RogerEbert.com

Clint Worthington RogerEbert.com 3 days ago 2.5/4 What keeps 'Who Killed Alex Odeh?' from greatness, though, is its demonstrative form, with scattershot pacing and an eagerness to land emotional points with the weight of a pipe bomb. Go to Full Review Who Killed Alex Odeh? (2026) 67% - -

Richard Roeper RogerEbert.com 3 days ago 3.5/4 This is a no-frills film, relying on those golden-old clips, the warm, witty, and insightful memories of comic giants, and the sharp observations of modern-day talents. That’s more than enough. Go to Full Review SCTV: The Greatest Show You've Never Heard Of (2026) - - - -

Glenn Kenny RogerEbert.com 3 days ago 2.5/4 The action, which also includes a hairy helicopter landing, is the movie’s best feature. Go to Full Review The Mongoose (2026) 30% - -

Robert Daniels RogerEbert.com 4 days ago .5/4 Lacking humanity and relying almost exclusively on shock, "The Mosquito Bowl," a heinous World War II epic coming to Netflix, struggles to define its story. Go to Full Review The Mosquito Bowl (2026) 37% - -

Cortlyn Kelly RogerEbert.com 5 days ago 2/4 Yet the premise is far more existential than Waititi’s adaptation makes it. Go to Full Review Klara and the Sun (2026) 26% - -

Simon Abrams RogerEbert.com 5 days ago 0/4 The soccer scenes are especially disappointing, though, since the filmmakers’ use of AI only creates a disturbing Uncanny Valley effect. Go to Full Review Kung Fu Soccer (2026) 22% - -

Nell Minow RogerEbert.com 5 days ago 3.5/4 Like all great comedians, she shows us that the specifics of her experience illuminate our universal fears and frustrations. Go to Full Review Paralyzed by Hope: The Maria Bamford Story (2026) 95% - -

Peyton Robinson RogerEbert.com 5 days ago 2.5/4 While not quite finished, is a promising indie darling that closely resembles the type of film Martin longed to make, both in theme and biography; it makes you appreciate its existence, however imperfect. Go to Full Review - - - -

Brian Tallerico RogerEbert.com 5 days ago 3.5/4 [It] is a gorgeous ode to outsiders, nature, and everything we seem to be losing as we march toward a tech-heavy future. Go to Full Review Wildwood (2026) 99% - -

Matt Zoller Seitz RogerEbert.com 5 days ago 3/4 The title is ironic. There’s no such thing, except in fiction. Go to Full Review Closure (2026) 95% - -

Carlos Aguilar RogerEbert.com 5 days ago 3.5/4 It’s not about the bulge, but about the bravery to look beyond it. Go to Full Review Manhood (2026) 100% - -

Brian Tallerico RogerEbert.com 5 days ago 2.5/4 It’s still an undeniably strong debut, maybe not the best in show for the genre this year, but promising enough that its filmmaker could one day claim that title. Go to Full Review Breeder (2026) 87% - -

Clint Worthington RogerEbert.com 6 days ago [It] is a triumph, somehow mixing everything from the terror of social transition to the different dangers of online radicalization (incels, TERFs) into a cohesive gumbo that feels reflective in its many fragments. Go to Full Review Castration Movie Chapter iii.ii Junior Ghosts - Premorphic Drift; a fragmentary passage (2026) - - - -

Clint Worthington RogerEbert.com 6 days ago It moves at the pace of a historical drama, its flashes of the supernatural only accentuating the desire and sweetness of Baldur and Helge’s love. Go to Full Review No Rest for the Wicked (2026) 97% - -

Clint Worthington RogerEbert.com 6 days ago It’s slinky, sexy, and more than a little surprising. Go to Full Review Corpus (2026) 88% - -

Cortlyn Kelly RogerEbert.com Oct 26, 2026 Although the resolution leaves us a bit unconvinced, 'A Common Story' lingers in its ambiguity. Go to Full Review A Common Story (2026) - - - -

Peter Sobczynski RogerEbert.com Oct 26, 2026 [It] may be contrived in its attempts to show how genuine love can curdle into something darker and uglier. But Garcia’s performance makes it worth watching despite its flaws. Go to Full Review Love Is the Monster (2025) - - - -

Peter Sobczynski RogerEbert.com Oct 26, 2026 Thankfully, it deftly balances family drama, dark humor, and anger at the U.S.-Iran conflict in a low-key but undeniably effective way. Go to Full Review A Bit Of Light (2026) 90% - -

Peter Sobczynski RogerEbert.com Oct 26, 2026 For those with the patience to sit through it, the film is a valuable work from one of the more interesting directors on the current international scene. Go to Full Review Let Us Through, Dear Ancestors (2026) - - - -

Brian Tallerico RogerEbert.com Oct 26, 2026 3/4 When ‘Behemoth!' strikes an atonal note, Pascal’s performance, and Gilroy’s trusting direction of his leading man, drown it out. Go to Full Review Behemoth! (2026) 86% - -