This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
MoviesTV Shows
Michael J. Casey
Boulder Weekly
Jul 11, 2025
5/5
Bleak as hell but so expertly made it’s hard not to sit in awe.
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Sorcerer
(1977)
85%
84%
Michael J. Casey
Boulder Weekly
Jul 11, 2025
5/5
Bleak as hell but so expertly made it’s hard not to sit in awe.
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The Wages of Fear
(1953)
100%
95%
Michael J. Casey
Boulder Weekly
Jun 26, 2025
2/5
A Hollywood blockbuster from Warner Bros. engineered to make a boatload of money on the backs of stale formulas and the lowest common denominator.
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F1 The Movie
(2025)
82%
- -
Michael J. Casey
Boulder Weekly
May 31, 2025
3/5
It’s swift and scary and contains enough excitement and unsettling imagery for an engaging time.
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Bring Her Back
(2025)
89%
- -
Michael J. Casey
Boulder Weekly
May 28, 2025
2.5/5
"The Phoenician Scheme" isn’t free from humor, both in the writing and in the execution, but the hallmarks that make for a compelling Anderson picture miss their mark.
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The Phoenician Scheme
(2025)
77%
- -
Michael J. Casey
Boulder Weekly
May 22, 2025
3/5
Achieves the cinematic exhilaration you hope for in a Tom Cruise movie, even if the script doesn't.
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Mission: Impossible - The Final Reckoning
(2025)
80%
- -
Michael J. Casey
Boulder Weekly
May 15, 2025
4/5
A Jekyll and Hyde riff, and it’s as subtle as a kick to the groin.
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How to Get Ahead in Advertising
(1989)
65%
77%
Michael J. Casey
Boulder Weekly
May 15, 2025
5/5
Every frame of "Withnail" excretes authenticity.
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Withnail and I
(1987)
84%
94%
Michael J. Casey
Boulder Weekly
Apr 30, 2025
4/5
The longtime Canadian body-horrorist has been making audiences squeamish since the 1970s. But in his latest, "The Shrouds," there’s a sense that the squeamishness relates to real-world grief, grounding this near-future sci-fi story obsessed with death.
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The Shrouds
(2024)
75%
- -
Michael J. Casey
Boulder Weekly
Apr 24, 2025
3.5/5
Chaplin’s skill of communicating significant information with small touches — particularly when it comes to sexual relations at a time when even a hint was taboo — carries the kind of cleverness that’s timeless.
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A Woman of Paris
(1923)
100%
75%
Michael J. Casey
Boulder Weekly
Mar 26, 2025
1/5
One of the many frustrations of "Death of a Unicorn" is how shockingly literal it is.
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Death of a Unicorn
(2025)
52%
- -
Michael J. Casey
Boulder Weekly
Mar 19, 2025
4/5
One of the pleasures of "Black Bag," and there are many, is that the movie itself is a red herring.
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Black Bag
(2025)
96%
- -
Michael J. Casey
Boulder Weekly
Mar 13, 2025
4/5
A handful of off-kilter dream sequences, which are revealed to be dreams only retroactively, and realistic scenes that still contain a mystical quality and Nyoni’s images of entrapment become tangible. A must-see.
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On Becoming a Guinea Fowl
(2024)
100%
- -
Michael J. Casey
Boulder Weekly
Mar 6, 2025
4/5
Though "One to One" isn’t a tip-to-turn concert film, the footage of the Plastic Ono Band on stage is fantastic. So, too, is the archival footage Macdonald and Rice-Edwards use as connective tissue to bring political and personal context to the story.
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One to One: John & Yoko
(2024)
90%
- -
Michael J. Casey
Boulder Weekly
Mar 6, 2025
3/5
A humane look at what it takes for someone to move beyond their pain.
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In Waves and War
(2024)
- -
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Michael J. Casey
Boulder Weekly
Mar 6, 2025
4.5/5
It’s fascinating, infuriating and so expertly constructed that you’ll be thinking about it for months.
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The White House Effect
(2024)
94%
- -
Michael J. Casey
Boulder Weekly
Feb 27, 2025
5/5
Using split screens and overlapping panels, Morrison reconstructs the moments leading up to the shooting and deconstructs the post-shooting narrative the police create to justify the killing.
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Incident
(2023)
- -
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Michael J. Casey
Boulder Weekly
Feb 27, 2025
4/5
Zilbalodis wisely avoids anthropomorphizing the animals. But that doesn’t mean they are free from personality.
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Flow
(2024)
97%
- -
Michael J. Casey
Boulder Weekly
Feb 12, 2025
3.5/5
"Paddington in Peru" feels a little overstuffed when it tries to find something for everyone to do, but it never gets too out of hand. It’s an adventure story in the classic Saturday matinee sense.
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Paddington in Peru
(2024)
93%
- -
Michael J. Casey
Boulder Weekly
Jan 9, 2025
4/5
It’s the kind of story that would come off as flat and boring and probably pretentious if the storyteller didn’t tell it well. But Almodóvar does. And it works.
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The Room Next Door
(2024)
80%
- -
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