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As Above, So Below

Play trailer Poster for As Above, So Below R,  2014,  1h 33m,  Horror/ Mystery & Thriller Play Trailer Watchlist
Watchlist 31% 80 Reviews Tomatometer 41% 10,000+ Ratings Popcornmeter
31% Tomatometer 80 Reviews 41% Popcornmeter 10,000+ Ratings
Archaeologist Scarlett Marlowe has devoted her whole life to finding one of history's greatest treasures: Flamel's Philosopher's Stone. According to legend, the artifact can grant eternal life and turn any metal into gold. When she learns that the stone is hidden underground in the Catacombs of Paris, she assembles a crew to guide and document her historic mission. As they begin their descent, the team-members have no way of knowing that they are entering their own personal hell.
As Above, So Below

What to Know

Critics Consensus

After an intriguing setup that threatens to claw its way out of found-footage overkill, As Above/So Below plummets into clichéd mediocrity.

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Critics Reviews

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William Goss Austin Chronicle Sep 3, 2014
It's tough to get too worked up, as head-mounted cameras whip between fleeting figures and panicked faces with all the tension of a jittery recording of a trip through your local haunted house. Go to Full Review
Wesley Morris Grantland Sep 2, 2014
Once upon a time, when someone in a horror movie turned a doorknob or drove toward a storm, you got to feel superior and shout, "Don't go in there!" Now it's more like, "Seriously? You're not gonna put down that camera first?" Go to Full Review
Randy Cordova Arizona Republic Aug 31, 2014
Once the characters go underground, things start happening. Not scary things, mind you, but things. Go to Full Review
Matt Oakes Silver Screen Riot Oct 15, 2026
B+
As is, 'As Above/So Below' will have to live on in the catacombs of cult flicks, where you'd have to be daring to face it down on any given stormy night. Go to Full Review
Jordy Sirkin Jordy Reviews It Feb 5, 2026
With an incredible backdrop, the film is a disorienting thriller that messes with you every step of the way. Go to Full Review
Bryce Hanson Horror Movie Talk Sep 18, 2025
9/10
The idea of setting a horror movie in the Paris Catacombs is brilliant, and they take full advantage of all the elements that make them scary in real life. It’s huge and maze-like, it’s claustrophobic, caves be caves, and spooky bones. Go to Full Review
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Audience Reviews

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Apr 3, 2019 For a found-footage (bleh!) movie that can't make up its mind whether it's about the claustrophobia of underground tunnels or a literal entrance to hell, AASB isn't too bad. Some of the found-footage elements are used well -- objects disappearing as a character looks away and back, or tight views of what it's like rappelling down a narrow well -- but there is the obligatory chaos where the movie is panicking and the audience can't tell wtf is going on. I won't be rewatching, but it was an entertaining movie. But anything set post-Harry-Potter oughtn't be allowed to mention Nicholas Flamel or the Philosopher's Stone without at least a passing reference... See more
Finn W Mar 27, 2019 if the critics (not all of them) didnï¿ 1/2(TM)t have their heads up their asses all the time, theyï¿ 1/2(TM)d see SO much good in movies and see the HORRIBLE movies for what they really are...yes, this movie did kinda fall apart at the end, but it was the last few minutes of the movie...like hell, this was a great entry into the found-footage genre...and one of the best modern day found footage films besides rec 1, 2, the blair witch reboot, and cloverfield, and the first two paranormal activity films...stellar performances, a super creepy story, and a descent into (quite literally) hell. also the story got you rooting for the main character, and kept you on the edge of your seat, with decent jump-scares and some gruesome deaths... See more
Kylo W Mar 5, 2019 the concept is interesting and i like that it takes place in the catacombs. however, the constant shaky cam makes me nauseous, the plot is meh, and the characters are all pretty unlikeable. [spoilers] scarlett makes george come into the catacombs with her even though she knows he hates caves because his brother drowned in one. george talks smack about scarlett to random people. everyone yells at each other with only the slightest provocation. they're all huge jerks and i wasn't too sad to see most of them die. also there are a few immersion breaking plot holes -- the most notable for me is the aramaic riddle that george translated. somehow it rhymes perfectly in modern english, despite being written by nicholas flamel in the 14th-15th century. See more
Leia R Feb 20, 2019 Although a promising build up with claustrophobic cinematography and the most tolerable POV filming, this film took all possible creative potential in it's depiction of the "below" to the deepest depths of hell itself. {SPOILERS} I was anticipating something of a Dante's Inferno type of world, but having it be entirely the same as the real world but adding some blood, hooded robes, and stone monsters completely made it a mediocre horror flick. The worse part is that a majority of the characters were already killed off when their punishments would've arrived, so there's very little to add to character development to care or feel indifferent about. This is coming from a person who loves Hellraiser and Constantine and other media that use hell as a form of setting, you have to get creative with it. In short, this film cheapens the idealistic potential that was possible about hell and gives a great build such a disappointing letdown. See more
Feb 11, 2019 An intriguing initial premise of tomb raider meets da Vinci code turns into a live shaky-cam horror movie which devolves into batshit crazy randomness. It's like they had a good idea to start but had absolutely no idea how to finish the movie. See more
Harry S Jan 31, 2019 i can say that this film didn't scare me but the plot was interesting and the all theme, but i was expected something better
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As Above, So Below

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As Above, So Below

As Above, So Below: Official Clip - It Can't Bring Back the Dead As Above, So Below: Official Clip - It Can't Bring Back the Dead 2:50 Now Playing As Above, So Below: Official Clip - Benji's Close Encounter As Above, So Below: Official Clip - Benji's Close Encounter 2:02 Now Playing As Above, So Below: Official Clip - Returning the Stone As Above, So Below: Official Clip - Returning the Stone 2:46 Now Playing As Above, So Below: Official Clip - We Have to Keep Going As Above, So Below: Official Clip - We Have to Keep Going 2:09 Now Playing As Above, So Below: Official Clip - On Three As Above, So Below: Official Clip - On Three 2:58 Now Playing As Above, So Below: Official Clip - Saving George As Above, So Below: Official Clip - Saving George 2:04 Now Playing As Above, So Below: Official Clip - My Father Wasn't Crazy As Above, So Below: Official Clip - My Father Wasn't Crazy 2:37 Now Playing As Above, So Below: Official Clip - Discovering the Stone As Above, So Below: Official Clip - Discovering the Stone 2:49 Now Playing As Above, So Below: Official Clip - How Did They Get a Piano Down Here? As Above, So Below: Official Clip - How Did They Get a Piano Down Here? 2:48 Now Playing As Above, So Below: Official Clip - The Catacombs As Above, So Below: Official Clip - The Catacombs 2:23 Now Playing View more videos
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Movie Info

Synopsis Archaeologist Scarlett Marlowe has devoted her whole life to finding one of history's greatest treasures: Flamel's Philosopher's Stone. According to legend, the artifact can grant eternal life and turn any metal into gold. When she learns that the stone is hidden underground in the Catacombs of Paris, she assembles a crew to guide and document her historic mission. As they begin their descent, the team-members have no way of knowing that they are entering their own personal hell.
Director
John Erick Dowdle
Producer
Thomas Tull, Jon Jashni, Drew Dowdle, Patrick Aiello
Screenwriter
John Erick Dowdle, Drew Dowdle
Distributor
Universal Pictures
Production Co
Legendary Pictures, Brothers Dowdle
Rating
R (Language Throughout|Bloody Violence/Terror)
Genre
Horror, Mystery & Thriller
Original Language
English
Release Date (Theaters)
Aug 29, 2014, Wide
Release Date (Streaming)
Nov 18, 2014
Box Office (Gross USA)
$21.2M
Runtime
1h 33m
Sound Mix
Datasat, SDDS, Dolby Digital
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