This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
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Brian Raftery
Wired
Oct 22, 2018
The latest iteration...is the first to recapture the unfussy rigor of Carpenter's original.
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Halloween
(2018)
79%
72%
Brian Raftery
Wired
Sep 13, 2018
An action-comedy at once incomprehensible and inconsequential, and so unfun-dumb that its stupidity feels like a contagion.
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The Predator
(2018)
34%
32%
Brian Raftery
Wired
Sep 10, 2018
Maybe the real reason the movie works so effectively is that, while watching David struggle through a dense and semi-menacing online world, we're also quietly searching for ourselves.
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Searching
(2018)
92%
88%
Annalee Newitz
Wired
May 25, 2018
This movie is stupid in the best possible way. I cheered all the way through - my shrieks of glee echoing off the walls.
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Ghost Rider
(2007)
28%
48%
Brian Raftery
Wired
May 24, 2018
As an expansion of the Star Wars saga, Solo is absolutely inessential. But as a movie, it's often surprisingly delightful.
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Solo: A Star Wars Story
(2018)
69%
63%
Brian Raftery
Wired
May 23, 2018
As The Disaster Artist proves, it's all the more sweet when you can share that dream with as many others as possible.
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The Disaster Artist
(2017)
90%
85%
Charlie Jane Anders
Wired
May 19, 2018
The result is a movie where the biggest money shots feel largely obligatory -- just killers and filler, nothing more.
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Alien: Covenant
(2017)
65%
55%
Brian Raftery
Wired
Dec 12, 2017
It's a movie that lures you in with the familiar and the beloved, only to instead turn into something wiser, deeper, and more true than you could have ever guessed.
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Star Wars: The Last Jedi
(2017)
91%
42%
Charlie Jane Anders
Wired
May 12, 2017
[King Arthur] telegraphs from the beginning how desperately it wants to be Game of Thrones.
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King Arthur: Legend of the Sword
(2017)
31%
69%
Charlie Jane Anders
Wired
May 3, 2017
Considering most kids' movies, especially ones about the Smurfs, don't have messages of female empowerment at all, this one's Smurfette twist is clever and deft-and completely out of the blue.
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Smurfs: The Lost Village
(2017)
41%
54%
Charlie Jane Anders
Wired
Mar 10, 2017
Sadly, Taymor's Tempest didn't really work for me, for all the same reasons that I loved her Titus.
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The Tempest
(2010)
31%
28%
Charlie Jane Anders
Wired
Mar 10, 2017
Unfortunately, mashing together three by-the-numbers storylines, and putting absolutely no thought into any of them, results in a movie that's not just meaningless - it's meaning-repellent.
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Men in Black 3
(2012)
67%
70%
Charlie Jane Anders
Wired
Mar 10, 2017
Suicide Squad tightens the straps so hard that the flow of blood gets cut off. You can't really go all the way with the self-mocking humor if you're constantly servicing your corporate franchise development strategy.
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Suicide Squad
(2016)
26%
58%
Charlie Jane Anders
Wired
Mar 1, 2017
Plenty of horror movies are terrifying in the moment, or leave the audience guessing until the final smash to black. But Get Out stays in your head long after the last scare.
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Get Out
(2017)
98%
86%
Phil Hall
Wired
Jan 8, 2010
4/5
E.T. phone Utah. A brilliant, batty romp.
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Phil Hall
Wired
Aug 18, 2004
5/5
Required viewing for anyone with pigeons on the grass.
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Gertrude Stein: When This You See, Remember Me
(1970)
- -
- -
Phil Hall
Wired
Oct 28, 2002
3/5
A one-of-a-kind education in creative filmmaking.
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Institute Benjamenta
(1995)
100%
88%
Phil Hall
Wired
Apr 12, 2002
A brilliantly demented anime masterpiece.
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Roujin Z
(1991)
- -
62%
Phil Hall
Wired
Apr 12, 2002
Brilliant Italian parody of "Fantasia."
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Allegro non Troppo
(1976)
90%
88%
Phil Hall
Wired
Sep 7, 2001
Dreyer's stunning vampire classic.
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Vampyr
(1932)
98%
82%
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