older ones (and to make a Spanish version to suit a co-producer there), and with Welles later dubbing his own voice for many characters and tacking on the musical score (written without access to the film but with notes from Welles) in fragmented form at the end. The plot itself was drawn from some episodes of the Harry Lime radio show that Welles wrote (and was starring in), although it doesn't feature Lime but instead another amoral bootlegger/smuggler, Guy van Stratten (played by Robert Arden), who figures he can blackmail the rich and famous Gregory Arkadin (played by Welles himself with bushy beard, false nose, and dubious accent). But Arkadin has other plans, claiming amnesia and contracting van Stratten to discover everything he can about his past to present in a confidential report. Naturally, all of the various characters found to testify to the evil-doings in Arkadin's past meet with unpleasant ends but this doesn't prevent Arkadin's daughter (played by Welles' soon-to-be wife Paola Mori) from discovering her father's true nature (similar to the scorpion who stings the frog, retold again here by Welles), leading to his demise. That sounds a lot more coherent than it probably is - although, again, this edit may have been the most straightforward one, ditching many of Welles' plans for flashbacks within flashbacks. The end result is a bit patchy, clearly shot on a low budget, with some clever camerawork and unusual shots, sets, and character actors - but it likely only represents a pale shadow of what Welles was intending. See more
Ron G Sep 11, 2017 The mystery of Arkadin is quite intriguing and that's what makes this film a pleasant watch. You too want to know all about his background as well as an explanation on the in medias res setting. Same about that intro with the plane, although the answer to that - to be found in the dragged-out final act - is a lot more disappointing than the already flimsy twist. Nevertheless, Van Stratten's global roaming is of interest, even if the cinematography has more bad moments than grand. See more
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Mr. Arkadin

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Movie Info

Synopsis Claiming that he doesn't know his own past, a rich man enlists an ex-con with an odd bit of detective work. Gregory Arkadin says he can't remember anything before the late 1920s, and convict Guy Van Stratten is happy to take the job of exploring his new acquaintance's life story. Guy's research turns up stunning details about his employer's past, and as his work seems linked to untimely deaths, the mystery surrounding Mr. Arkadin deepens.
Director
Orson Welles
Producer
Louis Dolivet, Orson Welles
Screenwriter
Orson Welles
Distributor
Criterion Collection
Production Co
Mercury Productions, Filmorsa, Cervantes Films, Sevilla Films
Genre
Drama
Original Language
English
Release Date (Theaters)
May 8, 1956, Original
Release Date (Streaming)
Sep 21, 2017
Runtime
1h 33m
Sound Mix
Mono
Aspect Ratio
Flat (1.37:1)
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