Caimán Cuadernos de Cine

Jaime Pena Caimán Cuadernos de Cine Oct 9, 2026 Nothing is truly grounded, as Zou avoids dramatic conflicts, as if afraid to delve deeply into characters whose sole purpose is to travel through time. [Full review in Spanish] Go to Full Review A Girl Unknown (2025) - - - -

Daniela Urzola Caimán Cuadernos de Cine Sep 8, 2026 None of this results in a particularly revolutionary addition to the canon of 'new motherhood'. But there is, at least, the seed of a renaissance. [Full review in Spanish] Go to Full Review Mother's Baby (2025) 73% - -

José Félix Collazos Caimán Cuadernos de Cine Sep 8, 2026 Its ability to capture the uncertainty of those still searching for a possible life transforms this small independent production into a work with resonances far deeper than its modest appearance suggests. [Full review in Spanish] Go to Full Review Erupcja (2025) 82% - -

José Félix Collazos Caimán Cuadernos de Cine Sep 8, 2026 The result is a suggestive but muted work, sustained by brilliant scenes and a lucid intuition: unmediated truth can be a form of violence. [Full review in Spanish] Go to Full Review What Marielle Knows (2025) 100% - -

Elsa Tébar Caimán Cuadernos de Cine Sep 8, 2026 Aguilera opens up a terrain in which ghosts emerge from contemporary disaffection, the erosion of relationships, and the corrosion of discredited institutions. The classic returns as a disquieting mirror of our present. [Full review in Spanish] Go to Full Review Ladies' Hunting Party (2026) - - - -

Clara Tejerina Caimán Cuadernos de Cine Sep 8, 2026 Its worth emphasizing that the film's tone is not drama, but rather a subtle humor that blends farcical and character-driven comedy. [Full review in Spanish] Go to Full Review A Sad and Beautiful World (2025) 100% - -

Àngel Quintana Caimán Cuadernos de Cine Jun 15, 2026 Functions as a film about democratic memory; it is a reminder in hostile times that rights now considered fundamental were born from painful conflicts and from women who decided to publicly confront the system. [Full review in Spanish] Go to Full Review Women on Trial (2026) - - - -

Jaime Pena Caimán Cuadernos de Cine Jun 15, 2026 The subject matter is undoubtedly interesting: interviewing the survivors of the guerrilla group that accompanied Che Guevara on his Bolivian adventure and who managed to escape after his death. [Full review in Spanish] Go to Full Review Che Guevara: The Last Companions (2026) - - - -

Jara Yáñez Caimán Cuadernos de Cine Jun 15, 2026 Voiseux's film is ultimately a grand family fresco in which issues such as genealogy and inheritance also come into play. [Full review in Spanish] Go to Full Review Gabin (2026) - - - -

Àngel Quintana Caimán Cuadernos de Cine Jun 15, 2026 The film does not merely aim to reconstruct events, but seeks to resurrect a legend. [Full review in Spanish] Go to Full Review De Gaulle: Tilting Iron (2026) 94% - -

Àngel Quintana Caimán Cuadernos de Cine Jun 15, 2026 Périot restores voice and presence to a woman erased by official history. [Full review in Spanish] Go to Full Review A Life, A Manifesto (2026) - - - -

Eulàlia Iglesias Caimán Cuadernos de Cine Jun 4, 2026 Avots creates a sensitive character who relates to the world from the vulnerability of someone who feels different. It's impossible not to connect emotionally with the protagonist and her struggles. [Full review in Spanish] Go to Full Review Ulya (2026) - - - -

Àngel Quintana Caimán Cuadernos de Cine May 28, 2026 The story avoids the easy opposition between selfishness and sacrifice; Rather, it shows how loyalty to others can become a form of silent imprisonment. [Full review in Spanish] Go to Full Review Elephants in the Fog (2026) 93% - -

Eulàlia Iglesias Caimán Cuadernos de Cine May 28, 2026 The image of these animals as noble beings capable of rebelling if they feel threatened is ultimately likened to the resilience of trans women in Nepal. [Full review in Spanish] Go to Full Review Elephants in the Fog (2026) 93% - -

Àngel Quintana Caimán Cuadernos de Cine May 27, 2026 Perhaps The End of It doesn't fully sustain all the ambitions it announces, but in its best moments, it demonstrates a distinctive visual personality and a remarkable ambition. [Full review in Spanish] Go to Full Review The End of It (2026) - - - -

Jara Yáñez Caimán Cuadernos de Cine May 26, 2026 Music is that form of collective resistance that lends the film a melancholic echo of the youth of the nineties, a youth that refuses to fade away. [Full review in Spanish] Go to Full Review I See Buildings Fall Like Lightning (2026) 91% - -

Carlos F. Heredero Caimán Cuadernos de Cine May 26, 2026 The narrative flows elegantly, with no abrupt ellipses ever disrupting its harmonious flow. [Full review in Spanish] Go to Full Review The Man I Love (2026) 93% - -

Àngel Quintana Caimán Cuadernos de Cine May 26, 2026 The final result is an exquisitely delicate film, moving through an uncertain world with elegance, driven by a desire to find a sensitive perspective that, though always on the verge of breaking, maintains its truth. [Full review in Spanish] Go to Full Review The Man I Love (2026) 93% - -

Àngel Quintana Caimán Cuadernos de Cine May 26, 2026 The true enigma is not who committed the crime, but who Joe Diamond really was and to what extent he himself is a shadow of something lost. [Full review in Spanish] Go to Full Review Diamond (2026) 83% - -

Àngel Quintana Caimán Cuadernos de Cine May 26, 2026 La Gradiva has been a great surprise film, a delicate gem that unsettles and disturbs. [Full review in Spanish] Go to Full Review La Gradiva (2026) 93% - -