David Nusair Reel Film Reviews Sep 1, 2021 3/4

...generally far more entertaining than one might've anticipated.

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Matt Brunson Creative Loafing Apr 25, 2012 2.5/4

The very premise of Bounce sounds suspect, so it's a credit to Roos' writing that he largely overcomes his own dubious plotline and fashions a fairly involving love story.

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Nell Minow Common Sense Media Dec 22, 2010 3/5

Entertaining story of fate, alcoholism, and love.

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Mark Halverson Sacramento News & Review Aug 7, 2008 4/5

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Joe Lozito Big Picture Big Sound Jul 14, 2007 3/4

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Jeffrey Overstreet JeffreyOverstreet.com (Ghost.io) Jan 15, 2005 C+

The fact that it remains watchable and enjoyable is a credit to its actors and its writer ...

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Michael Dequina Movie Poop Shoot Dec 28, 2004 2/4

What should have been graceful understatement instead reads as lifeless detachment.

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Judith Egerton Courier-Journal (Louisville, KY) Jun 25, 2004 2/4

Affleck and Paltrow seem to be enjoying their roles far more than we do.

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Jeanne Aufmuth Palo Alto Weekly May 14, 2003 3/4

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John R. McEwen Film Quips Online Feb 8, 2003 4/5

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Nick Davis Nick's Flick Picks Jan 10, 2003 C

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Ron Wells Film Threat Dec 8, 2002 2.5/5

Seems too slight and shallow to really work as a drama.

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Susannah Breslin Film Threat Dec 8, 2002 1/5

Heavy-handed, unbelievable, predictable, and when without Gwenyth, a not very exciting film to find oneself bouncing ultimately boredly through.

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James Sanford Kalamazoo Gazette Jun 15, 2002

a major disappointment from writer-director Don Roos, who previously created the scathingly funny "The Opposite of Sex." ...this muddled drama is more like the opposite of interesting.

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Pablo Villaça Cinema em Cena May 31, 2002 3/5

Mais Que o Acaso se salva graas ao desempenho de seus protagonistas e qumica existente entre estes.

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Rick Groen Globe and Mail Mar 19, 2002 2.5/4

Two movies in one -- lively when people are talking, lame when things are happening.

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Chuck Rudolph Matinee Magazine Mar 8, 2002 short

What keeps it grounded is the commitment by Roos and his cast to making the emotions of the story real.

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Jules Brenner Cinema Signals Nov 27, 2001 2/4

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