Rotten Tomatoes
Suggestions will appear as you start typing. Submit search Movies Tv shows RT App New News Showtimes

The Lower Depths

Play trailer Poster for The Lower Depths 1957,  2h 5m,  Drama Play Trailer Watchlist
Watchlist 83% 6 Reviews Tomatometer 79% 1,000+ Ratings Popcornmeter
83% Tomatometer 6 Reviews 79% Popcornmeter 1,000+ Ratings
Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man (Bokuzen Hidari) and an aging actor (Kamatari Fujiwara), get drawn into a love triangle that turns violent. When amoral thief Sutekichi (Toshirô Mifune) breaks off his affair with landlady Osugi (Isuzu Yamada) to romance her younger sister, Okayo (Kyoko Kagawa), Osugi extracts her revenge by revealing her infidelity to her jealous husband (Ganjirô Nakamura).

Critics Reviews

View More
Bosley Crowther New York Times Sep 10, 2005
5/5
This is the purpose of the picture, to make one suffer and sympathize with them. Kurosawa's darkly imagistic technique achieves this depressing aim. Go to Full Review
Hoshi Soffen Shin Nichibei/New Japanese American News Jul 17, 2019
[The Lower Depths] falls short of his other Mifune successes, ie: Rashomon, Seven Samurais. Nonetheless, it is Kurosawa through and through, and if you are one of his ardent public, you will want to include this on the list of "have seens." Go to Full Review
Louis Proyect rec.arts.movies.reviews Sep 2, 2010
Bleak comedy about a virtual flophouse in Edo-period Japan based on Gorky's play. Top-flight ensemble performance. Go to Full Review
Emanuel Levy EmanuelLevy.Com Nov 3, 2005
5/5
John A. Nesbit ToxicUniverse.com Sep 25, 2005
4/5
Jake Euker Filmcritic.com Sep 10, 2005
2.5/5
For the first hour and fifteen minutes of the movie, we make only limited excursions out of the tenement, and it begins to feel as though we've moved in ourselves. Kurosawa may have intended this, but it doesn't make for very satisfying viewing. Go to Full Review
Read all reviews

Audience Reviews

View More
Harry P Nov 13, 2018 This film was almost good.
Draco W Mar 22, 2017 Through various points of the film, Kurosawa thrives on triple-strata action, photographing three layers of story at once, a boldly effective maneuver. One of these is Grandpa attending to the dying lady while her abusive husband gambles with another and behind them is a bigger gambling game. The film is constantly moving, never fading or cutting to another scene, but rather keeping afloat by introducing a new character or plot element. The energy maintains through various dry comical bits, like Grandpa singling, or the crazy dancing guy getting booted by the land lady. Grandpa acts as an angel, seems like he's here to shakabuku. His abrupt exit is surprising, and may hurt our faith, despite attempts by some to at least acknowledge he was a sweet person. But that was compensation for having little else to offer. A one setting film that reads more like a stage play, but Kurosawa manages to make it work cinematically through hundreds of camera setups. Osen the whore is having an emotional arc, expressing herself, and the samurai considers it a perfectly good way of passing time. That about sums up life in the lower depths. It's a very interesting form, getting invested with one set of characters, but then another set that's lingered in the background take over. We see what the main characters left behind. There doesn't seem to be anything terribly poignant about it, but we're not used to seeing this in a movie. It's not as relevant as Ikiru, when the results of what Shimura's death represented are played out. The ending is a shocking reversal, interrupting a very funny drunken song and dance number - there's nothing like a laugh before a shock. Osen has run away threatening to kill herself, soon followed by the drunk actor who is ready to follow up on Grandpa's promise of a curing temple. But he's not fled there, and Osen has not killed herself, rather backing into her old domicile after seeing it's the actor who's hung himself. I can honestly say I didn't see it coming. We never really get what happens to the main set of characters, and the film abruptly ends on the word "bastard," talking about the actor, who was a supporting character at best throughout. See more
Read all reviews
The Lower Depths

My Rating

Read More Read Less WRITE A REVIEW EDIT REVIEW POST RATING
Les Miserables 73% Les Miserables Watchlist And Quiet Flows the Don 81% And Quiet Flows the Don Watchlist Kokoro 89% Kokoro Watchlist We the Living 83% We the Living Watchlist The Idiot 60% 73% The Idiot Watchlist Discover more movies and TV shows. View More

Movie Info

Synopsis Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man (Bokuzen Hidari) and an aging actor (Kamatari Fujiwara), get drawn into a love triangle that turns violent. When amoral thief Sutekichi (Toshirô Mifune) breaks off his affair with landlady Osugi (Isuzu Yamada) to romance her younger sister, Okayo (Kyoko Kagawa), Osugi extracts her revenge by revealing her infidelity to her jealous husband (Ganjirô Nakamura).
Director
Akira Kurosawa
Production Co
Toho Company Ltd.
Genre
Drama
Original Language
Japanese
Runtime
2h 5m
Join The Newsletter Join The Newsletter Cookie Settings