Arts Fuse

Peg Aloi Arts Fuse Oct 27, 2026 This gentle, unconventional romance is as much about letting go as it is about coming together Go to Full Review Washed Up (2026) - - - -

Peter Keough Arts Fuse Oct 27, 2026 It is one of the year’s most important documentaries, and it must be seen. Go to Full Review Musk (2026) 96% - -

Steve Erickson Arts Fuse Oct 27, 2026 Its length gives its characters’ relationships room to evolve believably. Refusing easy, snap judgments, Lee powerfully traces the complicated ways capitalism obstructs human connection. Go to Full Review Possible Love (2026) 100% - -

Peg Aloi Arts Fuse Oct 27, 2026 The menagerie of wildlife and farm animals co-existing is a subtle but effective ecological commentary. Go to Full Review Wildwood (2026) 99% - -

Peter Keough Arts Fuse Oct 15, 2026 Taut, haunting, and infuriating. Go to Full Review Who Killed Alex Odeh? (2026) 67% - -

Peter Keough Arts Fuse Oct 15, 2026 A bureaucratic dispute epitomizes the dilemma faced by the subject of Maiken Baird’s thorough, engrossing, and conventional Edward Said: Between Worlds. Go to Full Review Edward Said: Between Worlds (2026) 94% - -

Steve Erickson Arts Fuse Oct 9, 2026 Treating poverty as a mood as much as a reality poses enormous dangers, but Barrio Triste never feels as though it were made by a slumming social worker. Go to Full Review Barrio Triste (2025) 71% - -

Peter Keough Arts Fuse Oct 9, 2026 Boyle grafts a slasher thriller onto his half-baked haunting, surrendering the final third to the grisly antics of a serial killer with a thing for human teeth. Go to Full Review Never After Dark (2026) 98% - -

Peter Keough Arts Fuse Sep 30, 2026 My one quibble — aside from understandable moments of sentiment — is that Yo’s own artwork does not seem to make an appearance. But perhaps the point is that her life itself was the work of art. Go to Full Review Yo (Love is a Rebellious Bird) (2026) - - - -

Peter Keough Arts Fuse Sep 30, 2026 Sierra compiles footage from the phones of participants, news broadcasts, and other sources to briskly record how events unfolded. Go to Full Review Everybody to Kenmure Street (2026) 100% - -

Steve Erickson Arts Fuse Sep 30, 2026 Shibasaki achieves something closer to a quietly repulsive numbness — this is a woman whose heart has been hollowed out by violence. Serpent’s Path reveals her history in small, deliberate drips. Go to Full Review Serpent's Path (2024) 83% - -

Steve Erickson Arts Fuse Sep 30, 2026 This isn’t a lazy documentary, content to be a vessel for what is a damning case against mechanized barbarity. Abraham and Szor thought hard about its aesthetics. Go to Full Review NAZA (2026) 100% - -

Peg Aloi Arts Fuse Sep 21, 2026 Kittredge embellishes the many interview scenes with archival footage and Rob Ross’s inventive animated sequences. The energetic visuals keep the pace lively. Go to Full Review Boorman and the Devil (2025) 98% - -

Peter Keough Arts Fuse Sep 19, 2026 As in Past Future Continuous, the familial and the historical are inseparable—and perhaps inescapable. Go to Full Review mother, you have not died yet. but you will. and when you do, you will finally be alive again. (2026) - - - -

Peter Keough Arts Fuse Sep 15, 2026 At times The Cycle of Love does fall back on platitudes to make its case. But here those platitudes are earned. Go to Full Review The Cycle of Love (2025) 100% - -

Peg Aloi Arts Fuse Sep 15, 2026 Practical Magic 2 could have been a timely continuation of the first film. Instead, it feels like a pale imitation, desperately trying to recapture a heady experience by any means necessary. Instead of magic, we get chaos. Go to Full Review Practical Magic 2 (2026) 36% - -

Peg Aloi Arts Fuse Sep 8, 2026 Overall, this is a very solidly produced effort. I loved the unexpectedly intimate cinematography by Sebastian Edschmid; the production design by David Hindle is exquisite. Go to Full Review Virginia Woolf's Night & Day (2026) 81% - -

Peter Keough Arts Fuse Sep 8, 2026 It is edited through jarring, whimsically surreal juxtapositions that prove unexpectedly illuminating, while startling revelations emerge through transitions within a single frame—by way of mise-en-scène and sly camera movements. Go to Full Review Filipiñana (2026) 90% - -

Betsy Sherman Arts Fuse Aug 31, 2026 Coyote vs. Acme is a fun, clever outing that mixes slapstick antics with unexpectedly dramatic interludes. Go to Full Review Coyote vs. Acme (2026) 96% - -

Peter Keough Arts Fuse Aug 26, 2026 What is most disappointing about the film is that it offers the spectacle of doomsday without any attempt to understand why it is happening or, more important, why people are so attracted to it. Go to Full Review The Dog Stars (2026) 41% - -