This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
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Vadim Rizov
Reverse Shot
Jul 21, 2026
The text can take reinterpretation, but the effect doesn’t seem to land.
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The Odyssey
(2026)
94%
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Adam Nayman
Reverse Shot
Dec 30, 2025
Whatever else one can say about No Other Choice, it is a formidable and frequently gobsmacking exercise in craft.
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No Other Choice
(2025)
97%
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Chris Cassingham
Reverse Shot
Jul 12, 2025
The result is less a collective narrative of the ongoing war than a collage of impressions and feelings that guide the viewer across geographical terrain and reveal a country’s citizens processing their trauma in wildly different ways.
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Songs of Slow Burning Earth
(2024)
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Savina Petkova
Reverse Shot
Mar 19, 2025
But there is more to those deferrals, stand-ins, and metaphors for paternal absence—there is rawness and optimism in the way Windless paints a double portrait: of a son’s past disappointments and of the man he hopes to be.
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Windless
(2024)
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Bedatri D. Choudhury
Reverse Shot
Mar 11, 2025
On Becoming a Guinea Fowl is a complex film whose layers are so dense that they’d be impenetrable if not for Nyoni’s knack for dark humor, fantastic imagery, and her seething rage at a patriarchy that has co-opted women to be its foot soldiers.
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On Becoming a Guinea Fowl
(2024)
100%
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Jourdain Searles
Reverse Shot
Dec 13, 2024
Oh, Canada, adapted from the novel Foregone by the late Russell Banks, is engrossing and confounding, telling a story that defies simple elucidation.
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Oh Canada
(2024)
66%
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Adam Nayman
Reverse Shot
Nov 21, 2024
Here, adapted by Zemeckis with Eric Roth from Richard McGuire’s acclaimed 2014 graphic novel, is as flavorless and fungible as a freshly packaged loaf of Wonder Bread.
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Here
(2024)
35%
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Matthew Eng
Reverse Shot
Oct 21, 2024
Through the vitality of Jean-Baptiste’s playing, Pansy’s wrath comes to function as a kind of wayward defiance, a fire-in-the-belly refusal to abide by society’s norms and niceties...
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Hard Truths
(2024)
95%
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Jourdain Searles
Reverse Shot
Sep 22, 2024
Moore is the only element in this film of any substance at all.
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The Substance
(2024)
89%
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Juan Barquin
Reverse Shot
Aug 13, 2024
Trap repeats itself over and over, introducing new obstacles for Cooper and allowing him to wriggle out of them. It’s a formula that is riveting for the grand majority of the film.
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Trap
(2024)
57%
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Matthew Eng
Reverse Shot
Aug 13, 2024
Donaldson might have dwelled longer in her protagonist’s destabilizing uncertainty before delivering her film to its lightly vengeful conclusion, but the force of its final beat is undeniable.
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Good One
(2024)
98%
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Jourdain Searles
Reverse Shot
Jun 30, 2024
Much like The Lobster and The Killing of a Sacred Deer, Kinds of Kindness frequently registers as a satire of society and the roles we’re each assigned to play.
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Kinds of Kindness
(2024)
71%
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Juan Barquin
Reverse Shot
Apr 5, 2024
In Hedwig, transition is less about gender and more about how these myriad identities are all part of a whole.
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Hedwig and the Angry Inch
(2001)
93%
93%
Adam Nayman
Reverse Shot
Mar 29, 2024
Just as The Wonders and Happy as Lazzaro indulged in pastoral beauty in order to contextualize its fragility in the face of progress, La Chimera regards its molten seaside environs with a mix of reverence and melancholy.
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La Chimera
(2023)
95%
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Adam Nayman
Reverse Shot
Mar 21, 2024
In the parlance of our times: if Larry Fessenden has no more fans, then I am no longer on this Earth.
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Blackout
(2023)
75%
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Caitlin Quinlan
Reverse Shot
Mar 18, 2024
Because Valadez and Rondero have so masterfully sustained tension and dread for the majority of the film’s runtime, this chapter of Sujo’s life in the capital never feels entirely free of threat.
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Sujo
(2024)
93%
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Leonardo Goi
Reverse Shot
Feb 13, 2024
To peg [the director's] work as that of a miniaturist only lays bare the limited language we use to describe a film [...] Devos’s cinema is expansive, and that’s especially true in Here, possibly his biggest and most ambitious to date.
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Here
(2023)
95%
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Jourdain Searles
Reverse Shot
Feb 5, 2024
There are no simple answers to these questions, and Savoca forces us to sit with our unease.
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Household Saints
(1993)
72%
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Matthew Eng
Reverse Shot
Jan 26, 2024
It is this balance of pragmatism and fellow feeling that emblematizes the bonds between Avilés’s characters and makes her film such a graceful, luminous, and malleable portrait of love’s work amid mortal descent.
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Tótem
(2023)
97%
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Kambole Campbell
Reverse Shot
Dec 13, 2023
It's one of [Miyazaki's] strangest and most ambitious films. It’s reassuring that the filmmaker can still surprise like this.
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The Boy and the Heron
(2023)
96%
33%
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