Frame Rated

Amelia Harvey Frame Rated Oct 29, 2026 3.5/5 It’s the kind of movie that will spark conversation on the drive home, encourage people to reflect on their own childhoods and parenting, and make them consider the merits of cultural differences. Go to Full Review Fjord (2026) 92% - -

Amelia Harvey Frame Rated Oct 21, 2026 4/5 There’s nothing else quite like Your Mother Your Mother Your Mother. It feels like a genuinely fresh take on a well-worn story about a lone assassin. Bassam Tariq makes the case that a pulpy film can have morals, emotions and faith. Go to Full Review Your Mother Your Mother Your Mother (2026) 96% - -

Amelia Harvey Frame Rated Oct 17, 2026 3.5/5 Paper Tiger is an entirely watchable crime drama, largely down to Adam Driver’s powerhouse performance. Sadly, it lacks the grandiosity or ambition required to stand out from the countless other films set in this decade and genre. Go to Full Review Paper Tiger (2026) 86% - -

Amelia Harvey Frame Rated Oct 13, 2026 3/5 Primetime does exactly what To Catch a Predator did: it treats a deeply serious issue as light entertainment. This movie is great fun and full of meme-worthy moments, but it shouldn’t be. Go to Full Review Primetime (2026) 86% - -

Amelia Harvey Frame Rated Apr 10, 2026 3/5 There was much more to unpack here, but McAvoy seemingly prefers a cautionary tale about the pitfalls of success and the importance of authenticity. Go to Full Review California Schemin' (2025) 91% - -

Amelia Harvey Frame Rated Mar 31, 2026 4/5 You could argue it’s style over substance, but it’s fully aware of that. Sometimes, we all need to sit back, switch off, and watch a badass woman use a sword against Tom Felton. Go to Full Review They Will Kill You (2026) 66% - -

Amelia Harvey Frame Rated Mar 22, 2026 3.5/5 Here I Come is smart enough to replicate the original’s DNA without copying it beat-for-beat. There are innovative set pieces and a heightened level of "gore-nography," with the camera refusing to flinch during the more visceral moments. Go to Full Review Ready or Not 2: Here I Come (2026) 75% - -

Amelia Harvey Frame Rated Mar 15, 2026 3/5 Ultimately, the film has nothing meaningful to say about generational wealth or our collective lack of fulfilment, despite the script’s half-hearted attempts to touch upon these themes. Go to Full Review How to Make a Killing (2026) 45% - -

Amelia Harvey Frame Rated Feb 20, 2026 3/5 Writer-director Layton takes an engaging bunch of characters and does very little with them. It’s entirely watchable, but you’ll likely have forgotten it by the summer. Go to Full Review Crime 101 (2026) 88% - -

Amelia Harvey Frame Rated Feb 20, 2026 4/5 The film has its finger firmly on the pulse of modern sentiment towards technology, yet possesses the chaotic filmmaking ethos of a retro 1990s outing. It has all the ingredients of a cult classic. Go to Full Review Good Luck, Have Fun, Don't Die (2025) 82% - -

Amelia Harvey Frame Rated Feb 16, 2026 3.5/5 It will likely earn a cult following among younger viewers who crave the yearning of a period drama with the stylised aesthetics of a music video. It’s not an unenjoyable film—it’s just not Wuthering Heights. Go to Full Review Wuthering Heights (2026) 57% - -

Amelia Harvey Frame Rated Jan 14, 2026 3/5 It’s a passable, if forgettable, watch for genre devotees, but those who aren’t already fans of the book or the rom-com formula will struggle with the lacklustre writing. Go to Full Review People We Meet on Vacation (2026) 78% - -

Amelia Harvey Frame Rated Jan 4, 2026 4/5 While it slightly overstays its welcome, it is never boring and remains entirely unpredictable. You will never know where the story is headed next, nor what word will next fly out of Marty’s mouth. Go to Full Review Marty Supreme (2025) 93% - -

Amelia Harvey Frame Rated Dec 15, 2025 3.5/5 Brewer’s film is a love letter to karaoke culture, pub singers, and tribute acts. He never mocks Mike and Claire, nor does he belittle their world. Instead, he treats their performances and dreams as if they were any other genre of music. Go to Full Review Song Sung Blue (2025) 77% - -

Amelia Harvey Frame Rated Dec 14, 2025 3.5/5 It’s a heart-warming and often emotional film about the power of story, and how people can live on through story (even if it’s not told first-hand). Go to Full Review Eleanor the Great (2025) 68% - -

Amelia Harvey Frame Rated Nov 23, 2025 4/5 Wake Up Dead Man explores the human need to believe in someone. But fear not, Johnson still delivers the same mystery format one expects from the franchise, just with a little more God involved. Go to Full Review Wake Up Dead Man: A Knives Out Mystery (2025) 92% - -

Amelia Harvey Frame Rated Nov 20, 2025 3/5 Much like a magic show, Now You See Me: Now You Don’t requires the audience to sit back, suspend their disbelief, and go along with the spectacle. Go to Full Review Now You See Me: Now You Don't (2025) 61% - -

Amelia Harvey Frame Rated Oct 22, 2025 3/5 Springsteen: Deliver Me From Nowhere will likely appeal more to those not already indoctrinated into the world of The Boss, as it fails to be half as interesting as Bruce’s many podcasts, interviews, and Broadway shows. Go to Full Review Springsteen: Deliver Me from Nowhere (2025) 61% - -

Amelia Harvey Frame Rated Oct 18, 2025 4/5 No Other Choice seamlessly moves from a sharp satire about the struggling job industry to a dark comedy about murdering the competition to get your career back on track. Go to Full Review No Other Choice (2025) 97% - -

Amelia Harvey Frame Rated Oct 7, 2025 3.5/5 Twinless rewards those who go in with as little information as possible. But once the rug’s been pulled out from under us, the writing struggles to maintain its momentum. Go to Full Review Twinless (2025) 97% - -