This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
MoviesTV Shows
Savina Petkova
Cineuropa
Sep 23, 2026
Lemonade exemplifies the need for tenderness in British social-realism dramas today.
Go to Full Review
Lemonade
(2026)
- -
- -
Kaleem Aftab
Cineuropa
Sep 8, 2026
hrough the complicated Roque, Armand, who also has a small cameo, tries to decipher the puzzle that is Venezuela, where no road seems to lead to glory.
Go to Full Review
La Fortaleza
(2020)
- -
- -
Olivia Popp
Cineuropa
Jul 15, 2026
The film ends on a curiously open-ended note, which ultimately feels more daring than Mengel offering a definitive solution to his protagonist’s predicament.
Go to Full Review
The Guest
(2026)
100%
- -
Olivia Popp
Cineuropa
Jul 15, 2026
Nolan reaches the epic achievement he promised during a few fleeting moments of torrential, tormentuous sublime: when horrible waves shake the screen and the frame is filled with strange geometries of contorted bodies and gnashed earth.
Go to Full Review
The Odyssey
(2026)
94%
- -
Olivia Popp
Cineuropa
Jun 5, 2026
Now, he flexes both his writing and directing muscles in a vibrant debut that’s firmly revolutionary in its commitment to portraying Nepal’s Kinnar community without sacrificing story or artistic craft.
Go to Full Review
Elephants in the Fog
(2026)
93%
- -
Olivia Popp
Cineuropa
Jun 5, 2026
Thielen Armand’s take on it is ultimately no different in its path to a bitter, gruesome end, but the sheer overpowering nature of the film’s dark mise-en-scène and sound literally and metaphorically rings in the ears.
Go to Full Review
Death Has No Master
(2026)
76%
- -
Olivia Popp
Cineuropa
Jun 5, 2026
Appreciating Ulysse requires buying into her philosophy of life, recognising that it is flawed while still empathising with it regardless.
Go to Full Review
Ulysse
(2026)
- -
- -
Olivia Popp
Cineuropa
May 20, 2026
As much as it’s been done before, Jude executes the melange with certainty, mixing it all together into a welcome velouté of political modernity and dark humour.
Go to Full Review
Diary of a Chambermaid
(2026)
96%
- -
Olivia Popp
Cineuropa
May 20, 2026
The film’s moving core is reflected in Basholli’s ability to carefully navigate the tensions permeating the two key binaries of remembrance/escapism and rebellion/compliance.
Go to Full Review
Dua
(2026)
- -
- -
Olivia Popp
Cineuropa
May 20, 2026
By the end, narrative threads trail away underserved in favour of a few quirky one-offs, although they do elicit laughs.
Go to Full Review
Butterfly Jam
(2026)
46%
- -
Savina Petkova
Cineuropa
May 18, 2026
Rivilis’s perspective feels fresh and decisively anti-nostalgic. The film lives and breathes on its own, untethered from its predecessors.
Go to Full Review
I'll Be Gone in June
(2026)
80%
- -
Vladan Petkovic
Cineuropa
Apr 17, 2026
God Will Not Help is a rich and remarkable film, and even if it's not the easiest watch, it commands attention and respect.
Go to Full Review
God Will Not Help
(2025)
- -
- -
Vladan Petkovic
Cineuropa
Apr 17, 2026
The smoothly arranged sequence of events, in which every action has an immediate and direct consequence, combined with expositional dialogues, gives us all the answers, while the pairing of Nikola’s story with the folktale checks way too many boxes.
Go to Full Review
The Tale of Silyan
(2025)
97%
- -
Vladan Petkovic
Cineuropa
Apr 17, 2026
The film is more distanced from the viewer than Bellocchio’s quieter original, but even such ramped-up artificiality and absurdity are much less transgressive in 2026.
Go to Full Review
Rosebush Pruning
(2026)
16%
- -
Vladan Petkovic
Cineuropa
Apr 17, 2026
A difficult, thought-provoking and deeply emotional drama on dementia and its consequences on those affected, but even more so on how it affects the caregivers.
Go to Full Review
Queen at Sea
(2026)
91%
- -
Vladan Petkovic
Cineuropa
Apr 17, 2026
he overly fragmented story with a bunch of underbaked, unnecessary segments and side characters makes the film feel like a jumbled collection of Black Mirror episodes, despite its clearly cinematic stylistic scope.
Go to Full Review
Good Luck, Have Fun, Don't Die
(2025)
82%
- -
Olivia Popp
Cineuropa
Feb 25, 2026
Al-Khatib has no mandate to deliver on a certain image of suffering: the film’s existence is ultimately evidence of its urgency.
Go to Full Review
Chronicles from the Siege
(2026)
- -
- -
Olivia Popp
Cineuropa
Feb 25, 2026
Stänicke manages to strike a balance between a very simple screenplay and an intricate tapestry of topics, removing twists, turns and other distractions to allow viewers to connect on an individual level with these deeply human binaries.
Go to Full Review
Trial of Hein
(2026)
- -
- -
Olivia Popp
Cineuropa
Feb 25, 2026
In this way, Prosecution is clearly a film for this moment, as the world begins to reckon with the social and governmental structures we’re told to put our faith in.
Go to Full Review
Prosecution
(2026)
- -
- -
Olivia Popp
Cineuropa
Feb 1, 2026
Shame and Money will resonate strongly with anyone who has personally had to fight to survive – or who has seen family and friends do so.
Go to Full Review
Shame and Money
(2026)
100%
- -
Load more