New York Post

Jonathan Foreman New York Post Oct 26, 2026 2/4 There's scarcely a note here that isn't false -- and the movie's so slow you can't help noticing the false notes. Go to Full Review Eyes Wide Shut (1999) 79% 74%

Johnny Oleksinski New York Post Oct 21, 2026 3/4 Specifically this is body horror, similar to “The Substance” with Demi Moore or an organs-galore David Cronenberg film. It’s gross. In a fun way! Go to Full Review Clayface (2026) 77% - -

Archer Winsten New York Post Oct 19, 2026 The skill of director Kubrick and the magnificent performance of Jack Nicholson make many of these extra-sensory perceptions seem almost reasonable. Go to Full Review The Shining (1980) 74% 90%

Johnny Oleksinski New York Post Oct 16, 2026 4/4 The ultimate takeaway of this absolutely sensational, reality-bending, unmissable documentary? With Elizabeth Holmes, we will never see everything. Go to Full Review You Can See Everything (2026) 96% - -

Johnny Oleksinski New York Post Oct 15, 2026 1.5/4 Perhaps the answer to every [question] is: Shut up and just enjoy it. However, Whalefall is not a terribly exciting or engaging movie either, despite the enthusiasm of its star on the rise, Abrams. Go to Full Review Whalefall (2026) 74% - -

Johnny Oleksinski New York Post Oct 13, 2026 2/4 Sense and Sensibility is a story of memorable characters in which every role, big or small, can stand out. But Sense and Sensibility is a movie in which almost no one does. Go to Full Review Sense and Sensibility (2026) 78% - -

Johnny Oleksinski New York Post Oct 8, 2026 2.5/4 What Misty functions best as is a showcase for Eleazar, a little-known British actress who’s appeared in a few movies and should star in many more. That makes for the film’s most energizing contrast: A star on the rise playing a star all but forgotten. Go to Full Review Misty Green (2026) 61% - -

Johnny Oleksinski New York Post Sep 30, 2026 2/4 There’s no luxury real-estate or male models to be found. Just a crummy little one-bed and a juvenile prison. Go to Full Review Verity (2026) 31% - -

Archer Winsten New York Post Sep 30, 2026 Writer Ron Kurz and producer-diretor Steve Miner have not troubled to do more than supply the murders strictly engineered for suspense. Go to Full Review Friday the 13th Part 2 (1981) 28% 48%

Archer Winsten New York Post Sep 29, 2026 The unending quest for suspense has seldom produced a bloodier mess. Go to Full Review Friday the 13th (1980) 49% 60%

Johnny Oleksinski New York Post Sep 29, 2026 0/4 You can tell that [Tom Cruise and Alejandro González Iñárritu] think their new film is urgent. And in a way, it is. Audiences will urgently want to leave after the first five minutes. Go to Full Review Digger (2026) 53% - -

Johnny Oleksinski New York Post Sep 25, 2026 1.5/4 Suffers from that same arc of an early peak followed by a rapid decline in interest. Go to Full Review Bucking Fastard (2026) 69% - -

V.A. Musetto New York Post Sep 24, 2026 I’m not sure why it took 50 years for “Araya” to reach New York, but let us be thankful to Milestone Films for giving life to this forgotten film. Go to Full Review Araya (1959) 92% 91%

Larry Worth New York Post Sep 23, 2026 One hint that something's amiss: Audiences will find themselves rooting for the super-warriors. And why not? Van Damme produces zero charisma and barely showcases his trademark kicks. Go to Full Review Street Fighter (1994) 20% 20%

Johnny Oleksinski New York Post Sep 21, 2026 3.5/4 After Barbarian, Weapons and Resident Evil, Cregger is now three for three and one of the most exciting forces in the horror genre—and all of Hollywood—today. Go to Full Review Resident Evil (2026) 96% - -

Johnny Oleksinski New York Post Sep 18, 2026 3.5/4 Scott handles all of this with hidden-camera naturalism, helped out by Stone, who, while embracing a simplicity of style, also doesn’t just plant a camera and let his lead park and bark, as is typical of British biopics. Go to Full Review Elsinore (2026) 88% - -

Johnny Oleksinski New York Post Sep 18, 2026 3/4 Gung-ho Pattinson explodes as the host’s life falls apart and he descends into madness. However, it’s more of a good time than a profound one. Go to Full Review Primetime (2026) 86% - -

Archer Winsten New York Post Sep 17, 2026 The picture is simply a series of sudden, varied demises engineered by that awful Jason, who himself seems impervious to attack. Go to Full Review Friday the 13th Part III (1982) 17% 42%

Johnny Oleksinski New York Post Sep 16, 2026 3/4 The whole reason to see it, though, is the spectacular Moore, who’s so batty as Mona you can’t look away, lest you miss the slightest freaky eyelid twitch. Go to Full Review The Debut (2026) 91% - -

Johnny Oleksinski New York Post Sep 16, 2026 3.5/4 Wild Horse is one of the director’s most plainly enjoyable movies, thanks in no small part to the brilliant Malkovich and refreshingly sunny setting. Go to Full Review Wild Horse Nine (2026) 93% - -