Chase Burns The Stranger (Seattle, WA) Dec 8, 2021

We frequently look past a subpar movie's terrible script or acting as long as it contains good special effects or cinematography, but we rarely extend the same courtesy to good costuming. How boring.

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Andi Zeisler Bitch Media Mar 4, 2021

The female creative team of [Director Risa Bramon] Garcia and writer Shanna Larson drove a set of storylines that centered women's frank sexuality in a way that still isn't as mainstream as it should be.

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CSM Staff Christian Science Monitor Mar 21, 2019 .5/4

Silly, plotless, slow.

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M.V. Moorhead New Times Mar 21, 2019

[Director Risa Bramon Garcia] gets sharp, funny work from her hot young cast.

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Lisa Schwarzbaum Entertainment Weekly Sep 7, 2011 C-

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Renee Schonfeld Common Sense Media Dec 21, 2010 2/5

Ensemble cast drinks and flirts through lame New Year's Eve.

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Garth Franklin Dark Horizons Oct 30, 2006 1.5/4

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Robin Clifford Reeling Reviews Apr 9, 2005 C

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Dragan Antulov rec.arts.movies.reviews Oct 7, 2004 3/10

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Brian Mckay eFilmCritic.com Mar 20, 2003 4/5

New Years Eve, 1981. Disco was on its way out, and the "New Wave" was pounding on the shore, bringing in a fresh tide of angst for a new decade . . . good for a laugh

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Steve Davis Austin Chronicle Nov 24, 2002 1.5/5

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Margaret A. McGurk Cincinnati Enquirer Oct 15, 2002 3/4

In the hands of director Risa Bramon Garcia and writer Shana Larsen, their predicament is funny, sad and wistful as only young lust can be.

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Mark Palermo The Coast (Halifax, Nova Scotia) Aug 22, 2002 2/5

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Phil Villarreal Arizona Daily Star Aug 2, 2002 4/5

An underrated, entertaining lark of a Tarantinoesque film.

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Louis B. Hobson Jam! Movies Jul 29, 2002 2.5/5

If you find too many of these people boring, inconsequential or annoying, you're going to find the film has the same effect.

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Jason Clark Matinee Magazine Jun 13, 2002 C-

Oddly uninvolving and boring.

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Melissa Morrison Boxoffice Magazine Jun 5, 2002 3.5/5

Garcia orchestrates her New Wave symphony deftly, making each character distinctive.

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Ray Conlogue Globe and Mail Mar 19, 2002 2/4

There's no sign of the writerly derring-do that is really essential to daisy-chain storytelling.

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Robert Roten Laramie Movie Scope Oct 22, 2001 2.5/4

Like Shakespeare's "A Midsummer Night's Dream," the story concludes that love makes fools of us all.

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Karina Montgomery Cinerina Jun 14, 2001 4

I did laugh a lot, and genuinely was interested in the various storylines, but I wanted them to be more interrelated.

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