This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
MoviesTV Shows
Michael Gingold
Rue Morgue Magazine
Oct 23, 2026
It contains sufficient thrills, excitement and shock moments in individual scenes, even as both the movie and the antihero it showcases wind up being a little less than the sum of their parts.
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Clayface
(2026)
77%
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Michael Gingold
Rue Morgue Magazine
Oct 17, 2026
The ways in which the human story informs and affects the protagonist’s life-or-death struggle are sometimes forced and contrived. Yet that horrible situation itself is vividly and viscerally conveyed.
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Whalefall
(2026)
74%
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Michael Gingold
Rue Morgue Magazine
Oct 17, 2026
The short-form review is: Just watch 2023's INFESTED instead.
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Crawlers
(2026)
58%
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Michael Gingold
Rue Morgue Magazine
Oct 14, 2026
I LOVE PARIS has good, ghoulish fun with the Faustian bargain Paris has been forced into, and how quickly she turns it to her advantage to get what she wants.
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I Love Paris
(2026)
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Michael Gingold
Rue Morgue Magazine
Oct 9, 2026
Some visually imaginative and occasionally creepy sequences ultimately have little to support them dramatically or thematically.
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Other Mommy
(2026)
19%
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Michael Gingold
Rue Morgue Magazine
Oct 5, 2026
The human side of the story is tense and dramatic enough to maintain interest for the long stretch where there’s not a whole lotta snakin’ goin’ on.
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Beware Boiúna
(2026)
58%
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Deirdre Crimmins
Rue Morgue Magazine
Sep 21, 2026
A film that carefully drips questions faster than it oozes answers. It intrigues and envelops, but it is not the kind of movie that has any interest in tying itself up in a neat bow.
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Night After Night
(2026)
100%
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Michael Gingold
Rue Morgue Magazine
Sep 16, 2026
Cregger has made a video-game movie...that honors its source without seeming beholden to it, replicating not its specifics but its mood and excitement and writing them large.
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Resident Evil
(2026)
96%
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Michael Gingold
Rue Morgue Magazine
Sep 13, 2026
There’s nothing terribly wrong with DON’T MOVE beyond the fact that there’s nothing terribly fresh or adventurous about it.
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Don't Move
(2026)
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Michael Gingold
Rue Morgue Magazine
Sep 3, 2026
ONSLAUGHT is a lot like an Army MRE (Meal Ready-to-Eat). It satisfies a basic hunger, though it doesn’t offer a lot of distinctive flavor.
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Onslaught
(2026)
60%
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Deirdre Crimmins
Rue Morgue Magazine
Sep 3, 2026
The methodical pace and complex characters are part of a slow build and a dark conclusion, well worthy of fright fans’ attention.
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Blood Shine
(2025)
83%
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Deirdre Crimmins
Rue Morgue Magazine
Sep 3, 2026
Though the movie wavers a bit throughout the following hour, its throat-ripping introduction is a sight to behold.
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Nameless
(2026)
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Michael Gingold
Rue Morgue Magazine
Aug 29, 2026
The action is varied and ferociously staged, with lots of very enthusiastic zombie performers rampaging around.
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Colony
(2026)
81%
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Michael Gingold
Rue Morgue Magazine
Aug 28, 2026
The conviction of Quinn’s performance, combined with Kelly’s [as director], take BUDDY way beyond the Barney-gone-bad gimmick and make it one of this year’s most distinctive genre ventures.
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Buddy
(2026)
88%
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Michael Gingold
Rue Morgue Magazine
Aug 7, 2026
It’s got plenty of extreme splatter, all right, but it peaks early in that department, and doesn’t offer enough else to compensate.
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Ice Cream Man
(2026)
25%
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Michael Gingold
Rue Morgue Magazine
Aug 4, 2026
[Director Sam] Scott maintains a ground-level reality to his milieu and characters... At the same time, the wilder moments in TURN IT UP! also land.
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Turn It Up!
(2026)
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Deirdre Crimmins
Rue Morgue Magazine
Jul 31, 2026
It’s silly and sweet, sticky and stomach-churning -- a truly disgusting delight from the New Zealand filmmaking duo Thunderlips.
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Mum, I'm Alien Pregnant
(2026)
95%
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Deirdre Crimmins
Rue Morgue Magazine
Jul 31, 2026
A lot of things go very right in Godhead that could have suffered at the hands of a less assured director.
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Godhead
(2026)
100%
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Deirdre Crimmins
Rue Morgue Magazine
Jul 31, 2026
Penny Lane is Dead is very far from a bad film; at times it can be pretty darn fun, and it contains a couple of good, rousingly nasty moments. But the positives are too few and far between, and the movie ultimately fails to deliver on its promises.
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Penny Lane Is Dead
(2025)
95%
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Deirdre Crimmins
Rue Morgue Magazine
Jul 31, 2026
The sheer physicality of Haarla’s expression of Saga is a wonder. Bergholm’s direction and cinematic choices are also disarmingly deliberate.
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Nightborn
(2026)
71%
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