ScreenAnarchy

Olga Artemyeva ScreenAnarchy 2 days ago For all the fun shenanigans in it, Being Heumann is mostly a bittersweet movie that serves as a reminder of a deeply ironic fact: the ways of the world are so often changed by the people who lived through being restricted in one way or another. Go to Full Review Being Heumann (2026) 86% - -

Ernesto Zelaya Miñano ScreenAnarchy 3 days ago Amusing, affectionate documentary that shows how senior citizens can still remain productive, upbeat and have lots to share with others. Go to Full Review Silver Screamers (2025) 93% - -

Josh Bate ScreenAnarchy 3 days ago 2/5 The experience feels more underwhelming than thought-provoking. Go to Full Review Paradise Lost (2026) 40% - -

J Hurtado ScreenAnarchy 4 days ago Bigger, badder, and certainly louder, Godzilla Minus Zero is a rousing, crowd-pleasing monster melodrama that doubles down in every department. Go to Full Review Godzilla Minus Zero (2026) 90% - -

Peter Martin ScreenAnarchy Oct 30, 2026 5/5 Ruthlessly memorable. ... The singular drive of the film has a cumulative impact that is crushing, brought home by the last few scenes, which are fraught with emotion and a surprising amount of action. Go to Full Review The Steel Helmet (1951) 100% 85%

Peter Martin ScreenAnarchy Oct 30, 2026 3.5/5 Bolstered by cinematographer James Wong Howe ... Their work together creates a steady climate of increasing shadows and sustained tension through the moody lighting and the shades of grey that creep into even the sunniest terrain. Go to Full Review The Baron of Arizona (1950) 86% 69%

Peter Martin ScreenAnarchy Oct 30, 2026 3.5/5 In a tidy 81 minutes, Samuel Fuller grabs attention from the very first scene ... Fuller knows how to tell a story, and how to stage it for maximum efficiency and dynamic effect. Go to Full Review I Shot Jesse James (1949) 75% 67%

Daniel Rivera ScreenAnarchy Oct 29, 2026 Much like the looping, ominious score Carpenter composed, which provides the film with its own ghostly dread, "Assault on Precinct 13" staggers and stays with you, lending itself to timelessness. Go to Full Review Assault on Precinct 13 (1976) 92% 80%

Olga Artemyeva ScreenAnarchy Oct 29, 2026 For all the heartbreak of the topic, Closure never resorts to manipulation or exploitation, nor does it feel the need to raise its voice. Go to Full Review Closure (2026) 96% - -

Olga Artemyeva ScreenAnarchy Oct 29, 2026 Almost mimicking the magical rock’s ability to hypnotize people and make them lose track of time, the movie envelops the audience with its prolonged shots and vibrating sound design, lying in wait for splashes of violence and body horror. Go to Full Review Split Rock (2026) - - - -

Olga Artemyeva ScreenAnarchy Oct 27, 2026 Britt Lower is amazing (as she always reliably is in these kinds of stories) as someone who’s desperately searching for something tangible in a world that progressively looks like a simulated reality. Go to Full Review Sender (2026) 80% - -

Andrew Mack ScreenAnarchy Oct 26, 2026 4/5 It delivers heavy practical gore for the horror purists, genuine laughs through its absurd comedy, and a sharp political critique. Go to Full Review Ghost in the Cell (2026) 93% - -

Kyle Logan ScreenAnarchy Oct 23, 2026 No Rest for the Wicked is a unique and beautifully shot, acted, and written film. And yet there's something holding it back from true greatness. Go to Full Review No Rest for the Wicked (2026) 97% - -

Peter Martin ScreenAnarchy Oct 22, 2026 5/5 Often breathless and usually reckless ... Epic in its scope, Wildwood is an ambitious adventure that is always enchanting. Go to Full Review Wildwood (2026) 98% - -

Kurt Halfyard ScreenAnarchy Oct 22, 2026 A salute to the survival instincts that we, regardless of species, are born with, and how we hone them along the way with each existential or physical struggle that does not end us, making us stronger. I Go to Full Review Hen (2025) 100% - -

Martin Tsai ScreenAnarchy Oct 22, 2026 In The Spiral, storytelling is less an act of remembrance than a way of preparing the ground for horror. Go to Full Review L'estranea (2026) 75% - -

Olga Artemyeva ScreenAnarchy Oct 22, 2026 At its core and underneath all the background noise and macabre designs, Posthumous is a film about a fractured identity and the ingrained need to reconstruct it. Go to Full Review Posthumous (2026) 86% - -

Simon Ramshaw ScreenAnarchy Oct 21, 2026 There's something special in the multi-faceted loveliness of Club Kid, a strong contender for the best debut of 2026 and among the very best films of the year too. Go to Full Review Club Kid (2026) 100% - -

Simon Ramshaw ScreenAnarchy Oct 21, 2026 Unassuming and likeable in equal measure, Riches' new feature harbors a quiet confidence ... It may never set itself ablaze with excitement, but there's plenty to keep you invested in its unique little world. Go to Full Review Mouse (2025) - - - -

Kyle Logan ScreenAnarchy Oct 20, 2026 What makes A City in the Forest stand out among recent similar documentaries...is its focus on activists who propose and enact targeted property damage, and its very clear portrayal of the complete disavowal of democracy by the [Atlanta] city government. Go to Full Review - - - -