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Ferrari Reviews
At its best, ‘Ferrari’ is a portrait of grief, destroyed dreams, and the pain of facing impossible choices, not to mention a healthy dose of the good old triumph of the human spirit.
Ferrari‘s narrative compression into a couple of weeks in 1957, as opposed to the grand sweep of past Mann biopics, applies doubly towards the juggling of his two home lives and his work stresses.
We may know what the future holds for the luxury car brand but seeing how it got there reveals many surprises.
In the first two acts, it’s easy to forget this is even a movie about cars, except for a Days of Thunder-like sequence where Enzo times his drivers and he finally gives De Portago a shot to prove his pace.
Adam Driver is fantastic as Enzo and Penélope Cruz is on par as his exhausted and understandably frustrated and heartbroken wife, Laura... An all-round solid biopic.
Michael Mann's portrait of the egotistical race car pioneer takes a fascinating approach to a complex life story.
Mann’s film is not a car crash by any means, but the rousing romp it could have been has ended up more of a minor ‘inchident’ within the grand history of the Ferrari legacy
An altogether infertile American studio film, Michael Mann’s Ferrari neglects the creativity and bravura in the racing that any good racing movie should have and substitutes stereotypical housewife and mistress roles for the film’s two women.
Ferrari is an inconsistent film with a slow start before finally catching enough speed to cross the finish line.
Cruz makes an indelible impact, investing Laura with a sorrowful anger that feels both earned and true.
If anything, Mann presents Ferrari as a Great Man Biopic that also doubles as an operatic tragedy.
Great performances from Adam Driver and Penelope Cruz notwithstanding, Ferrari is a hard movie to warm up to… because its subject is a hard man to like.
As vividly as it portrays the harm done by Ferrari’s arrogance and irresponsibility, I still think that audiences will come away even more enamored of the brand, and that some will likely come away thinking of Enzo as some kind of hero.
Ferrari is a mixed bag, a smarter than average biopic with great acting that still feels incomplete.
It’s great to see the various manifestations of grief on the screen...
The race scenes are charged but the highlight is Cruz’s grieving matriarch: it’s a titanic performance.
Ferrari is intelligent, mature, and slickly made commercial cinema.
Ferrari showcases stunning visuals, and the car race sequences are expertly choreographed, lending an authentic feel to the film.
Ferrari bridges Mann world and something more closely resembling ours. He turns brand-name vibes back into a man.
we never get any sense of who Enzo Ferrari is or what makes him tick beyond his drive to succeed, which conflicts with the film’s apparent desire to emphasize his interpersonal travails and how those intersected with his business ambitions.