This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
MoviesTV Shows
Chris McCoy
Memphis Flyer
3 days ago
The show was called "To Catch a Predator," but Oppenheim makes the case that everyone involved, from the alleged pedos getting busted on national television to Hansen to the head of the network, are all predators of one kind or another.
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Primetime
(2026)
86%
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Chris McCoy
Memphis Flyer
3 days ago
I can’t overstate what an incredible artistic achievement this film is for the indefatigable team at Laika.
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Wildwood
(2026)
99%
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Chris McCoy
Memphis Flyer
3 days ago
Fielder and Oppenheim twist the medium of documentary film into impossible shapes as they probe the line between truth and fiction.
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You Can See Everything
(2026)
96%
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Chris McCoy
Memphis Flyer
Sep 30, 2026
The Wrong Girls is clearly a labor of love for everyone involved.
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The Wrong Girls
(2026)
61%
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Chris McCoy
Memphis Flyer
Sep 30, 2026
If you’ve ever rolled your eyes at a $300 million Jurassic World debacle and thought, "How hard is it to make a good creature feature?" Mitchell shows you how it’s done.
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The End of Oak Street
(2026)
86%
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Chris McCoy
Memphis Flyer
Sep 30, 2026
At times, Camp Miasma comes across as both a horror film and an essay about horror films. Schoenbrun keeps things from getting too academic with a self-deprecating sense of humor and some genuinely gorgeous photography. And blood.
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Teenage Sex and Death at Camp Miasma
(2026)
94%
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Chris McCoy
Memphis Flyer
Sep 30, 2026
Coyote vs. Acme is a near-perfect film, hilarious with heart to spare.
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Coyote vs. Acme
(2026)
96%
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Chris McCoy
Memphis Flyer
Sep 30, 2026
Like Weapons, this Resident Evil is good, clean horror fun — if by "clean" and "fun" you mean "bloody" and "terrifying."
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Resident Evil
(2026)
96%
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Chris McCoy
Memphis Flyer
Jun 26, 2026
If you’re just in it for ILM’s artistry and some spectacular pew-pew, it’ll serve you just fine. But personally, I expect more from a galaxy far, far away.
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Star Wars: The Mandalorian and Grogu
(2026)
60%
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Chris McCoy
Memphis Flyer
Jun 26, 2026
In a world of generic slop passing as art, this is an actual auteurist vision, realized by some of the best craftspeople in the business.
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I Love Boosters
(2026)
92%
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Chris McCoy
Memphis Flyer
Jun 26, 2026
Parsons may be young, but Backrooms is the real deal.
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Backrooms
(2026)
85%
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Chris McCoy
Memphis Flyer
Jun 26, 2026
Personally, I loved Disclosure Day. But I realize that the mixture of ’70s paranoia cinema, rollicking chase scenes, and philosophical debates makes for a bumpy ride.
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Disclosure Day
(2026)
79%
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Chris McCoy
Memphis Flyer
May 15, 2026
Between Johnston’s clueless bumbling from one emotional disaster area to another and Navarrette’s bravado bipolarity, it’s the great performances of the two leads that really elevate Obsession above the rest of the low budget horror field
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Obsession
(2025)
93%
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Chris McCoy
Memphis Flyer
May 1, 2026
Is it a good movie? I don’t know. Is it entertaining? As hell!
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The Bride!
(2026)
57%
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Chris McCoy
Memphis Flyer
May 1, 2026
One of the biggest strengths of Hoppers, Pixar’s latest animated feature, is that director Daniel Chong and screenwriter Jesse Andrews realize that saving your neighborhood can be just as compelling as saving the world.
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Hoppers
(2026)
94%
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Chris McCoy
Memphis Flyer
May 1, 2026
Gosling is the perfect actor for Lord and Miller’s style. He’s quick on his feet, with a great improv sense.
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Project Hail Mary
(2026)
95%
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Chris McCoy
Memphis Flyer
May 1, 2026
Sure, there’s lots of impressively staged eye candy, and the couture is pretty stunning, but after yet another close-up of billowing fabric, you start to think maybe this isn’t going anywhere.
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Mother Mary
(2026)
69%
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Chris McCoy
Memphis Flyer
Mar 4, 2026
The biggest revelation from The Bone Temple is the confident, elegant direction by Nia DaCosta.
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28 Years Later: The Bone Temple
(2026)
91%
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Chris McCoy
Memphis Flyer
Mar 4, 2026
Like its protagonist, Train Dreams’ quiet eloquence is easily overlooked, but ultimately profound.
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Train Dreams
(2025)
93%
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Chris McCoy
Memphis Flyer
Mar 4, 2026
There’s nothing Verbinski likes more than a great actor going stupid big, and Rockwell is the man for the job.
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Good Luck, Have Fun, Don't Die
(2025)
82%
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