Rotten Tomatoes
Suggestions will appear as you start typing. Submit search Movies Tv shows RT App New News Showtimes

Last Days

Play trailer Poster for Last Days R,  2005,  1h 36m,  Drama Play Trailer Watchlist
Watchlist 58% 114 Reviews Tomatometer 50% 10,000+ Ratings Popcornmeter
58% Tomatometer 114 Reviews 50% Popcornmeter 10,000+ Ratings
In this film inspired by deceased Nirvana frontman Kurt Cobain, brilliant-but-tortured musician Blake becomes overwhelmed by the demands made on him by his fame and so retreats to a large mansion in the woods. Blake longs to be free of his friends' constant demands for money, their attempts to cash in on his success, and from the taxing expectations of the music business. As his depression worsens, Blake unwisely seeks an answer to his dilemma in solitude.
Last Days

What to Know

Critics Consensus

While the minimalist style is not for all viewers, those who prefer experimentalism will find Last Days hypnotic.

Read Critics Reviews

Critics Reviews

View More
David Ansen Newsweek Mar 14, 2018
Van Sant brings a lyricism, a dreamy sensibility that infuses his detachment with sympathy. Last Days, which is informed by the suicide of Kurt Cobain, is a hauntingly beautiful tone poem. Go to Full Review
Chris Chang Film Comment Magazine Nov 19, 2013
Last Days is a strange creature: it's an extremely abbreviated biopic with zero details, a tribute to a man and his music without a trace of his songs, a tragedy without an arc, etc. It's also dynamite artistry. Go to Full Review
Steve O'Hagan Empire Magazine Sep 2, 2005
3/5
A beguiling work of some beauty, this is a further move into a world of hypnotic, observational cinema for Gus Van Sant. Go to Full Review
Richard Propes TheIndependentCritic.com Sep 13, 2020
3.5/4.0
Pitt's performance is a quiet performance. Go to Full Review
Kaleem Aftab The List Apr 26, 2019
3/5
The strength of Last Days is found in the nihilistic performance of Pitt. Go to Full Review
David Keyes Cinemaphile.org Jun 10, 2018
3.5/4
A tremendously sad and unsettling film. Go to Full Review
Read all reviews

Audience Reviews

View More
Hermione G Mar 12, 2018 Beautifully shot, moody, and atmospheric. Michael Pitt gives a great performance as a rock n roll ghost haunting his own final days among the living. He's a blur inside a house that bears his scars. See more
Anakin W May 30, 2017 Gus van Sant's Last Days is an altogether-too-human glimpse into the final pain and struggle of a young man, following him incessantly over the span of a couple of days. The film's Rosetta Stone is its own slow pace, allowing a viewer adequate space to observe the more subtle on-screen details (the medical wristband still worn by the suffering protagonist, Blake; almost discarded dialogue to which Blake barely responds; the aimless wardrobe changes), along with the non-linear chronology of the scenes. In several instances, a silent scene is cut short to invite another character's point of view onscreen, only to be revisited from another angle, or a seemingly insignificant development is placed under scrutiny by being "book-ended" between two indirectly related scenes. This is not a film which meanders without reason, contrary to what transpires on its surface. Observing (even experiencing) the excruciating degeneration of a lonely, black-hearted blonde boy unfold from the impenetrable distance from beyond the screen, the conscientious viewer is either revolted by the complex monotony of the film's trajectory, or oppressed by the insights deflected ny the characters' sealed (even selfish?) motives. It is, for either of these reasons, an exceptionally difficult film to watch, but it does reward the dedicated viewer by providing a sense of mood (even, at points, a gallery of dark, sublime and subtle, humour) within the viewer's own experience. "Last Days" neither judges nor reveals its secrets by means of conventional movie tropes. It remains poignant, if not profound, and deserves to be seen by anyone who looks to absorb some modicum of the despair encapsulated by substance abuse and severe depression. In a sense, it is through witnessing events through the passive, objective, unblinking eye of the camera that brings a sense of comprehension - although, the deeper personal questions remain enigmatic. But then, that's how things go in life, isn't it? See more
Read all reviews
Last Days

My Rating

Read More Read Less WRITE A REVIEW EDIT REVIEW POST RATING
Imaginary Heroes 35% 81% Imaginary Heroes Watchlist Interview 58% 55% Interview Watchlist Human Nature 48% 61% Human Nature Watchlist Cherish 51% 55% Cherish Watchlist Personal Velocity: Three Portraits 68% 62% Personal Velocity: Three Portraits Watchlist Discover more movies and TV shows. View More

Movie Info

Synopsis In this film inspired by deceased Nirvana frontman Kurt Cobain, brilliant-but-tortured musician Blake becomes overwhelmed by the demands made on him by his fame and so retreats to a large mansion in the woods. Blake longs to be free of his friends' constant demands for money, their attempts to cash in on his success, and from the taxing expectations of the music business. As his depression worsens, Blake unwisely seeks an answer to his dilemma in solitude.
Director
Gus Van Sant
Producer
Gus Van Sant, Dany Wolf
Screenwriter
Gus Van Sant
Distributor
Picturehouse
Production Co
HBO Films
Rating
R (Some Sexual Content|Language)
Genre
Drama
Original Language
English
Release Date (Theaters)
May 13, 2005, Original
Release Date (Streaming)
Mar 1, 2014
Box Office (Gross USA)
$454.7K
Runtime
1h 36m
Join The Newsletter Join The Newsletter Cookie Settings