This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
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Jon Negroni
Thank God for Movies
Sep 22, 2026
Oppenheim and cinematographer David Bolen crowd Pattinson’s face into the frame, studying his skin, eyes, mouth, and increasingly bizarre expressions with the same intensity To Catch a Predator directs toward its subjects.
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Primetime
(2026)
86%
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Jon Negroni
Thank God for Movies
Jul 15, 2026
The Odyssey is a fascinating, unwieldy film, capable of producing a breathtaking image and then sending three characters to stand beneath it and explain what it represents.
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The Odyssey
(2026)
94%
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Jon Negroni
Thank God for Movies
Jun 24, 2026
Supergirl never reaches the clarity, precision, or narrative confidence that made Superman such a pleasant surprise. It floats. It glides. And it cruises through its runtime on Alcock’s considerable charisma like a star cruiser running on fumes.
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Supergirl
(2026)
52%
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Jon Negroni
Thank God for Movies
Jun 10, 2026
The Furious is a reminder that martial arts cinema needs recommitment even more than reinvention. It needs performers who can move, directors who know where to put the camera, choreographers who build fights with dramatic logic.
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The Furious
(2025)
97%
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Jon Negroni
Thank God for Movies
Jun 9, 2026
It's about aliens, sure, but that is almost the least interesting thing about it. It's about the terror of being believed after years of being trained to feel foolish for what you believe.
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Disclosure Day
(2026)
79%
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Jon Negroni
Thank God for Movies
Jun 7, 2026
It really is odd to see a blockbuster in 2026 failing to learn from the myriad of mistakes made by so many similar big-budget blunders throughout the 20teens.
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Masters of the Universe
(2026)
67%
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Jon Negroni
Thank God for Movies
Jun 5, 2026
The Wayanses won their franchise back, which I celebrate, and then handed us the precise self-satisfied meta-comedy that sank the franchise the first time, which I mourn.
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Scary Movie
(2026)
23%
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Jon Negroni
Thank God for Movies
May 31, 2026
The staginess remains visible throughout, and the film embraces it rather than disguising it. In fact, this plays like filmed theater of a high order, one that rewards close attention to faces and words over spectacle.
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Pressure
(2026)
89%
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Jon Negroni
Thank God for Movies
May 30, 2026
Backrooms, likes Obsession just weeks before it, proves that a kid from YouTube can walk into the multiplex and out-think nearly everyone there about the exact anxiety eating their generation alive.
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Backrooms
(2026)
85%
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Jon Negroni
Thank God for Movies
May 26, 2026
Its first half belongs in a time capsule. Its second half sometimes confuses the map for the territory.
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Blue Heron
(2025)
97%
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Jon Negroni
Thank God for Movies
May 15, 2026
8/10
Curry Barker’s 'Obsession' earns its hype with a star-making Inde Navarrette performance and a vicious sense of where to point the camera.
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Obsession
(2025)
93%
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Jon Negroni
Thank God for Movies
Mar 9, 2026
10/10
30 years after the Cutlass emerged from the blizzard, Fargo is still the most honest American movie I know about the relationship between small human failure and catastrophic harm.
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Fargo
(1996)
95%
92%
Jon Negroni
Thank God for Movies
Mar 8, 2026
4/10
This is such a rich idea. The film introduces it, announces it several times, and then largely abandons any rigorous engagement with it in favor of the Bride shooting people and growling about female rage.
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The Bride!
(2026)
57%
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Jon Negroni
Thank God for Movies
Aug 1, 2025
A-
If Barbarian was about what we bury in basements, Weapons is about what we bury in ourselves. Grief, blame, a national appetite for scapegoats over solutions.
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Weapons
(2025)
93%
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Jon Negroni
Thank God for Movies
Jul 31, 2025
B
What elevates The Bad Guys 2 above standard animated fare is not just the action or the comedy (though both are abundant), but the emotional integrity of its characters.
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The Bad Guys 2
(2025)
88%
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Jon Negroni
Thank God for Movies
Jul 9, 2025
B+
Bring on the age of superhero movies with an actual point of view, a personality even, a polarizing premise. In that respect, Superman (2025) could even save the genre while it’s at it.
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Superman
(2025)
83%
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Jon Negroni
Thank God for Movies
May 14, 2025
8/10
Mission: Impossible – The Final Reckoning, if you choose to accept it, burns away your cynicism with every shot of Cruise grinning into death’s abyss and saying, “It’s just pain.”
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Mission: Impossible - The Final Reckoning
(2025)
80%
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Jon Negroni
Thank God for Movies
Feb 24, 2025
8/10
His use of first-person POV places us inside Elwood’s mind at key moments, not as a gimmick, but as a demand: feel this.
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Nickel Boys
(2024)
92%
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Jon Negroni
Thank God for Movies
Feb 12, 2025
We get a movie that, much like the MCU itself these days, is merely running on autopilot. Captain America may still stand for something, but Brave New World sure doesn’t.
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Captain America: Brave New World
(2025)
46%
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Jon Negroni
Thank God for Movies
Dec 10, 2024
I appreciated that the film didn’t take an Argo-like approach, turning it into a heist narrative about getting the reels to the right place. Instead, it treated the events with the gravity they deserve.
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September 5
(2024)
92%
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