This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
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Maria Lattila
Film Stories
Oct 27, 2026
3/5
It’s a combination that mostly works, but a film should advance similarly to a heartbeat on a hospital monitor: there needs to be ups and downs. And every now and again, Whalefall threatens to flatline entirely.
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Whalefall
(2026)
74%
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Maria Lattila
Film Stories
Jun 25, 2026
3/5
Good but not great, then. Solid on the surface with a wobbly base.
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Supergirl
(2026)
52%
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Maria Lattila
Film Stories
Jun 17, 2026
3/5
The story here is strong at heart, yet the film keeps looking backwards rather than forwards.
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Toy Story 5
(2026)
92%
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Maria Lattila
Film Stories
May 28, 2026
4/5
Barker balances awkward laughs with some truly unsettling imagery and themes, making this one of the most disturbing films of the year.
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Obsession
(2025)
93%
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Maria Lattila
Film Stories
May 28, 2026
3/5
Parsons has certainly proved his abilities with Backrooms and is yet another example of how Youtube is serving us a new wave of horror directors.
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Backrooms
(2026)
85%
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Maria Lattila
Film Stories
May 7, 2026
2/5
Mortal Kombat II is a massive improvement to its predecessor, but there was a better film to be made here.
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Mortal Kombat II
(2025)
63%
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Maria Lattila
Film Stories
May 7, 2026
4/5
Hokum doesn’t exactly present us with anything wildly different from other examples in the genre, but McCarthy once again proves he’s a master of atmosphere.
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Hokum
(2026)
90%
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Maria Lattila
Film Stories
Apr 24, 2026
4/5
It retains the feel of the game, honours it, and manages to make it cinematic. It has solid work from everyone and, while not flawless, it’s impressive from start to finish.
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Exit 8
(2025)
92%
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Maria Lattila
Film Stories
Apr 20, 2026
3/5
Lee Cronin’s The Mummy is gruesome for sure, but lacks much in the way of depth, or Evil Dead Rise’s sense of fun.
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Lee Cronin's The Mummy
(2026)
45%
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Maria Lattila
Film Stories
Apr 20, 2026
3/5
The scares, which are undeniably effective, start to repeat themselves soon enough and there’s just not quite enough meat around the film’s bones.
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The Undertone
(2025)
74%
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Maria Lattila
Film Stories
Apr 20, 2026
2/5
Scream 7 is a franchise low, and a very long way from where all this started.
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Scream 7
(2026)
29%
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Maria Lattila
Film Stories
Apr 20, 2026
2/5
There’s so much potential here, but "Wuthering Heights" is like bad sex: it just doesn’t hit the spot.
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Wuthering Heights
(2026)
57%
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Maria Lattila
Film Stories
Apr 20, 2026
5/5
Hamnet is heart-breaking, but what makes it truly special is how it’s not just about grief but what makes our losses so devastating: the undying love we have for those who have left us.
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Hamnet
(2025)
86%
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Maria Lattila
Film Stories
Apr 20, 2026
3/5
My glutes may have been screaming for help by the time the credits rolled, but these films are experiences with a capital E.
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Avatar: Fire and Ash
(2025)
66%
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Maria Lattila
Film Stories
Apr 20, 2026
2/5
Wicked: For Good isn’t a total disaster and the two films together are an admirable, occasionally impressive, attempt at bringing such a beloved musical alive on screen, but maybe some things just work better on stage.
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Wicked: For Good
(2025)
66%
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Maria Lattila
Film Stories
Apr 20, 2026
4/5
It’s another strong offering from Perkins, who is quickly asserting himself as one of the most original voices not just in horror, but Hollywood in general.
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Keeper
(2025)
51%
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Maria Lattila
Film Stories
Apr 20, 2026
2/5
Still, Black Phone 2 just about scrapes the line of a decent horror movie, mostly thanks to Hawke’s deranged performance and an early focus on building a haunting atmosphere.
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Black Phone 2
(2025)
72%
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Maria Lattila
Film Stories
Apr 20, 2026
2/5
Whereas the director’s previous films were overflowing with energy and life, After The Hunt feels akin to a particularly dry slice of cake.
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After the Hunt
(2025)
36%
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Maria Lattila
Film Stories
Apr 20, 2026
3/5
Indy is the true star of Good Boy, and more than worthy as a new scream king.
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Good Boy
(2025)
90%
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Maria Lattila
Film Stories
Sep 18, 2025
3/5
Wayans brings a fierce commitment to the role and sells Isaiah’s obsession compellingly. He is the carrying force of HIM, which works in favour of and against the film.
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HIM
(2025)
30%
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