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Giant

Play trailer Poster for Giant G,  1956,  3h 21m,  Drama Play Trailer Watchlist
Stream Now Watchlist 86% 50 Reviews Tomatometer 87% 10,000+ Ratings Popcornmeter
86% Tomatometer 50 Reviews 87% Popcornmeter 10,000+ Ratings
Wealthy Texas rancher Bick Benedict (Rock Hudson) shakes things up at home when he returns from a trip to the East Coast with a love interest, the refined Leslie Lynnton (Elizabeth Taylor). Bick and Leslie get married, but she clashes with his sister, Luz (Mercedes McCambridge), and wins the admiration of the ambitious young Jett Rink (James Dean). Bick and Jett form a tense rivalry that continues to surface as the years pass and fortunes change in this sweeping drama.
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Giant

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Critics Consensus

Giant earns its imposing name with a towering narrative supported by striking cinematography, big ideas, and powerful work from a trio of legendary Hollywood leads.

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Critics Reviews

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Adam Nayman The Ringer Mar 27, 2020
The contrast between Hudson's stolid, genteel acting style and Dean's more electric approach gives Giant the energy it needs to propel its massive, decades-spanning narrative... Go to Full Review
James Powers The Hollywood Reporter Oct 10, 2018
Including a fine performance from Elizabeth Taylor, great acting from Rock Hudson and a piercing portrayal from James Dean. Giant stands shoulder-to-shoulder with the great ones. Go to Full Review
Guardian Mar 21, 2018
Giant, in spite of its length, seldom seems long -- its story is too eventful, its effects too picturesque, and its director too skilful for that even over so long an expanse of time. It may not be a great film but it is certainly an awesome one. Go to Full Review
Dennis Schwartz Dennis Schwartz Movie Reviews Sep 17, 2024
C
The only thing giant about it is its length of over 200 minutes. Go to Full Review
Matt Brunson Film Frenzy Feb 13, 2023
3/4
This ambitious adaptation of the Edna Ferber novel is often touched by greatness, yet it's ultimately too scattershot to satisfactorily maintain its bloated 200-minute running time. Go to Full Review
John Beaufort Christian Science Monitor Aug 16, 2022
Overlong as Giant may be, one cannot but admire the authority and skill with which George Stevens, the coproducer-director, masters the narrative rolling stock in his tremendous train of events... this is film making of a very high order. Go to Full Review
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Ron M Feb 6, 2019 A sweeping western romance epic! George Stevens' Giant (1956) is a massive endeavor that spans decades with careful precision. Edna Ferber's story touches upon the measure of a man's success, happiness, income inequality, and racial intolerance. It is like a triple biopic for these three leading actors Rock Hudson, Elizabeth Taylor, and James Dean. You witness their lives intertwined in romance, hatred, and business. First off, George Stevens' direction is impressive. For nearly three and a half hours of Gian't run time, Stevens keeps the camera of the faces of people. With far wide establishing shots of the vast Texan desert and massive cattle mansions with luxury in every room, Stevens builds an entire world of ranching and oil tycoons to reside within. The slow buildup into the tumultuous finale is worth every moment spent developing the characters within Giant. Stevens is particularly wonderful at capturing despair and sadness in the faces of his actors and actresses. His use of dark lighting and silhouettes is as masterful as his punch out and cattle herding sequences. You really feel like you are watching a real rancher's life play out. Stevens' ambitions for this western epic are matched by his technical skill is pulling off difficult sequences of marital disputes and personal battles. Notably, Giant is the final film that starred James Dean. It is quite the career sendoff as Dean is incomparable as Jett Rink. We watch as Rink goes from a ranch hand and glorified chauffeur into a self made oil tycoon and hotel owner of immeasurable wealth. Dean is phenomenal as Rink as he portrays the man as a racist and romantic alike. Dean's skillful and admirable performance displaying Rink's racial hatred for Mexicans is hidden under the surface, but his kindness and adoration for Elizabeth Taylor's character is palpable. Dean plays the quiet dreamer wishing for a better life, land, and love perfectly. His aura is radiant and his presence commands attention every time Dean steps on screen. I especially love his dour depiction of a depressed and lonesome billionaire drunkard for the finale. He nails the stumbling, slurring, and erratic arrogance of a man who finally has everything except for genuine love. Dean turns the would be hero into the unenviable antagonist,which you feel an almost sad sympathy due to Dean's incredibly nuanced performance. Giant is a sad role for James Dean, but a poignant goodbye to a deservedly legendary actor. Rest in peace James Dean. Thank you for your acting. I must say that I was surprised at how great Elizabeth Taylor is in Giant. Her free thinking, highly spirited, independent feminist woman is refreshing for such an old film. Taylor plays Leslie Benedict as a woman who knows what she wants and knows how to get it. She is kindly and sweet, even to the underserved minorities in Giant, while questioning the Texas cruelty and tradition with an irreverence for the old ways of men. I really liked her in Giant and I am glad she got to shine so brilliantly alongside James Dean and Rock Hudson. Speaking of Rock Hudson, he plays the most typical Texan rancher millionaire. His stern, strict, stubborn, and stout portrayal of Bick Benedict is brilliant! He starts out as sympathetic and loses it all being ignorant, racist, sexist, drunk, hateful, spiteful, controlling, overbearing, and unsympathetic towards others. Hudson plays it subtly rising into a massive turn of character with a new understanding for his position in life. I loved his fisticuffs in the last few scenes of Giant as well as his spousal arguments with Elizabeth Taylor. Hudson plays the villain and hero likewise with a believable conviction. Lastly, Dimitri Tiomkin's score is beautiful. His romantic themes surround Taylor in all her scenes, while the tense encounters, arguments, and fights are bolstered by Tiomkin's hectic symphony. His work towards the end essentially all of Giant's themes thrown together with purpose. Overall, Giant is unlike any other romance or western. If I had to compare Giant to any other films, I'd say it is like Citizen Kane and Gone with the Wind meets There Will Be Blood. It takes the nostalgic ideals from Gone with the Wind, the sweeping life story and ambition of Citizen Kane, and the hateful rivalry of tycoons from There Will Be Blood long before the latter was ever made. Giant is before its time in scale and ambitious direction and storytelling and ever relevant for its racial and economic commentary on American dynamics. Giant is worth watching for James Dean's acting alone, but it offers much more thoughtful statements to those looking for them. See more
Jan 26, 2019 The best, GREATEST epic Western movie ever made!
Hermione W Jan 12, 2019 This sweeping epic lacks the compelling score of other Westerns, but the sheer scale of the subject matter and a strong cast maintain the drama. The film is about a couple that learns to love each other despite the usual family quarrels. The screenplay is deftly written, particularly in the scene where Taylor tries to become a part of the men's conversation. The film does drag in places, but surely the length is part of what makes a movie epic. Elizabeth Taylor's ageing makeup looks unrealistic, but James Dean's character looks excellent throughout. This may be my favourite James Dean performance. See more
Kylo R Sep 2, 2018 AFI 100 Greatest Films - #82: In a style similar to Margaret Mitchell's epic novel, Giant follows the Benedict family through three generations as they amass and maintain their fortune in Texas, while dealing with changes in the motivations and society they are surrounded by. The pacing of this 201 minute epic was pretty good as it somehow never felt dull or slow. I enjoyed James Dean's performance most of all, especially in his later appearances in the film. While beautifully shot, with my favorite scenes showing the vast expanse of the Texas prairie, this saga also used its family as a microcosm to explore the various social, racial, and familial issues, some because of privilege and some not, facing the Benedicts, Texas, and America at that time. See more
Harry R May 14, 2018 There's a tendency to overrate old epic movies and that seems to be the case with this on RT! I last watched this movie about 35 years ago so had pretty much forgotten everything about it. James Dean is mesmerising and undoubtedly the film's best value. At 3 1/2 hours long it tries to ape Gone With The Wind (unsuccessfully mostly) and Giant certainly has its moments. Completely fizzles out in the last 20 minutes though as the movie goes into sentimental preachy mode. A very interesting film, it's influence tangible (Dallas), but not one I would ever revisit. See more
George G Apr 20, 2018 The greatest film ever made. Greatest intro. Greatest ending. Taylor, Dean and Hudson and western Texas are shown in their glorious prime. The film fills it's long running time, and switches onwards and onwards. See more
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Giant

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Movie Info

Synopsis Wealthy Texas rancher Bick Benedict (Rock Hudson) shakes things up at home when he returns from a trip to the East Coast with a love interest, the refined Leslie Lynnton (Elizabeth Taylor). Bick and Leslie get married, but she clashes with his sister, Luz (Mercedes McCambridge), and wins the admiration of the ambitious young Jett Rink (James Dean). Bick and Jett form a tense rivalry that continues to surface as the years pass and fortunes change in this sweeping drama.
Director
George Stevens
Producer
Henry Ginsberg, George Stevens
Screenwriter
Edna Ferber, Fred Guiol, Ivan Moffat
Distributor
Warner Bros. Pictures
Production Co
Warner Brothers/Seven Arts, Polyphony Digital
Rating
G
Genre
Drama
Original Language
English
Release Date (Theaters)
Nov 24, 1956, Wide
Release Date (Streaming)
Jan 1, 2008
Box Office (Gross USA)
$183.9K
Runtime
3h 21m
Sound Mix
Mono
Aspect Ratio
Scope (2.35:1)
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