Nicholas Bell
IONCINEMA.com
Aug 5, 2019
Returning to the comically tragic tone that made his much hailed 2002 debut, Love Liza so noteworthy, Louiso manages to create a memorable showcase for undervalued character actress Melanie Lynskey.
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Landon Palmer
Film School Rejects
Jun 2, 2014
B
...a sincerely personal take on its subject matter, opting for three-dimensional leads and earned pathos over quirky character traits, cynical humor, or an invasively stylized visual approach.
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Emanuel Levy
EmanuelLevy.Com
Dec 7, 2012
B
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Sean P. Means
Salt Lake Tribune
Nov 3, 2012
3/4
Lynskey imbues the self-doubting Amy with such lightness that she manages to make neediness appealing.
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Brent Simon
Shared Darkness
Nov 1, 2012
B+
A fine and funny film balanced perfectly between heartbreak and uplift, anchored by a rich, superlative turn from Melanie Lynskey.
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Calvin Wilson
St. Louis Post-Dispatch
Oct 18, 2012
3/4
"Hello I Must Be Going" is at once an intriguing character study and a refreshingly offbeat romance.
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Ty Burr
Boston Globe
Oct 18, 2012
3/4
The movie's sharp-tongued and softhearted, a Sundance kind of film that mostly sidesteps generic Sundanceyness.
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Emily S. Mendel
culturevulture.net
Oct 2, 2012
I'm of two minds about Hello I Must Be Going. It's a slow-paced movie, and at times, too slow ... Yet the fine actors, especially the emotive-faced Melanie Lynskey and the restrained Blythe Danner, elevate the film well beyond its story line.
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Todd Jorgenson
Cinemalogue
Sep 28, 2012
Sharp writing and solid performances elevate this modest low-budget romance.
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Marjorie Baumgarten
Austin Chronicle
Sep 28, 2012
3/5
The film is worth seeing for the performances, but the drama is a nonstarter.
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Chris Hewitt
St. Paul Pioneer Press
Sep 27, 2012
3/4
Sharp enough to point out some compelling issues without pretending that it has all the answers.
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Austin Kennedy
Sin Magazine
Sep 26, 2012
2.5/4
It's harmless, and there's really nothing outright awful about the movie, it just could have been so much better if the filmmakers thought outside of the Sundance box for this one.
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Jeffrey M. Anderson
Combustible Celluloid
Sep 26, 2012
It has plenty of little moments for a great actress to shine. It's just not very deep, or particularly fresh.
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Ben Sachs
Chicago Reader
Sep 21, 2012
Sarah Koskoff's screenplay is flagrantly duplicitous, introducing the heroine as a self-pitying sloth, then trying to pass her off as likable by making nearly all the other characters drips, snobs, or unfeeling scolds.
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Shawn Levy
Oregonian
Sep 21, 2012
C+
The script's contrivances and the director's lax handling aren't enough to hold you.
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Michael O'Sullivan
Washington Post
Sep 21, 2012
2.5/4
Succeeds almost entirely on the strength of Melanie Lynskey's heartfelt and humorous performance in the lead role.
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G. Allen Johnson
San Francisco Chronicle
Sep 20, 2012
2/4
Sarah Koskoff's play-it-safe script and Louiso's heavy-handed direction combine to kill the potential of "Hello I Must Be Going."
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Moira MacDonald
Seattle Times
Sep 20, 2012
3.5/4
Lynskey lets us see, from deep within Amy's fog, an instinctual desire to please, and a sense of innocent wonderment at how she could possibly have gotten into such a mess.
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Matt Pais
RedEye
Sep 20, 2012
2.5/4
Familiar messes that are somewhat too easily cleaned up.
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Roger Ebert
Chicago Sun-Times
Sep 20, 2012
3/4
Much credit goes here to Christopher Abbott, whose persuasive performance bridges the gap. He's like a living embodiment of the cliche, "I love you enough for the both of us."
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