This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
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Paul Emmanuel Enicola
Movie-Blogger.com
Oct 9, 2026
The trickiest thing Oppenheim and his team pull off is making all of this extremely entertaining. Primetime critiques sensationalism while knowing exactly why sensationalism works.
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Primetime
(2026)
86%
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Paul Emmanuel Enicola
Movie-Blogger.com
Jul 24, 2026
Funny, uncomfortable, and perceptive about four people trying to figure out whether they want different partners, different marriages, or simply some distance from the people they’ve allowed themselves to become.
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The Invite
(2026)
96%
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Paul Emmanuel Enicola
Movie-Blogger.com
Jul 4, 2026
For a movie selling itself on attitude, it’s rarely dangerous. For a story about rage, it’s rarely raw. And for a galaxy-spanning adventure, it’s surprisingly cramped in imagination.
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Supergirl
(2026)
52%
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Paul Emmanuel Enicola
Movie-Blogger.com
Jun 27, 2026
[Obsession] takes a familiar fantasy and refuses to flatter it. To be loved without risk, without consent, without the other person’s full and frightening freedom: that is not love. It is possession dressed up in romantic lighting.
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Obsession
(2025)
93%
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Paul Emmanuel Enicola
Movie-Blogger.com
Jun 14, 2026
4/5
Disclosure Day is too crowded, too earnest, and sometimes too convinced that feeling can do the work of structure. But it’s also thrilling, generous, beautifully acted, and open-hearted in a way that feels almost defiant now.
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Disclosure Day
(2026)
79%
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Paul Emmanuel Enicola
Movie-Blogger.com
Jun 13, 2026
3/5
...the fairest way to talk about Backrooms: not as a perfect expansion of an internet phenomenon, and not as a failed experiment either. It sits in the uneasy middle, where the best parts are good enough to make the weaker ones more frustrating.
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Backrooms
(2026)
85%
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Paul Emmanuel Enicola
Movie-Blogger.com
May 23, 2026
2/5
[The Mandalorian and Grogu] is friendly, competent, and intermittently charming. It is also generic to the bone.
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Star Wars: The Mandalorian and Grogu
(2026)
60%
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Paul Emmanuel Enicola
Movie-Blogger.com
May 1, 2026
3/5
It shouldn’t work as well as it does, yet here we are. For something I walked into with fairly low expectations, that counts for more than I expected.
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The Devil Wears Prada 2
(2026)
78%
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Paul Emmanuel Enicola
Movie-Blogger.com
Apr 23, 2026
1.5/5
A story that could have gone in any number of directions: messy, contradictory, unresolved. Instead, it settles for something safe and pre-approved, something that keeps you at a distance from the very person it’s about.
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Michael
(2025)
38%
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Paul Emmanuel Enicola
Movie-Blogger.com
Mar 20, 2026
4/5
If you’ve seen Gravity, Interstellar, 2001: A Space Odyssey, and The Martian, you’ve seen Project Hail Mary.
And yet, for the life of me, I’ll probably see it again.
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Project Hail Mary
(2026)
95%
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Paul Emmanuel Enicola
Movie-Blogger.com
Dec 13, 2025
4/5
No Other Choice is the kind of film that feels ripped from today’s headlines, even though it’s based on a novel from 1997... Park Chan-wook has made a film that’s darkly funny, viscerally uncomfortable, and disturbingly prescient.
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No Other Choice
(2025)
97%
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Paul Emmanuel Enicola
Movie-Blogger.com
Nov 10, 2025
4/5
[Diokno's] innovative storytelling ensures the film doesn’t feel like a pro-shot of a stage play but a fully realized reimagining that harnesses the intimacy of theater and the grandeur of cinema.
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A Miracle
(2024)
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Paul Emmanuel Enicola
Movie-Blogger.com
Sep 23, 2025
5/5
[Anderson] doesn’t just glance toward the present—he charges into it, headlong and unapologetic...swapping the gauzy comfort of period detail for the raw immediacy of a contemporary America riven by fear, racism, and a new strain of authoritarian bravado.
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One Battle After Another
(2025)
94%
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Paul Emmanuel Enicola
Movie-Blogger.com
Aug 19, 2025
3.5/5
I wouldn’t recommend it to everyone—God help the viewer who walks in expecting subtlety—but if you surrender to the idiocy, you might discover, as I did, that stupidity can be its own kind of bliss.
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The Naked Gun
(2025)
88%
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Paul Emmanuel Enicola
Movie-Blogger.com
Aug 17, 2025
2.5/5
Perhaps the fairest way to see Materialists is as a transitional work. Song isn’t repeating herself, which is admirable; she’s instead simply trying to map the economics of intimacy in a way few filmmakers have dared.
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Materialists
(2025)
77%
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Paul Emmanuel Enicola
Movie-Blogger.com
Jul 9, 2025
3.5/5
James Gunn’s kickoff to the DC Universe is a mixed bag in depicting the hero. But capturing the man? That part’s SUPER.
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Superman
(2025)
83%
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Paul Emmanuel Enicola
Movie-Blogger.com
Jun 19, 2025
As a social commentary indicting the corrupt and broken justice system in the Philippines, [Green Bones] doesn’t entirely succeed ... But as a straight drama, there’s nothing more you could ask for.
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Green Bones
(2024)
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Federico Furzan
Movie-Blogger.com
May 17, 2025
Bound is a painfully honest, but ultimately hopeful film. Alexandra Faye Sadeghian is staggering.
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Bound
(2023)
86%
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Federico Furzan
Movie-Blogger.com
May 9, 2025
Betray: Thirst has the dramatic drive to make you think, and in the indie-verse it's part of, that's enough.
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Betray: Thirst
(2025)
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Federico Furzan
Movie-Blogger.com
May 9, 2025
Especially designed for fans of Loach and Corbyn, and a strong comment against censorship in the modern world.
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The Bad Patriots
(2024)
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