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From Beyond Reviews
Isn't quite as wild [as Re-Animator] but it's still Grade-A B-picture horror.
This is, in short, another variant on the hoary horror staple of the monster who feeds on the fears and fantasies lurking at the pit of its victims' psyches, and would be offensive if it weren't so embarrassingly silly.
This demented tale is sloppily directed, but once it gets going after a stalled start you can't fault its energy and audacity.
This movie doesn't sparkle, but it does glisten.
From Beyond is inferior to Re-Animator in virtually every regard, but it still qualifies as a grisly good time.
This is tons of fun.
The film's script, written by Stuart Gordon with Denis Paoli and Brian Yuzna is witty, strange, and engrossing in equal measure.
From Beyond is a lot of fun.
It’s perverse, bizarre and even stomach-churning at times, but you’ve honestly never seen anything quite like it.
Jeffrey Combs is SO good here, completely committing to every element of a very demanding role.
Comic outrageousness is often more attention-getting than a straight face, but the latter approach pays off in From Beyond, which plumbs deeper than Re-Animator did and pays off in both dramatic intensity and frights aplenty.
From Beyond has never gotten the recognition of Re-Animator, but for my money it’s every bit as entertaining, and far more ambitious as a film.
From Beyond is one of those horror films that’s so 80s it almost hurts, but it’s also fantastically great!
The film feels like the passion project of a horror nerd who was given a modest budget and no strings.
From Beyond satisfies and shocks.
From Beyond is a very, very bizarre satirical horror that at times, gets more complex than it needs to.
Not quite the household name that its predecessor eventually became, the film succeeds in equal measure as a digest of the adolescent fascinations that Gordon lovingly deployed throughout a righteously independent career.
From Beyond is probably one of the best straight adaptations of Lovecraft I’ve seen.
Combs delivers another fine performance, evolving from submissive assistant to courageous and authoritative scientist.
Some ingenious ideas and remedial humour are swamped by the gleeful torrent of disgusting special effects.