Moviepudding (Substack)

Elissa Suh Moviepudding (Substack) Jun 2, 2026 Viciously hilarious piece of Gothic entertainment that serves as a showcase for Monroe’s newly revealed comedic talents Go to Full Review Victorian Psycho (2026) 80% - -

Elissa Suh Moviepudding (Substack) May 23, 2026 The film’s crisp cinematography cuts a swift line across the insufferable aspiring artist’s artless delusion. Go to Full Review The Travel Companion (2025) 93% - -

Elissa Suh Moviepudding (Substack) Apr 28, 2026 A stoner fantasia—initially shaggy, then tightening cleverly and efficiently into chaos. Go to Full Review Buffet Infinity (2025) 100% - -

Elissa Suh Moviepudding (Substack) Mar 19, 2026 Petzold turns convalescence into something where haunting and healing blur... Miroirs no. 3 is beguiling and disarmingly haunting, like a tune that lodges itself in memory. Go to Full Review Miroirs No. 3 (2025) 95% - -

Elissa Suh Moviepudding (Substack) Jan 9, 2026 It sneaks up on you in the gentlest, loveliest way. Go to Full Review Familiar Touch (2024) 99% - -

Elissa Suh Moviepudding (Substack) Jan 2, 2026 A gentle, unsparing, and through-and-through New York movie. Go to Full Review Mad Bills to Pay (or Destiny, dile que no soy malo) (2025) 92% - -

Elissa Suh Moviepudding (Substack) Dec 11, 2025 As a cultural document, the movie is revealing, and more politically correct and psychologically responsible. But it’s not very compelling either. Go to Full Review The Hand That Rocks the Cradle (2025) 43% - -

Elissa Suh Moviepudding (Substack) Dec 11, 2025 Spike Lee’s remake of Kurosawa’s High and Low has that distinct feel of a "late" film, the kind a great director makes on autopilot: pleasant enough, competent enough, but strangely limp. Go to Full Review Highest 2 Lowest (2025) 83% - -

Elissa Suh Moviepudding (Substack) Dec 11, 2025 Yorgos’s remake is markedly different in tone, more tongue-in-cheek and teeth-grindingly cynical, like Kinds of Kindness before it. Go to Full Review Bugonia (2025) 87% - -

Elissa Suh Moviepudding (Substack) Nov 22, 2025 For all its noise, Die My Love ends up saying very little about this woman in trouble—except that she makes trouble beautifully. Go to Full Review Die My Love (2025) 74% - -

Elissa Suh Moviepudding (Substack) Oct 17, 2025 Drained of glamour, the film reveals itself as a parable of failed escape—futility disguised as crime. Go to Full Review The Mastermind (2025) 89% - -

Elissa Suh Moviepudding (Substack) Oct 10, 2025 Benny’s solo act is less a sports biopic than a melancholic jazz riff on one, smudging the genre’s usual sweaty triumphalism into something looser, more subdued, and unexpectedly delicate Go to Full Review The Smashing Machine (2025) 71% - -

Elissa Suh Moviepudding (Substack) Oct 10, 2025 A film of directorial talent still in search of its own frequency. Harris Dickinson hasn’t calibrated his balance of storytelling and political instinct with his cinematic sensibilities. Go to Full Review Urchin (2025) 96% - -

Elissa Suh Moviepudding (Substack) Oct 10, 2025 This movie is well-concocted surface-level thrill and therein lies the charm. Go to Full Review Shell (2024) 63% - -

Elissa Suh Moviepudding (Substack) Sep 15, 2025 Agreeably superb. Go to Full Review Blue Moon (2025) 90% - -

Elissa Suh Moviepudding (Substack) Sep 15, 2025 Dialogue is clumsy, exposition flaunts itself, and a dry Andersonian voiceover functions as a necessary buttress against the dead air. Go to Full Review Erupcja (2025) 82% - -

Elissa Suh Moviepudding (Substack) Sep 15, 2025 Showcases Apatow’s comic instincts and sparkles with scene-stealing performances Go to Full Review Poetic License (2025) 92% - -

Elissa Suh Moviepudding (Substack) Sep 15, 2025 The culmination of Early’s usual wit and what appears to be an impressive cinematic sensibility. Go to Full Review Maddie's Secret (2025) 85% - -

Elissa Suh Moviepudding (Substack) Jul 14, 2025 An unflaggingly weird, delightfully fun portrait of an online reseller. Go to Full Review Cloud (2024) 93% - -

Elissa Suh Moviepudding (Substack) Jul 14, 2025 For all its slick taut style, the film remains deeply humane and empathetic. Coming from a documentary background, Fleifel brings a neorealist rigor to the story, weaving in vivid textures and the occasional bit of humor. Go to Full Review To a Land Unknown (2024) 98% - -