This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
MoviesTV Shows
A.S. Hamrah
n+1
Mar 27, 2026
Despite Buckley’s falconry early in the film I’m not sure that when it comes to grief Zhao knows a hawk from a handsaw.
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Hamnet
(2025)
86%
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A.S. Hamrah
n+1
Mar 27, 2026
In many ways a thrilling, beautiful, and disturbing movie, Sirât’s callousness, intended as spirituality, mimics the world’s indifference.
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Sirāt
(2025)
90%
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A.S. Hamrah
n+1
Mar 27, 2026
The movie, for all its patience and forest majesty, is bland, an example of the creeping Hallmarkization of American film, or of the domestication of Terrence Malick's style in service of an illustrated novel.
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Train Dreams
(2025)
93%
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A.S. Hamrah
n+1
Mar 27, 2026
Madigan’s outlandish, creepy performance, with its orange wig of baby bangs and large gradient eyewear, was criticized as crone-shaming, but Weapons is in fact the rare film to address the problem of American gerontocracy head-on.
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Weapons
(2025)
93%
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A.S. Hamrah
n+1
Mar 27, 2026
In The Voice of Hind Rajab, reality butts up against form in a way that is more gruesome than productive.
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The Voice of Hind Rajab
(2025)
93%
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A.S. Hamrah
n+1
Mar 27, 2026
The mere existence of a second Mary Bronstein movie, much less one as amazing as this, proves that patience and a bad attitude are not just their own rewards.
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If I Had Legs I'd Kick You
(2025)
92%
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A.S. Hamrah
n+1
Mar 27, 2026
Bugonia shares with If I Had Legs I’d Kick You an excellent screenplay and a great cast, each superior in their concision to those in bigger films this year, whose expansiveness, while admirable, made them a little muddy.
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Bugonia
(2025)
87%
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A.S. Hamrah
n+1
Mar 27, 2026
Timothée Chalamet wore me out with his relentlessness, and the Mad Libs casting exhausted me.
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Marty Supreme
(2025)
93%
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A.S. Hamrah
n+1
Mar 27, 2026
The made-up problems of these successful Norwegian artistes and academics did not interest me.
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Sentimental Value
(2025)
95%
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A.S. Hamrah
n+1
Mar 27, 2026
Like many a Hollywood action movie, it has more endings than it needs, and before that it descends into mere violence, but the rest of Sinners is grand.
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Sinners
(2025)
97%
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A.S. Hamrah
n+1
Mar 27, 2026
The film looks stagey and snow-globey and its green color palette unfortunately called to mind Wicked. It even has the same poppy fields.
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Frankenstein
(2025)
85%
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A.S. Hamrah
n+1
Mar 27, 2026
One Battle After Another is a rarity: a big Hollywood action movie self-consciously concerned with liberating the future from the clutches of a geriatric order.
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One Battle After Another
(2025)
94%
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A.S. Hamrah
n+1
Mar 27, 2026
Mendonça is very generous to his actors.
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The Secret Agent
(2025)
98%
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A.S. Hamrah
n+1
Mar 27, 2026
With It Was Just an Accident, Panahi has decided to make a film that meets any audience more than halfway.
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It Was Just an Accident
(2025)
98%
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A.S. Hamrah
n+1
Mar 27, 2026
It’s an instant classic.
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Song Sung Blue
(2025)
77%
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A.S. Hamrah
n+1
Mar 27, 2026
It will be an alienating movie for many people, probably most people, despite Hawke’s bravura incarnation
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Blue Moon
(2025)
90%
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A.S. Hamrah
n+1
Mar 27, 2026
The White Parade is a semi-lost film, existing only as a partial dupe print in an archive. It’s hard to believe a Hollywood film made by a major studio as late as 1934 only exists that way. I hope the same thing happens to F1.
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F1 The Movie
(2025)
82%
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A.S. Hamrah
n+1
Mar 16, 2026
Melania is an anti-documentary.
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Melania
(2026)
9%
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A.S. Hamrah
n+1
Mar 4, 2025
I can only take so much messiah talk in science fiction, especially when it’s coming from Javier Bardem and Timothée Chalamet, both of whom I generally like, but here all I could think about was that they’d played Desi Arnaz and Bob Dylan.
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Dune: Part Two
(2024)
92%
75%
A.S. Hamrah
n+1
Mar 4, 2025
In the second section... we lose the Ani we’d come to know.
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Anora
(2024)
93%
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