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Babel

Play trailer 2:22 Poster for Babel R,  2006,  2h 22m,  Drama Play Trailer Watchlist
Babel: Trailer 1 Babel: Trailer 1 Now Playing View more videos
Watchlist 69% 202 Reviews Tomatometer 77% 250,000+ Ratings Popcornmeter
69% Tomatometer 202 Reviews 77% Popcornmeter 250,000+ Ratings
An accident connects four groups of people on three different continents: two young Moroccan goatherds, a vacationing American couple (Brad Pitt, Cate Blanchett), a deaf Japanese teen and her father, and a Mexican nanny who takes her young charges across a border without parental permission.
Babel

What to Know

Critics Consensus

In Babel, there are no villains, only victims of fate and circumstance. Director Alejandro Gonzalez Iñarritu weaves four of their woeful stories into this mature and multidimensional film.

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Critics Reviews

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Namrata Joshi Outlook Jan 23, 2019
3/4
There are moments when a lot is left unsaid. There's a remarkable stillness and delicacy as the music and images interplay and do all the talking. Go to Full Review
Brian Tallerico UGO Mar 24, 2007
The kind of film that will echo deep in your soul. Go to Full Review
Mark Holcomb Time Out Feb 3, 2007
2/6
Alejandro González Iñárritu's latest sprawling, dispersed art-film blockbuster prompts a question: Does he just not know how to tell a story? Go to Full Review
Josh Slater-Williams Vague Visages Nov 14, 2023
Babel is Crash with delusions of global grandeur; a film that masquerades as a sweeping, humanistic epic, but is instead an ultimately hammy, superficial and miserablist game of connect-the-dots. Go to Full Review
Murtada Elfadl Sundays with Cate Mar 4, 2022
B
Blanchett and Pitt are playing a version of the "ugly Americans abroad" trope. The film does not shy away from presenting them as entitled despite the circumstances that they are in. Go to Full Review
Catherine Springer CathsFilmForum.com Jul 11, 2021
Unlike Crash, where the characters felt like cartoons and stereotypes, these characters are fleshed out and real, and the performances are first-rate, with a performance from Brad Pitt that is his most mature work. Go to Full Review
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Audience Reviews

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Apr 2, 2019 Babel is a film dedicated to telling us the importance of communication and how in todayâ(TM)s world it can fail us. This film however does not follow in the footsteps of the tower of Babel but in the actual babbling of children. The film develops four separate story lines that seem to be completely disconnected but through no real mystery end up being related in dumb ways. We meet a married couple (Brad Pitt and Cate Blanchett) traveling together through Morocco in an attempt to reconnect but failing at every turn. We also meet a young shepherd boy and his brother who accidentally shoot at the bus the young couple is traveling in seriously injuring the wife. While this is going on the couples Mexican nanny (Adriana Barraza) takes the coupleâ(TM)s two children with her to Mexico for her sonâ(TM)s wedding when the couple cannot return do to the shooting. Finally we meet Chieko (Rinko Kikuchi), a deaf-mute Japanese school girl struggling with the suicide of her mom and a Dad she doesn't communicate well with. This film suffers from the same thing that Crash did, so much going on and poorly done story telling. No character gets enough story time to make us actually care about them and in most cases they become annoying or give us no reason to sympathize with them. The characters are well acted but written as two dimensional figures portraying simple images. While each actor is very good they are never given enough to take their character from a bland image to a deep person. The so called connections between each story is also supposed to be discovered by us slowly as the film goes on with Chieko's story leading to the final connection. The problem is within the first 15 minutes or so we know exactly how the couple, shepherd boy, and nanny fit together and in the next ten can simply deduce Chieko's role. It is a juvenile line played out quickly and ends the movie before we have a chance to care (not that we have anything to care about). It is also like Crash in that in its attempt to get its point across hits us in the head with extremes instead of making us look at the true issues we each face. Alejandro González Iñárritu and Guillermo Arriaga wish for us to see different ways in which we fail at communication not just with language and strangers but in emotion with those close to us. This is a great goal but we don't really care about these people and can see clearly where they fail. We are given extremes and can walk away saying that I am glad I am not like that. The film makers could have served their goal better by clearly focusing on the family and how they may communicate well with others outside the family but cannot convey simple things to those they are closest to. True it isn't as dramatic as they may want or as artsy but would have been a lot better than the confused and shallow story they gave us. I also have to mention the use of disgusting and useless sexual content in this film, which is done exclusively by the underage characters. One of the Shepard boys spies on his older sister while she changes and then we are treated to a scene of him masturbating while thinking about it. In an attempt to show that Chiekoâ(TM)s issues with her father is hurting her we get disgusting and useless scenes of her flashing her bare crotch to older boys, forcing her dentist to grab her crotch during an exam, striping completely naked for a total stranger forcing him to touch her breasts. The portion with the Shepard boy is useless and adds nothing to the story, but if it did it could have been handled in a more mature way. As for Chieko, while her actions are born from her pain the director preferred to treat us like idiots and show us everything instead of being creative with how they revealed these problems. These scenes which exclusively featured children were disgusting and seemed to feed a fetish not a story. In all this film was not creative or insightful. In truth it is an exercise in cheap film making in an attempt to appear deep and forward thinking. There are better more intelligent ways to communicate everything this film desires to tell us but few in Hollywood are smart enough to do it. See more
George M Mar 13, 2019 Babel takes its theme as pride, arrogance, competition, selfishness, and the other side of humanity, subtle disposition of characters. The film was full of characters thanks to all actors and for non-English actors. If there is a film combines a variety of cultures and languages, I'll always try it at any time. It's not an English language that we need to understand, it's our feeling to understand what they want to convey. Into their own language, not only those who feel wrong or even the black sheep. Initially confusing but flattering each other into a truly intact movie. Far from other specials. See more
Mar 10, 2019 Watch this if you want to see how amazing the U.S. is and how bad the rest of the world is, give this a go.
Harry S Feb 25, 2019 This film brings to the table great acting , great directing but in its core there is a sadness to it that put me off. The different story archâ(TM)s fhay should Interconnect never really works for me because I canâ(TM)t seem to understand why if not for the sake of trying to be some artsy film . Good movie overall tho See more
Hermione R Feb 16, 2019 Babel is a movie for people who love movies. There are so many layers and the charecters are flawed. It sticks with you for days and is Inarritu's best film. See more
George S Jan 9, 2019 didn't care about this movie
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Babel

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Movie Info

Synopsis An accident connects four groups of people on three different continents: two young Moroccan goatherds, a vacationing American couple (Brad Pitt, Cate Blanchett), a deaf Japanese teen and her father, and a Mexican nanny who takes her young charges across a border without parental permission.
Director
Alejandro González Iñárritu
Producer
Steve Golin, Alejandro González Iñárritu, Jon Kilik
Screenwriter
Guillermo Arriaga
Distributor
Paramount Pictures
Production Co
Paramount Vantage, Zeta Film, Central Films, Paramount Pictures, Media Rights Capital (MRC), Dune, StudioCanal, Anonymous Content
Rating
R (Sexual Content|Language|Some Drug Use|Some Graphic Nudity|Violence)
Genre
Drama
Original Language
English
Release Date (Theaters)
Nov 10, 2006, Wide
Release Date (Streaming)
Jun 15, 2011
Box Office (Gross USA)
$34.3M
Runtime
2h 22m
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