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Midnight Cowboy

Play trailer Poster for Midnight Cowboy R,  1969,  1h 53m,  Drama Play Trailer Watchlist
Watchlist 89% 114 Reviews Tomatometer 88% 25,000+ Ratings Popcornmeter
89% Tomatometer 114 Reviews 88% Popcornmeter 25,000+ Ratings
Convinced of his irresistible appeal to women, Texas dishwasher Joe Buck (Jon Voight) quits his job and heads for New York City, thinking he'll latch on to some rich dowager. New York, however, is not as hospitable as he imagined, and Joe soon finds himself living in an abandoned building with a Dickensian layabout named Enrico Ratso Rizzo (Dustin Hoffman). The two form a rough alliance, and together they kick-start Joe's hustling career just as Ratso's health begins to deteriorate.
Midnight Cowboy

What to Know

Critics Consensus

John Schlesinger's gritty, unrelentingly bleak look at the seedy underbelly of urban American life is undeniably disturbing, but Dustin Hoffman and Jon Voight's performances make it difficult to turn away.

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Critics Reviews

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Pauline Kael The New Yorker Jul 29, 2022
[John Schlesinger's] spray of venom is just about overpowering, yet the two actors and the simple Of Mice and Men kind of relationship at the heart of the story save the picture. Go to Full Review
Sophie Monks Kaufman Time Out Mar 14, 2022
5/5
Director John Schlesinger and screenwriter Waldo Salt pump so much emotion into it that it becomes a moving epitaph both to its two striving characters and the American dream itself. Go to Full Review
Marjory Adams Boston Globe Mar 14, 2022
Midnight Cowboy is America's challenge to any film from foreign shores... From now on, it is going to be difficult for the cinema snob to declare tritely that films in this country are made for immature audiences. Go to Full Review
Matt Brunson Film Frenzy Nov 11, 2025
4/4
It only takes a movie like Midnight Cowboy to point out the limitations of a critical rating system: How can a measly four stars convey the magnificence of this acknowledged classic? Go to Full Review
Mark Johnson Awards Daily Jun 8, 2023
Gritty, grimy, and groundbreaking for its time, few films have been more avant-garde in approach, nor more perpetually relevant than Midnight Cowboy. Go to Full Review
Michael Talbot-Haynes Film Threat Mar 25, 2022
10/10
The characters’ dreams and memories intermingle with their daily actions, sometimes combining in surreal ways. The camerawork is amazing, capturing vistas of glory and grime from the dawn of 1970s New York. Go to Full Review
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Audience Reviews

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Draco G Mar 28, 2019 It may have dated quite a bit, but there's a still a lot of wallop packed into the 113 minutes of Midnight Cowboy. It's attitude towards women can be generously called 'antiquated', and it does drag a fair bit towards the end, but there have been few films which have better captured the pure horror and drudgery of destitution. Voight and Hoffman seem to be competing to steal the screen, and both play off each other brilliantly. The movie has a very grubby aesthetic, like the film reels were dipped in grease and left to dry out in the hot sun, and it's completely cynical attitude towards both New York and humanity might not be pretty, but there are plenty glimmers of hope that keep our hustling heroes going. I was shocked by the ending twist, though admittedly I shouldn't have been, and Hoffman is so incredible that a single one of his expressions can make your heart go out to him, even when he's just been ripping someone off and running away with their cash. The look and tone will put many people off, but for those keen to take a close look at the seedy underbelly of big city living, few have done it more bleakly, or effectively, than Midnight Cowboy. See more
Anakin W Jan 29, 2019 To say that I liked the film wouldn't be correct, because it was a bit cringe-worthy for my taste, but that isn't to say it's a bad film by any means. The script can kind of fluctuate everywhere and there are some backstory sections that are left up to a little bit of interpretation, but those are really the only issues with the film. The main character has been messed up in the head by witnessing a gang rape, being a victim of gang rape himself, and possibly molestation by his guardians and so it's possible that the reason he wants to become a sex worker is because of a confused understanding of who he is. He gets swindled a lot at first because of his naivete, and then he quickly becomes hardened in order to survive homelessness. His interactions with Rico both add to this callousness and help to soften him back again. By the end he has realized that prostitution is too hard for him to survive on, and it's a good lesson for him because it appears that he has found himself, whereas before he struggled with self-identity. Obviously the showcase of the film is on the platonic brotherhood between the two main leads, Hoffman and Voight, and it's no wonder that they both got Oscar nods for their performances as they are acted perfectly. The film is a well-done tragedy, and I couldn't see too many critical errors within it, just a bit too trashy for me. See more
Rey G Dec 21, 2018 A fantastic movie that really solidified the excellence of Dustin Hoffman. Even if you don't care for the story
Draco W Sep 5, 2018 The film that introduced to the world both Dustin Hoffman and Jon Voight-although to be fair both had made films earlier and The Graduate is far more well-known- Midnight Cowboy is a well-made film about two hustlers trying to make it in the big apple. Well shot in a documentarist style so common in the late 60s Midnight cowboy is a great watch. See more
Hermione S Jul 15, 2018 Boy oh boy did it make me cry...
Han P Jun 18, 2018 The film that introduced to the world both Dustin Hoffman and Jon Voight-although to be fair both had made films earlier and The Graduate is far more well-known- Midnight Cowboy is a well-made film about two hustlers trying to make it in the big apple. Well shot in a documentarist style so common in the late 60s Midnight cowboy is a great watch. 7/10 (Go watch it for the duo of Voight- Hoffman) See more
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Midnight Cowboy

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Midnight Cowboy

Midnight Cowboy: Official Clip - Come on Now Don't Hit Me Midnight Cowboy: Official Clip - Come on Now Don't Hit Me 1:56 Now Playing Midnight Cowboy: Official Clip - That's a Funny Thing You Mentioning Money Midnight Cowboy: Official Clip - That's a Funny Thing You Mentioning Money 2:03 Now Playing Midnight Cowboy: Official Clip - I'm Walkin' Here Midnight Cowboy: Official Clip - I'm Walkin' Here 2:05 Now Playing Midnight Cowboy: Official Clip - Miami Dreaming Midnight Cowboy: Official Clip - Miami Dreaming 2:11 Now Playing Midnight Cowboy: Official Clip - Ratso Gets Joe a Real Job Midnight Cowboy: Official Clip - Ratso Gets Joe a Real Job 2:03 Now Playing Midnight Cowboy: Official Clip - Ratso's Dying Wish Midnight Cowboy: Official Clip - Ratso's Dying Wish 2:14 Now Playing Midnight Cowboy: Official Clip - Ratso and Joe Trade Insults Midnight Cowboy: Official Clip - Ratso and Joe Trade Insults 2:09 Now Playing Midnight Cowboy: Official Clip - Ratso and Joe Lose Their Home Midnight Cowboy: Official Clip - Ratso and Joe Lose Their Home 1:55 Now Playing Midnight Cowboy: Official Clip - Ratso Dies on the Bus to Miami Midnight Cowboy: Official Clip - Ratso Dies on the Bus to Miami 2:09 Now Playing Midnight Cowboy: Official Clip - I'm Fallin' Apart Here Midnight Cowboy: Official Clip - I'm Fallin' Apart Here 1:30 Now Playing View more videos
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Movie Info

Synopsis Convinced of his irresistible appeal to women, Texas dishwasher Joe Buck (Jon Voight) quits his job and heads for New York City, thinking he'll latch on to some rich dowager. New York, however, is not as hospitable as he imagined, and Joe soon finds himself living in an abandoned building with a Dickensian layabout named Enrico Ratso Rizzo (Dustin Hoffman). The two form a rough alliance, and together they kick-start Joe's hustling career just as Ratso's health begins to deteriorate.
Director
John Schlesinger
Producer
Jerome Hellman
Screenwriter
James Leo Herlihy, Waldo Salt
Distributor
Criterion Pictures, Metro-Goldwyn-Mayer
Production Co
Florin Productions, Jerome Hellman Productions
Rating
R
Genre
Drama
Original Language
English
Release Date (Theaters)
May 25, 1969, Wide
Release Date (Streaming)
Sep 16, 2008
Box Office (Gross USA)
$201.0K
Runtime
1h 53m
Sound Mix
Stereo
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