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This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
MoviesTV Shows
Matthew Huff The Report Card (Substack) Sep 20, 2026 A Don’t be deterred by 30 years of Resident Evil lore. The film is a standalone banger that will enter the pantheon of the best zombie movies, video game movies, and movies that include acid-belching creatures barfing down an elevator shaft. Go to Full Review Resident Evil (2026) 96% - -
Matthew Huff The Report Card (Substack) Aug 2, 2026 B As an allegory for the queer experience, Spider-Man proves the importance of coming out and the joy that comes from accepting people for who they truly are. Go to Full Review Spider-Man: Brand New Day (2026) 90% - -
Matthew Huff The Report Card (Substack) Jul 18, 2026 A- Christopher Nolan's reinvention of the Greek epic is a masterclass in filmmaking, a lush feast for the eyes, and the way Anne Hathaway will nab her third Oscar nomination. Go to Full Review The Odyssey (2026) 94% - -
Matthew Huff The Report Card (Substack) Jun 20, 2026 C+ What's ironic is that Toy Story 5 seems to argue that the oldest, simplest ways are still the best ways, while the film itself completely ignores that principle. We don’t need all the bells and whistles. We just want to play with our favorite toys. Go to Full Review Toy Story 5 (2026) 92% - -
Matthew Huff The Report Card (Substack) May 24, 2026 C- The Mandalorian and Grogu is not a bad movie, because it’s not really a movie at all. It’s a corporate, beige, mid-season television episode that’s been ripped off Disney+ and shoved into an AMC for no reason. Go to Full Review Star Wars: The Mandalorian and Grogu (2026) 60% - -
Matthew Huff The Report Card (Substack) May 1, 2026 A- The highly anticipated sequel defies its terrible trailer to deliver a sickeningly relevant morality tale under the guise of a glossy romp. Go to Full Review The Devil Wears Prada 2 (2026) 78% - -
Matthew Huff The Report Card (Substack) Apr 24, 2026 F Michael doesn’t work as a film for many reasons, but the predominant one is the film’s hagiographic reverence for its subject. Go to Full Review Michael (2025) 38% - -
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