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Ariana Martinez LatinaMedia.Co Aug 26, 2026 3/5 At only 70 minutes long, the film’s briskness occasionally thwarts you from reaching across the screen to hold these stories a bit closer. But like a brief ride on a gyrating bull, Jaripeo manages to pack a punch, even if it is on to the next too soon. Go to Full Review Jaripeo (2026) 93% - -
Ariana Martinez LatinaMedia.Co Aug 25, 2026 3.5/5 Adriana Paz astonishes as Luz, oscillating between the political gloom of a perilous reality and the personal love a mother has for her daughter. Go to Full Review The Huntress (2026) 100% - -
Ariana Martinez LatinaMedia.Co Aug 25, 2026 9/10 Simón seamlessly blends the written and the witnessed in a dual diary approach to memory, contrasting the point of view of Marina’s camcorder with voiceover of her mother’s diary. A tender recurring technique... [that] speaks to the healing power of art. Go to Full Review Romería (2025) 92% - -
Denise Zubizarreta LatinaMedia.Co Jul 31, 2026 C+ Marcello Hernández brings enough Miami flavor to keep 72 Hours moving, but even he can’t turn this disposable bachelor party into a weekend worth remembering. Go to Full Review 72 Hours (2026) 17% - -
Denise Zubizarreta LatinaMedia.Co Jul 16, 2026 B+ It isn’t trying to hand audiences neat answers about marriage, purpose, or happiness. Instead, it asks better questions. When did you stop creating? When did survival quietly replace living? Go to Full Review Smile... The Worst Is Yet to Come (2026) - - - -
Denise Zubizarreta LatinaMedia.Co Jul 7, 2026 C+ What unfolds is a layered timeline of summers past and present, of glances held too long, of almosts and maybes. Go to Full Review People We Meet on Vacation (2026) 78% - -
Denise Zubizarreta LatinaMedia.Co Jul 7, 2026 B+ What you also get, whether intentionally or not, is a glimpse into a kind of Silicon Valley theology that I call blinged-out digital optimism. Go to Full Review The AI Doc: Or How I Became an Apocaloptimist (2026) 86% - -
Kathia Woods LatinaMedia.Co May 21, 2026 8/10 But let’s talk about Diego Calva because Club Kid makes the undeniable case that he’s one of the most compelling actors working today. Go to Full Review Club Kid (2026) 100% - -
Kathia Woods LatinaMedia.Co May 16, 2026 7/10 At its core, Ceniza en la Boca is a film about what migration costs and who pays the hidden bill. Here, the structural violence of classism, racism, and misogyny serves as the foundation of Lucila’s existence. Go to Full Review Ashes (2026) 81% - -
Denise Zubizarreta LatinaMedia.Co Apr 6, 2026 A- The documentary reveals, perhaps unintentionally, that the manosphere is less a movement and more a marketplace. Clickbait rage is these platforms’ currency. Go to Full Review Louis Theroux: Inside The Manosphere (2026) 76% - -
Denise Zubizarreta LatinaMedia.Co Mar 30, 2026 B- For all the film’s fascination with Musafar’s philosophy of bodily transcendence, it confronts the complicated cultural terrain beneath it. Go to Full Review A Body to Live In (2025) 92% - -
Denise Zubizarreta LatinaMedia.Co Mar 15, 2026 B- If cinema is confession, then this one is whispered through a wooden screen, half-shadowed and slightly dramatic. And if you’re willing to meet it at its frequency, you might just enjoy the sermon. Go to Full Review Thy Will Be Done (2025) - - - -
Denise Zubizarreta LatinaMedia.Co Feb 25, 2026 A- The Wrecking Crew is loud, funny, and unapologetically sentimental in the way the best buddy comedies are. It understands that action and humor don’t have to cancel out sincerity. Go to Full Review The Wrecking Crew (2026) 74% - -
Denise Zubizarreta LatinaMedia.Co Feb 25, 2026 A+ It asks audiences to interrogate why certain stories explode while others disappear, why credibility is unevenly distributed, and why legal victories and public perception can diverge so dramatically. Go to Full Review Silenced (2026) 100% - -
Denise Zubizarreta LatinaMedia.Co Feb 6, 2026 C- On paper, The Rip should have worked. Dirty cops. Stolen money. A Cuban-American city where corruption is so baked in, it comes with cafecito. That is not an invention. That is Miami. The problem is that The Rip is not actually in Miami. Go to Full Review The Rip (2026) 77% - -
Denise Zubizarreta LatinaMedia.Co Jan 27, 2026 B+ Allison Williams brings a deeply satisfying energy to Morgan: the overly stressed, underappreciated, ignored adult who has finally reached her limit. It’s grown teen mom energy in its fully evolved form. Not bitter, not cruel – but done. Go to Full Review Regretting You (2025) 29% - -
Denise Zubizarreta LatinaMedia.Co Jan 27, 2026 A- Eternity understands something rare: love does not weaken because it changes. It changes because survival demands it. Go to Full Review Eternity (2025) 76% - -
Denise Zubizarreta LatinaMedia.Co Jan 27, 2026 C- I couldn’t shake the feeling that 'The Gallerist' is performing rebellion while secretly terrified of offending the very system it wants to mock. Which is, in its own way, the film’s most accurate reflection of the art world. Go to Full Review The Gallerist (2026) 54% - -
Denise Zubizarreta LatinaMedia.Co Dec 30, 2025 A- Mickey 17 doesn’t predict the future. It documents the present with just enough exaggeration to make denial impossible. In doing so, it joins the small but vital lineage of science fiction that understands its real subject is not technology, but power. Go to Full Review Mickey 17 (2025) 77% 55%
Susanne Ramirez de Arellano LatinaMedia.Co Nov 11, 2025 A visually stunning love story, an ode to Puerto Rico, and a powerful example of anticolonial cinema. Go to Full Review Un Día de Mayo (2025) - - - -
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