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Jane Got a Gun

Play trailer 2:21 Poster for Jane Got a Gun R,  2016,  1h 38m,  Western/ Action Play Trailer Watchlist
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Watchlist 42% 85 Reviews Tomatometer 37% 10,000+ Ratings Popcornmeter
42% Tomatometer 85 Reviews 37% Popcornmeter 10,000+ Ratings
Panic strikes Jane Hammond (Natalie Portman) when her outlaw husband John returns to their farm with bullet wounds. Expecting the worst, she brings her young daughter to safety and travels to the home of Dan Frost (Joel Edgerton), a boozing ex-lover who may be her only hope. With Dan now on her side, Jane prepares for a showdown with the vengeful John Bishop and his gang of thugs. Looking to settle an old score, Bishop must now contend with the gun-toting Jane and her new partner.
Jane Got a Gun

What to Know

Critics Consensus

Jane Got a Gun flounders between campy Western and hard-hitting revisionist take on the genre, leaving Natalie Portman's committed performance stranded in the dust.

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Critics Reviews

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Sara Michelle Fetters MovieFreak.com Aug 15, 2016
3/4
What is here is enjoyable if taken on its own terms, much of Jane Got a Gun playing out with a 1940s or '50s Hollywood lan I found more than satisfying. Go to Full Review
Charlotte O'Sullivan London Evening Standard Apr 24, 2016
2/5
Is it possible that Natalie Portman can't act? Go to Full Review
Tim Robey Daily Telegraph (UK) Apr 24, 2016
2/5
There's hardly a scene you watch without wondering, and doubting, if Ramsay would have done it quite this way. Go to Full Review
Dennis Schwartz Dennis Schwartz Movie Reviews Apr 22, 2025
B-
A standard western. Go to Full Review
Brendan Cassidy InSession Film Jun 17, 2024
B-
Objectively speaking it’s not very good at all, but where it does succeed is deserving of extra praise, given how difficult it must have been to amplify those good seeds... Go to Full Review
Keith Garlington Keith & the Movies Aug 22, 2022
2.5/5
“Jane Got a Gun” is the definition of bland. Go to Full Review
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Audience Reviews

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Abraham L Dec 30, 2018 A simple story with just enough twists to kept it interesting. Portman puts on a good performance and is a pleasing to watch. Good for a lazy day Sunday watch. See more
Hagrid R Oct 28, 2018 A first family is believed dead and instead not, a second family seems alive and instead dies, a third comes out, with a bullet apiece for each parent, who will live elsewhere to die anyway. A botched and inconclusive western. (Mauro Lanari) See more
Kylo P Oct 28, 2018 Really bad sound track. Like the worst....it took away from every scene. It's slow, the storyline was jumbled and confusing. Wow just do yourself a favour and don't watch it. See more
Kylo L Aug 3, 2018 - Jane Got A Gun - And True Grit - My dad introduced me to Westerns when I was a young'un... Silverado was always my personal favorite. And then there was good ol' John Wayne, whom I watched more of when I became a wrangler, working with horses on a local ranch. But as much as I loved these stories, they always lacked a female protagonist. Women were present (i.e. rescued or featured prominently in saloons), but where were the ones with grit and gumption? Enter Jane Hammond (Natalie Portman, Thor, Black Swan). Jane is the heroine we've been waiting for. She didn't set out to become one, but she responds to life's circumstances with courage and brains. When her fiancé doesn't return from fighting the Confederates after the Civil War ends, Jane heads for New Mexico. After she is trafficked into a brothel by the man leading her wagon train, the villainous John Bishop (Ewan McGregor, Last Days in the Desert, Our Kind of Traitor), she builds a new life for herself with the one man who comes to her aid, Bill Hammond (Noah Emmerich, Blood Ties, Warrior). When he's shot by Bishop's men and barely makes it back to their home, she does her best to patch him up before taking their daughter to safety and going to the one man she knows who can help her against the oncoming storm: her ex-fiancé, Dan Frost (Joel Edgerton, Black Mass, Warrior). Together they prepare to defend her property from Bishop's men, who are determined to finish what they started. Jane's character was different from what I'd expected. I've been programmed to expect either a mostly helpless female, or one that is unrealistically tough (with the occasional moment of weakness to make her appear human). I don't relate to either of those types, so I was a bit apprehensive of what I would find in this film. I'm happy to say that I was surprised to find a woman who was not only relatable, but thought-provoking. Glimpses into her past prove that she's more than capable of handling herself, so when she actually needs help, the situation is plausible. She's not the only one being saved or doing the saving in this film; everyone has their moments, which settled the hairs on the back of my neck that rose the first time Jane was between a rock and a hard place. Also, she's basically a super-mom; she cooks, cleans, manages the occasional shootout, handles emergency first aid, etc., all with a no-nonsense attitude of efficiency. Not to say she isn't fazed by the tough stuff. She is, but she deals with it. In that way, she's basically the sugar and steel that women are made of. It's worth mentioning that the film doesn't cut corners in the genre category, either. I'm not a fan of tropes, but there are just certain things you expect from Westerns: exciting chases on horseback, rickety towns built in the middle of the vast and stunning wilderness, shootouts, a villain that's more dastardly than decent folk can handle, saloons, leather and dust... I was a bit concerned that the filmmakers would soften these to make the protagonist look stronger, but that wasn't at all the case. Score! Jane is a woman who manages to face and overcome every obstacle with grit, guts, and determination. That alone would have made a decent Western. But toss in victory, justice, and a happy ending...that's a good one, partner. ---------- This review was first published on Narrative Muse, http://www.narrativemuse.co/movies/jane-got-a-gun, and was written Micah Orsetti. Narrative Muse curates the best books and movies by and about women and non-binary folk on our website http://narrativemuse.co and our social media channels. See more
Anakin P Aug 3, 2018 There's been a few good Westerns put out there in recent years, both as series and stand alone films. This ain't one of them. Ewan McGregor hasn't looked so uncomfortable since Star Wars. See more
George P Jun 24, 2018 It's quite nice to look at and the cast is amazing, but the story is just too badly written to ignore. They not only seemed to pick the least compelling and interesting of its possible directions every time there was a directional choice to be made, but also punctuated it with ill-fitting flashbacks that felt completely different in tone, leaving it a bit of a mess. Most of all, though, the characters are just in dire need of fleshing out. What saves it from being a complete disaster is the final act which is somewhat exciting, although nothing special. All in all, the story of this film's hellish production is probably more interesting than the film itself - that's not really a good sign. See more
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Jane Got a Gun

My Rating

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Movie Info

Synopsis Panic strikes Jane Hammond (Natalie Portman) when her outlaw husband John returns to their farm with bullet wounds. Expecting the worst, she brings her young daughter to safety and travels to the home of Dan Frost (Joel Edgerton), a boozing ex-lover who may be her only hope. With Dan now on her side, Jane prepares for a showdown with the vengeful John Bishop and his gang of thugs. Looking to settle an old score, Bishop must now contend with the gun-toting Jane and her new partner.
Director
Gavin O'Connor
Producer
Natalie Portman, Aleen Keshishian, Zack Schiller, Regency Boies, Scott Steindorff, Scott LaStaiti, Terry Dougas
Screenwriter
Brian Duffield, Anthony Tambakis, Joel Edgerton
Distributor
Weinstein Co.
Production Co
Boies/Shiller Films, Handsomecharlie Films
Rating
R (Violence and Some Language)
Genre
Western, Action
Original Language
English
Release Date (Theaters)
Jan 29, 2016, Wide
Release Date (Streaming)
Jan 11, 2017
Box Office (Gross USA)
$1.5M
Runtime
1h 38m
Aspect Ratio
Scope (2.35:1)
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