This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
MoviesTV Shows
Keith Phipps
The Reveal
Oct 22, 2026
4.5 / 5
The miniatures used to make it might be small, but 'Wildwood' has epic designs.
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Wildwood
(2026)
99%
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Keith Phipps
The Reveal
Oct 22, 2026
2.5 / 5
[T]he novelty of taking place in a comic book-inspired universe doesn’t mean a horror movie shouldn’t have to succeed on its own terms.
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Clayface
(2026)
77%
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Scott Tobias
The Reveal
Oct 16, 2026
5/5
A miraculous piece of work, an endlessly fascinating documentary that explores the mysteries of human behavior while testing the limits (and possibilities) of the form itself.
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You Can See Everything
(2026)
96%
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Scott Tobias
The Reveal
Oct 16, 2026
3.5/5
Oakley’s Sense and Sensibility leans on an excellent cast to bring Austen’s themes and emotions across. As adaptation, it mostly paints within the lines.
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Sense and Sensibility
(2026)
78%
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Keith Phipps
The Reveal
Oct 15, 2026
3.5 / 5
Often resembling an oceanic twist on Gravity that subs in the belly of a whale for outer space, Duffield’s film similarly uses each new twist in Jay’s survival to rhyme with past losses he has not yet resolved.
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Whalefall
(2026)
74%
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Keith Phipps
The Reveal
Oct 15, 2026
4.5 / 5
[I]t’s as much a time machine as an historical document, turning viewers into crashers of a party filled with fascinating guests.
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Once Upon a Time in Harlem
(2026)
100%
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Keith Phipps
The Reveal
Oct 9, 2026
3/5
Best known for her work on the excellent espionage drama Slow Horses, [Eleazar] is given a breakout role here and runs with it.
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Misty Green
(2026)
61%
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Keith Phipps
The Reveal
Oct 9, 2026
2/5
What starts as a tense, creepy thriller turns into an increasingly absurd battle with a special effects oogum-boogum that gets less scary as the movie progresses.
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Other Mommy
(2026)
19%
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Scott Tobias
The Reveal
Oct 8, 2026
2/5
Sorkin's facility with cinematic language has yet to catch up with his talent for the written word.
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The Social Reckoning
(2026)
54%
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Scott Tobias
The Reveal
Oct 2, 2026
2.5/5
It’s all so dumb and loud and hopeless, and Iñárritu volunteers to set his career on fire to point it out on the grandest possible scale.
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Digger
(2026)
53%
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Keith Phipps
The Reveal
Oct 1, 2026
2.5 / 5
It’s trashy fun made by an overqualified creative team, but it struggles to find a finale memorable enough to match the literal bloodbath of its opening.
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Verity
(2026)
31%
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Keith Phipps
The Reveal
Sep 25, 2026
3.5/5
'Forgotten Island' is colorful, fun, and, thanks to the care taken in depicting the protagonists’ friendship, quite moving.
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Forgotten Island
(2026)
95%
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Keith Phipps
The Reveal
Sep 24, 2026
3/5
[T]here’s nothing wrong with a simple man-and-dog story and we’re not exactly swimming in them these days.
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Heart of the Beast
(2026)
84%
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Keith Phipps
The Reveal
Sep 10, 2026
3/5
Garfield’s combination of rage and hope, keep "The Uprising" grounded in human emotions just as the grime and confusion grounds it in historical reality.
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The Uprising
(2026)
57%
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Keith Phipps
The Reveal
Aug 27, 2026
3.5/5
Between jokes, the film finds room both to build a nice buddy-movie partnership between Coyote and Kevin while adding some real-world resonance via the story of a little guy going up against a corporation.
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Coyote vs. Acme
(2026)
96%
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Keith Phipps
The Reveal
Aug 27, 2026
3/5
In its best moments, 'Buddy' raises questions about what makes certain types of children’s entertainment attractive to kids and repulsive to the grown-ups in their lives
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Buddy
(2026)
88%
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Keith Phipps
The Reveal
Aug 13, 2026
2/5
[Feels like] an in-joke that somehow escaped into theaters.
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The Wrong Girls
(2026)
61%
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Keith Phipps
The Reveal
Aug 13, 2026
3/5
[U]utimately [it's] one of those movies that’s good enough to make it hard not to wish it was just a little better...
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The End of Oak Street
(2026)
86%
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Scott Tobias
The Reveal
Aug 7, 2026
1.5/5
The film bends toward a prudish, heteronormative attitude about casual hook-ups that is unmistakably pro-mandate.
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One Night Only
(2026)
44%
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Scott Tobias
The Reveal
Aug 7, 2026
4/5
Memories of Bourdain as a public figure are not included in Matt Johnson’s evocative and often hilarious coming-of-age story, but they’re like the hidden ingredient that enhances and completes a dish.
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Tony
(2026)
93%
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