This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
MoviesTV Shows
Filipe Freitas
Always Good Movies
Oct 14, 2026
4/5
Resident Evil brings a lively sense of gameplay and tense excitement to the screen, giving both gaming and horror enthusiasts plenty to feast upon.
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Resident Evil
(2026)
96%
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Filipe Freitas
Always Good Movies
Oct 14, 2026
2.5/5
The film’s tonal paleness is matched by a lack of dynamism in its staging.
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Case 137
(2025)
95%
- -
Filipe Freitas
Always Good Movies
Oct 14, 2026
4/5
The past few years have brought a number of war documentaries, but Naza, despite its filmmaking simplicity and even-handed approach, is the priceless one that adds something new.
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NAZA
(2026)
100%
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Filipe Freitas
Always Good Movies
Oct 8, 2026
3.5/5
Lady is fascinatingly fun, filled with a series of embarrassing moments and deliberately overdramatic freak-outs.
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Lady
(2025)
100%
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Filipe Freitas
Always Good Movies
Oct 8, 2026
2/5
There’s rural dark poetry here, splashed with an indie touch, but it fails to impress, as the briskly edited first part of the film—its bluegrass swagger contributing little—proves to be a total snooze-fest.
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The Rivals of Amziah King
(2025)
88%
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Filipe Freitas
Always Good Movies
Oct 8, 2026
3.5/5
Laid out with pulse and atmosphere, The Weight is a gripping, taut, and effective western-style adventure thriller that puts McKinley on the list of filmmakers to watch in the future.
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The Weight
(2026)
94%
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Filipe Freitas
Always Good Movies
Oct 8, 2026
4/5
There’s a lot of resignation but also heart in a film of rare visual beauty... and powerful, uncomplicated storytelling.
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The Condor Daughter
(2025)
100%
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Filipe Freitas
Always Good Movies
Oct 1, 2026
3.5/5
Tony rightly entertains at a pleasantly superficial level. More than a technical feat, it’s a strong story with adequate dramatic power.
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Tony
(2026)
93%
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Filipe Freitas
Always Good Movies
Oct 1, 2026
2.5/5
It fails to produce the desired disturbance, instead leaving me annoyed by its abundance of slasher clichés rather than genuinely provoking me with something outside the box.
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Teenage Sex and Death at Camp Miasma
(2026)
94%
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Filipe Freitas
Always Good Movies
Oct 1, 2026
3.5/5
Even with its deliberate ambiguity, Blue Heron successfully finds its own intense voice, heightened by the strong documentary feel present in every single gesture.
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Blue Heron
(2025)
97%
- -
Filipe Freitas
Always Good Movies
Sep 19, 2026
4/5
Astonishingly acted by all four actors, this provocative, fast-paced film impresses with the power with which it frames contentions, different points of view, embarrassments, and resolutions. This is finely judged filmmaking by Wilde.
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The Invite
(2026)
96%
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Filipe Freitas
Always Good Movies
Sep 19, 2026
4/5
Grandiose and introspective, the film is not concerned with blood-shedding battles, instead using emotional struggle to reinvent itself.
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The Odyssey
(2026)
94%
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Filipe Freitas
Always Good Movies
Sep 19, 2026
3.5/5
Tovar’s debut feature cuts like a knife, flawlessly performed by the pair of newcomer actresses.
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Sad Girlz
(2026)
100%
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Filipe Freitas
Always Good Movies
Sep 5, 2026
3/5
This is a charming family film with an Agatha Christie touch. A playful holiday diversion that, despite its goofiness and occasional hyperbole, is never tedious.
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The Sheep Detectives
(2026)
95%
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Filipe Freitas
Always Good Movies
Sep 5, 2026
1/5
With such low dramatic stakes, don't be surprised if you find yourself begging for the end much sooner than expected.
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The Magic Faraway Tree
(2026)
80%
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Filipe Freitas
Always Good Movies
Sep 5, 2026
1/5
Borgli bites off more than he can chew and struggles to digest it. After all, sarcasm alone does not make a film.
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The Drama
(2026)
76%
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Filipe Freitas
Always Good Movies
Sep 5, 2026
1.5/5
Michael is not only unexciting and artificial—both musically and emotionally—but also self-congratulatory, choppy, and overly mellow, leaving its subject’s darker chapters and legal controversies safely behind the curtain.
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Michael
(2025)
38%
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Filipe Freitas
Always Good Movies
Jun 6, 2026
3.5/5
Never cold, never distant; only unsettling in the honesty with which it portrays governmental indifference and institutional obstruction.
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The Great Arch
(2025)
89%
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Filipe Freitas
Always Good Movies
Jun 6, 2026
2/5
A coming-of-age drama that, struggling to find a consistently satisfying rhythm, timidly engages with supernatural elements.
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Renoir
(2025)
88%
- -
Filipe Freitas
Always Good Movies
Jun 6, 2026
3.5/5
The transmission of trauma may be unavoidable, but compassion remains a vital source of relief.
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All That's Left of You
(2025)
100%
- -
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