Tom & Lorenzo

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Jul 21, 2026 Maybe this will come off like meaningless hyperbole to some, but we honestly think Tony Leung and Maggie Cheung in the film comprise one of the most beautiful onscreen couples in the entire history of cinema. Go to Full Review In the Mood for Love (2000) 92% 94%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Jul 21, 2026 The film doesn’t have a strong enough foundation to shoulder this shift and Johnson can’t quite take the character where she needs to go. To be fair, the script isn’t giving her enough to work with. Go to Full Review Materialists (2025) 77% - -

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Jul 21, 2026 In the end, The Bride! has to be seen as an interesting experiment by its filmmaker, but one that failed to live up to the potential of her original, and admittedly great idea for it. Go to Full Review The Bride! (2026) 57% - -

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Jul 21, 2026 Screenwriter and director Paul Schrader was very precise and meticulous in how the film was constructed, and its relentless success of static shots, perfectly framed, evinces both a sense of horror and a sense of calm at the same time. Go to Full Review First Reformed (2017) 94% 69%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Jul 21, 2026 Disappointment, the film seems to be saying, comes for us all in the end, like death. It’s up to us how we’re going to weather it. At the same time, however, it’s a film practically dense with kindness. Go to Full Review Babette's Feast (1987) 97% 91%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Jun 16, 2026 Kidman is an utter force of nature in the film. Go to Full Review To Die For (1995) 88% 66%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Jun 16, 2026 The movie makes excellent and hilarious use of his ability to spew rapid-fire motherfuckers at every chance; just one of several dozen different ways that make this film feel like the perfect Eddie Murphy star vehicle. Go to Full Review Dolemite Is My Name (2019) 97% 91%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Jun 16, 2026 The cast is uniformly excellent. Taylour Paige grounds the story simply by keeping still and quiet when everything around her starts going crazy, a choice that quietly underlines that in this quartet of losers, she is the single most at-risk person. Go to Full Review Zola (2020) 88% 68%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Jun 16, 2026 The beauty of director and screenwriter Nolan’s story is that it forces the viewer to reconsider what they’ve just seen constantly, throughout the movie. The ending is the beginning and the beginning is the ending. Go to Full Review Memento (2000) 93% 94%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Jun 16, 2026 The brilliance of Nouvelle Vague is that you don’t have to see Breathless to enjoy it, but if you enjoy it, you’ll immediately want to watch Breathless. Go to Full Review Nouvelle Vague (2025) 92% - -

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Jun 16, 2026 The Greatest Showman is a spectacle in every sense of the word, good and bad, which makes it, ironically enough, the perfect Barnum biography, accuracy be damned. Go to Full Review The Greatest Showman (2017) 56% 86%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Jun 16, 2026 Coppola’s not interested in recreating or contextualizing or even portraying big moments in history. She’s interested in unpacking the world through a privileged young woman’s eyes and exploring how she navigates power, expectations, and betrayals. Go to Full Review Marie Antoinette (2006) 58% 56%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Aug 1, 2023 The film tries to do too much, but we can’t be anything less than deeply impressed that anyone came up with too many smart, funny, biting things to say in a movie about Barbie, of all things. Go to Full Review Barbie (2023) 88% 29%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Dec 7, 2022 Cruella manages to overcome its inherent flaws with tremendous style and just enough of a flirtation with tearing down the Disney machinery to make it feel edgier than it actually is. Go to Full Review Cruella (2021) 75% 97%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Dec 21, 2020 A film of abundance and contradictions: triumphant tragedy, enraging comedy, confusing carthasis. Go to Full Review Promising Young Woman (2020) 90% 87%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Dec 21, 2020 It's not an awful film, just a perfectly acceptable one. Cinematic wallpaper. Go to Full Review Rebecca (2020) 37% 38%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Dec 21, 2020 We did not respond well to it, not least because the characterization of everyone involved was too shallow for us to truly become invested. Go to Full Review The Midnight Sky (2020) 50% 26%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Oct 8, 2020 It's an excellent film I should say because it depicts the pain of childhood... I'm just going to say... I could understand the objections to was how these girls were shot because they are real girls. Go to Full Review Cuties (2020) 87% 14%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Oct 7, 2020 A beautifully acted, sensitively directed, exquisitely art-directed snapshot of pre-Stonewall gay male socializing, with all its attendant shade, sorrow and self-loathing. Go to Full Review The Boys in the Band (2020) 85% 74%

Tom Fitzgerald and Lorenzo Marquez Tom & Lorenzo Jul 16, 2020 If this is what's next for superheroes, we're all for it. And we can't wait for the sequel. Go to Full Review The Old Guard (2020) 80% 70%