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Sean Gilman
The Chinese Cinema
Sep 18, 2026
One of the singular achievements of this movie year.
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The Wasted Times
(2016)
33%
78%
Sean Gilman
The Chinese Cinema
Mar 24, 2026
Bushido is as gorgeous as the rules regimenting its society are cruel and onerous.
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Bushido
(2024)
91%
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Sean Gilman
The Chinese Cinema
Mar 24, 2026
The film’s first major set piece, set in a large kitchen, is a masterpiece of the form, with Liu taking on a dozen or more bad guys while manipulating her environment with audacity and panache.
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The Forbidden City
(2025)
90%
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Sean Gilman
The Chinese Cinema
Feb 26, 2026
The film is a throwback, an epic wuxia in a tradition as old as Chinese cinema itself, one that, while not exactly rare nowadays, is rarely executed with as much style or grace.
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Blades of the Guardians: Wind Rises in the Desert
(2026)
94%
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Sean Gilman
The Chinese Cinema
May 15, 2025
Lee excels in the non-fight scenes, especially floating around in the background of shots, dressed in an overcoat with a cap pulled low over her eyes, like if Kaji's Sasori tossed aside her big black sombrero and adopted a gray tweed bucket hat.
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The Old Woman with the Knife
(2025)
93%
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Sean Gilman
The Chinese Cinema
Sep 28, 2024
Hwang’s performance is a bit more subdued this time around, while the action is less fun and more brutal.... This shift in tone is entirely appropriate. . . I, the Executioner feels very much like a work or self-examination, if not self-accusation.
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Veteran 2: I, the Executioner
(2024)
100%
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Sean Gilman
The Chinese Cinema
Jun 10, 2024
Through it all, Li's Wong stands as the embodiment of honor, dignity and rectitude. Until, quite to his surprise, he finds himself in a Wong Jing movie, where everything is given a devious twist, ranging from slight exaggeration to the seriously demented.
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Last Hero in China
(1993)
67%
72%
Sean Gilman
The Chinese Cinema
Jun 10, 2024
I love old Milkyway Image movies as much as anyone, of course. But this obsession with the stars of the past, with old men way past the age when they could plausibly be working undercover in drug gangs, is doing nothing for Hong Kong cinema.
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I Did It My Way
(2023)
20%
- -
Sean Gilman
The Chinese Cinema
Jun 10, 2024
A filmmaker who feels like he’s reinventing cinema with every movie he makes.
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The Little Girl Who Conquered Time
(1983)
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Sean Gilman
The Chinese Cinema
Jun 10, 2024
The most wonderful thing about this are the subtitles. They are quite simply the most beautiful and poetic captions I’ve ever seen. Scene after scene plays out like a little haiku, adding an undeniably sardonic and wistful edge to this very playful film.
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Onlookers
(2023)
79%
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Sean Gilman
The Chinese Cinema
Jun 10, 2024
A film that has all the trappings of an anti-communist, Handover-anxiety dystopia, but the real enemy all along turns out to be corporate capital.
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Heroic Trio 2: Executioners
(1993)
90%
46%
Sean Gilman
The Chinese Cinema
Jun 10, 2024
The Heroic Trio holds up well, making for a highly entertaining generic exercised anchored by the performances of its three stars (plus Anthony Wong, who steals every scene he’s in).
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The Heroic Trio
(1992)
81%
66%
Sean Gilman
The Chinese Cinema
Jun 10, 2024
No Hongkonger navigates the system as well as Yau, and with Death Notice he’s slipped his most directly anti-authority film in quite awhile past the powers that be. Possibly because the film’s plot is too dense for any clock-punching bureaucrat to parse.
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Death Notice
(2022)
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Sean Gilman
The Chinese Cinema
Jun 10, 2024
Tam wasn’t alone in turning slice-of-life stories of Hong Kong’s youth into stories of sliced-up-lives. They respond to their world not with anger or cruelty, but by looking cool and falling in love. But violence will come for them anyway.
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The Nomad
(1982)
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Sean Gilman
The Chinese Cinema
Jun 10, 2024
A true romance, a tragedy about people finding themselves in traps where the only way out is to sacrifice their body for the person they love, which in turn only leads to more violence and more heartbreaking dilemmas. Call it Romantic Bloodshed.
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My Heart Is That Eternal Love
(1989)
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Sean Gilman
The Chinese Cinema
Jun 10, 2024
What’s remarkable about The Mystery of Chess Boxing is that even in its most debased form, and with the obvious deficiencies in its storytelling, it remains one of the more transcendent of martial arts movies.
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The Mystery of Chess Boxing
(1979)
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78%
Sean Gilman
The Chinese Cinema
Jun 10, 2024
Wang Yu filters Seven Samurai through Kurosawa's successors: its Hollywood remake and the Spaghetti Westerns he inspired. Above all, he twists the template to his own ends, virulently nationalistic and patriarchal, and gloriously violent.
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Beach of the War Gods
(1973)
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Sean Gilman
The Chinese Cinema
Jun 10, 2024
The kind of mixture of profoundly unsettling and grossly entertaining that only a filmmaker at the peak of her abilities can accomplish.
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Visible Secret
(2001)
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32%
Sean Gilman
The Chinese Cinema
Jun 10, 2024
All the evidence one would really need to know that To and Chow’s collaborations were not happy experiences is to simply watch The Mad Monk, a film by a remarkable collection of great artists that is simply just not very good nor very much fun to watch.
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The Mad Monk
(1993)
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51%
Sean Gilman
The Chinese Cinema
Jun 10, 2024
If Art College 1994 proves anything, it’s that mid-90s students were slackers the world over. Or at least the ones worth hanging out with were.
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Art College 1994
(2023)
90%
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