This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
MoviesTV Shows
MontiLee Stormer
MovieReelist.com
Jun 27, 2026
4/5
The psychological terror is nothing short of hypnotic, backed up by violence that is as over the top as it is believable. Harris crafts fear through fractured memories, oppressive silences, and surreal imagery that makes reality itself feel unstable.
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Is God Is
(2026)
97%
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MontiLee Stormer
MovieReelist.com
Jun 27, 2026
4/5
The most devastating aspect of Obsession is watching the catastrophic consequences of Bear’s selfish decision consume his personal life. The audience recognizes the behavior of puppy love morphing to psychosis, and like Bear, is unable to stop it.
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Obsession
(2025)
93%
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MontiLee Stormer
MovieReelist.com
Jun 27, 2026
3/5
Rather than presenting an instantly noble superhero, Supergirl’s screenplay embraces her reluctance to become involved in anyone else’s problems.
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Supergirl
(2026)
52%
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MontiLee Stormer
MovieReelist.com
Feb 21, 2026
4/5
There will be teeth-gnashing comparisons to Eggers’ Nosferatu (2024), adapted from Murnau’s 1922 fan-fic of Stoker’s 1897 novel, yet Besson’s Dracula feels like its moonlit counterpart rather than its echo, brothers from another mother, if you will.
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Dracula
(2025)
54%
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MontiLee Stormer
MovieReelist.com
Feb 21, 2026
1/5
Where the game’s slow build actually builds tension, Jeremiah Kipp’s tortured pacing drags the running time of 91 minutes over every filthy tile in the prep room.
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The Mortuary Assistant
(2026)
37%
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MontiLee Stormer
MovieReelist.com
Feb 21, 2026
4/5
Rather than relying on narrative shocks, Herman builds dread in slow degrees, letting the weight of small decisions compound until the story arrives at an emotionally devastating, yet eerily inevitable, reckoning.
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Herman
(2025)
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MontiLee Stormer
MovieReelist.com
Nov 8, 2025
4.5/5
This standalone decisively links the Predator mythology with the relentless corporate monster of the Alien franchise. If the Yautja hunts for honor, Weyland-Yutani hunts for profit, seeking alien tech to dominate the bio-weapons market (or every market).
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Predator: Badlands
(2025)
86%
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MontiLee Stormer
MovieReelist.com
Nov 8, 2025
4.5/5
GDT builds a world dripping in texture, assisted by Eugenio Caballero’s production design, resurrecting the true, oppressive atmosphere of a mid-19th-C opium haze. You can practically smell the damp earth, human waste, and overripe scientific ambition
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Frankenstein
(2025)
85%
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MontiLee Stormer
MovieReelist.com
Nov 8, 2025
4/5
Bugonia is a study in contrast. Sympathy for the pharmaceutical villain, fear and mistrust of the clearly mentally ill conspiracy nut. The tender humanity of Teddy and the sociopathic corporate mindset of Michelle.
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Bugonia
(2025)
87%
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MontiLee Stormer
MovieReelist.com
Nov 8, 2025
3/5
Good Fortune wants to highlight the gig economy and how hard it is for those living on the margins to keep from falling behind, and like Gabriel, it does best when the plot stays simple and uncomplicated.
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Good Fortune
(2025)
79%
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MontiLee Stormer
MovieReelist.com
Nov 8, 2025
3/5
If there’s one thing Black Phone 2 is offering, its gruesome deaths.
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Black Phone 2
(2025)
72%
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MontiLee Stormer
MovieReelist.com
Oct 10, 2025
3.5/5
It delivers all of that with Tron: Ares, keeping the smart people smart but not helpless, the villains complicated but not monologuing, and the thrilling action a constantly moving animal that only pauses to take a sip of air.
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TRON: Ares
(2025)
52%
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MontiLee Stormer
MovieReelist.com
Oct 10, 2025
3.5/5
Brad Miska and Bloody Disgusting, pull out all of the stops when curating this batch of all Halloween stories. Even the wrap-around story is full of surprises and bright terror. V/H/S Halloween has the potential to redeem the franchise.
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V/H/S Halloween
(2025)
89%
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MontiLee Stormer
MovieReelist.com
Oct 10, 2025
3.5/5
How much was scripted, I do not know, but the chemistry of “Kris” and “Celina” give an uncomfortable realness, especially when the catty fighting began. These aren’t influencers acting; these are actors who have found roles that make them shine.
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House on Eden
(2025)
33%
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MontiLee Stormer
MovieReelist.com
Sep 22, 2025
4/5
The Long Walk could be looking at Oscar nods, especially for its leads, Jonsson and Hoffman. The Long Walk is timely as it hits uncomfortably close to home while examining how far we would go to outlast people we barely know and haven’t had time to hate.
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The Long Walk
(2025)
88%
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MontiLee Stormer
MovieReelist.com
Sep 22, 2025
2/5
Eenie Meanie is perfectly adequate date-night fun where you’re going to be chatting about the better things you’ve seen the actors in or background noise for cleaning out closets and vacuuming. It requires low brain power to follow.
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Eenie Meanie
(2025)
43%
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MontiLee Stormer
MovieReelist.com
Sep 22, 2025
3/5
Justin Tipping wants to make HIM about the dangers of success at any cost. Unfortunately the diametrically opposed characters make this Faustian arrangement harder to navigate than Dante’s Inferno (1321) which I’ll admit I confuse with Faust all the time.
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HIM
(2025)
30%
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MontiLee Stormer
MovieReelist.com
Aug 16, 2025
3.5/5
Nobody 2 is bloodier and more gory, leaning heavily into the thriller genre, but that helps the comedy land when it counts. Unlike many sequels, it doesn’t skimp on the story or development holding out for another film
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Nobody 2
(2025)
76%
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MontiLee Stormer
MovieReelist.com
Aug 1, 2025
3.5/5
Everyone plays the straight man to Drebin's straight man, creating a circular composition of cerebral clutter. It isn't anything anyone wants to be in the middle of, but it’s fun to watch from the safety of a recliner.
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The Naked Gun
(2025)
88%
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MontiLee Stormer
MovieReelist.com
Jul 25, 2025
1.5/5
I Know What You Did Last Summer is full of characters played by actors who look like other actors from films we watched years ago but actually enjoyed.
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I Know What You Did Last Summer
(2025)
36%
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