Burnaway.org

Felicia Feaster Burnaway.org Jan 16, 2020 [Lynne] Ramsay finds poetry in the abject to her detriment but to her credit too. Go to Full Review You Were Never Really Here (2017) 89% 64%

Felicia Feaster Burnaway.org Jan 16, 2020 [Director Matt Tyrnauer] seems to have surrendered all control to the chaos machine that is Scotty Bowers. Go to Full Review Scotty and the Secret History of Hollywood (2017) 85% 58%

Felicia Feaster Burnaway.org Jan 16, 2020 A Dangerous Method crafts a fascinating, tragic heroine from a woman history has overlooked. Go to Full Review A Dangerous Method (2011) 78% 50%

Felicia Feaster Burnaway.org Jan 16, 2020 For fans of the sort of world cinema that plunges you into the essence of life in another reality, A Separation is an intense, immersive dip into contemporary Iranian life. Go to Full Review A Separation (2011) 99% 92%

Felicia Feaster Burnaway.org Jan 16, 2020 The linchpin of the drama is fairly one-note: beneath civility lies cruelty. And there is perhaps a bit too much New Yorker-style, upper-middle self-satisfaction in that rather thin insight. Go to Full Review Carnage (2011) 70% 66%

Felicia Feaster Burnaway.org Jan 16, 2020 As with nearly all of Wiseman's films, Crazy Horse is a narcotic, fly-on-the-wall immersion in the rhythms and predilections of a peculiar industry. Go to Full Review Crazy Horse (2011) 85% 52%

Felicia Feaster Burnaway.org Jan 16, 2020 [D]espite its flaws, The Glass Castle... connects powerfully to what it feels like to be a child when adults make all the rules. Go to Full Review The Glass Castle (2017) 53% 70%

Felicia Feaster Burnaway.org Jan 16, 2020 The film can at times feel like a short story Botoxed into existence with an infusion of Hollywood money and special effects. Go to Full Review mother! (2017) 68% 51%

Felicia Feaster Burnaway.org Jan 16, 2020 Ai's film, like his art, moves in contrapuntal stanzas between showing the scale of the immigration crisis and its individual victims. Go to Full Review Human Flow (2017) 91% 80%

Felicia Feaster Burnaway.org Jan 16, 2020 [A] wickedly funny and insightful film. Go to Full Review The Square (2017) 85% 71%

Felicia Feaster Burnaway.org Jan 16, 2020 Far from simply an "issue" film, BPM is an incisive, moving portrait of what it feels like to occupy its subjects' skin, to feel a sense of both acute sexual ecstasy and love and also a powerful, encroaching doom. Go to Full Review BPM (Beats Per Minute) (2017) 99% 84%

Felicia Feaster Burnaway.org Jan 16, 2020 For Tom of Finland, sex is freedom and the artist's empowered gay superheroes perpetually young, never encumbered by performance anxiety or condemnation, frolicking in a dream world expression of a longed-for reality. Go to Full Review Tom of Finland (2017) 83% 69%

Felicia Feaster Burnaway.org Jan 16, 2020 [A] cineaste's dream. Go to Full Review 78/52 (2017) 88% 79%

Felicia Feaster Burnaway.org Jan 16, 2020 It is clear from watching Leaning Into the Wind that, for Goldsworthy, the labor, the action is as much a pleasure as the concept or the end result. Go to Full Review Leaning Into the Wind: Andy Goldsworthy (2017) 98% 70%

Felicia Feaster Burnaway.org Jan 15, 2020 [A] disturbing treatise on family and institutional corruption. Go to Full Review Happy End (2017) 69% 54%

Felicia Feaster Burnaway.org Jan 15, 2020 An innovative blend of animated storytelling and traditional documentary. Go to Full Review Liyana (2017) 97% 71%

Felicia Feaster Burnaway.org Jan 15, 2020 Generation Wealth is an unsatisfyingly superficial crash course in that enduring idea, a kind of omnibus of the photographer's fixations coalesced into one top-heavy, meandering production. Go to Full Review Generation Wealth (2018) 46% 52%

Felicia Feaster Burnaway.org Jan 15, 2020 Don't Worry, He Won't Get Far on Foot fits squarely into Van Sant's Good Will Hunting mode of mainstream feel good entertainments with a whiff of wackiness. It's like rainbow jimmies sprinkled on white bread. Go to Full Review Don't Worry, He Won't Get Far on Foot (2018) 76% 75%

Felicia Feaster Burnaway.org Jan 15, 2020 Westwood may be intriguing for fashion types, punk-rockers and fans of septuagenarian women with potty mouths and trophy husbands, but it may be a harder sell for cinephiles who like their docs with a little more revelation. Go to Full Review Westwood: Punk, Icon, Activist (2018) 79% 61%

Felicia Feaster Burnaway.org Jan 15, 2020 There's the sense that Lee is seeing our present reality not as a reason to give up hope but to remind Americans of the stakes, to rally them to take back their country from those who would make it 1953 again. Go to Full Review BlacKkKlansman (2018) 95% 83%