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Sebastian Zavala Kahn Cinencuentro Oct 28, 2026 4/5 I can’t help but be fascinated by 'The Social Reckoning'. Is it a good sequel? No. But I don’t even think it’s a sequel. Watch this new film without dwelling too much on the previous one, and you’ll feel freer as a viewer. [Full review in Spanish]. Go to Full Review The Social Reckoning (2026) 54% - -
Mauricio Jarufe Caballero Cinencuentro Oct 26, 2026 The great revelation of its third act...suggests the importance of having a film like this in theaters: a film that allows itself to keep desiring. [Full review in Spanish] Go to Full Review La Bola Negra (2026) 87% - -
Giancarlo F. Ciprian Cinencuentro Oct 22, 2026 This new adaptation not only misses the opportunity to offer a fresh perspective on period films, but also highlights the limitations of an industry that seems to confuse classic revivals with the need to retell their stories... [Full review in Spanish] Go to Full Review Sense and Sensibility (2026) 78% - -
Mauricio Jarufe Caballero Cinencuentro Oct 22, 2026 The biggest problem with Sorkin's film isn't its execution, but its concept. Why make a film like this, make it so urgent, and tell us nothing new? [Full review in Spanish] Go to Full Review The Social Reckoning (2026) 54% - -
Joaquín Chang Cinencuentro Oct 19, 2026 ...what James Gray achieves with Paper Tiger is a deeply human feature film in which the family aspect stands out effortlessly, allowing the characters to rediscover the meaning of caring for those who need you most...[Full review in Spanish] Go to Full Review Paper Tiger (2026) 86% - -
Nilton Arana Cinencuentro Oct 16, 2026 ...Hope offers genuine entertainment while subtly weaving in catastrophic commentary on humanity, exaggerations that resonate with these times of intolerance, oppression, and war. [Full review in Spanish] Go to Full Review Hope (2026) 80% - -
Mariale Bernedo Cinencuentro Oct 14, 2026 The film, which purports to discuss the power of media narrative and artistic catharsis, is more interested in admiring its own potential within the game. [Full review in Spanish] Go to Full Review Digger (2026) 53% - -
Javier Alejandro Ramos Cinencuentro Oct 14, 2026 Gluck swaps out unrestrained violence for repressed sexuality and urgent desire, in a clear satirical nod to the new culture of dating apps and the obsession with obtaining gratification without guilt. [Full review in Spanish] Go to Full Review One Night Only (2026) 44% - -
Carlos Esquives Cinencuentro Oct 14, 2026 ugene Kotlyarenko crafts a story that flirts with situational comedy, satire, and pastiche. [Full review in Spanish] Go to Full Review Vintage Violence (2026) 86% - -
Mauricio Jarufe Caballero Cinencuentro Oct 14, 2026 Ducournau makes a kind of sensitive and embodied cinema, insofar as the mise-en-scène is twisted to evoke the bodily experiences of her female protagonists. [Full review in Spanish] Go to Full Review Alpha (2025) 57% - -
Javier Alejandro Ramos Cinencuentro Oct 14, 2026 [Ethan Hawke and Russell Crowe's] cordiality with which they treat each other at first is charged with threatening sparks as we await the conclusion, when they will meet again. [Full review in Spanish] Go to Full Review The Weight (2026) 94% - -
Sebastian Zavala Kahn Cinencuentro Oct 9, 2026 4.5/5 By allowing us to connect with characters who perceive the world in different ways, harbour specific yearnings, and seek freedom, the film succeeds in creating a palpable atmosphere that links the past with the present. [Full review in Spanish]. Go to Full Review If I Go Will They Miss Me (2026) 96% - -
Sebastian Zavala Kahn Cinencuentro Oct 7, 2026 4/5 A film with a measured pace and powerful imagery; more interested in its thematic content and a clash of cultures and perspectives than in developing a classic or commercial narrative. [Full review in Spanish]. Go to Full Review The Condor Daughter (2025) 100% - -
Sebastian Zavala Kahn Cinencuentro Oct 7, 2026 2/5 What surely works well in a novel has been adapted here in the most confusing and lacklustre way possible, resulting in a supposed psychological thriller that is neither emotionally engaging nor psychologically stimulating. [Full review in Spanish]. Go to Full Review Verity (2026) 31% - -
Marcelo Paredes Cinencuentro Oct 5, 2026 ...despite unfolding in a context dominated by snow and a feeling of extreme cold, the film manages to hold a certain warmth in what it ultimately proposes. [Full review in Spanish] Go to Full Review The Meltdown (2026) 88% - -
Mauricio Jarufe Caballero Cinencuentro Oct 5, 2026 ...perhaps Digger needed more ambition and less clarity, not the other way around. The film's central point is one worth revisiting: the planet is screwed, and cinema is far from the best solution, yet we still keep making movies. [Full review in Spanish] Go to Full Review Digger (2026) 53% - -
Marcelo Paredes Cinencuentro Oct 5, 2026 Tom Cruise is fundamental as the protagonist and becomes a true force of nature, brimming with emotion and gestures, finding a very precise comedic timing that also appears in his interactions with the rest of the cast. [Full review in Spanish] Go to Full Review Digger (2026) 53% - -
Mauricio Jarufe Caballero Cinencuentro Oct 1, 2026 Few films dare to do what Schilinski does here: this particular combination of sensory elements that compose a kind of collective soul, a type of phenomenological cinema that transmutes the very experience of living...[Full review in Spanish] Go to Full Review Sound of Falling (2025) 95% - -
Carlos Esquives Cinencuentro Sep 29, 2026 Donkey Princess is a visually and narratively rewarding experience. [Full review in Spanish] Go to Full Review Donkey Princess (2026) - - - -
Mauricio Jarufe Caballero Cinencuentro Sep 28, 2026 ...what sets Ruiz de Azúa's film apart from numerous similar films is its peculiar role reversal: what place does religious belief have in an increasingly secular and potentially anticlerical society? [Full review in Spanish] Go to Full Review Los Domingos (2025) 100% - -
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