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Dipankar Sarkar Upper Stall Oct 19, 2026 Prahaar: The Untold Story Of Ujjwal Nikam is ultimately a competently made account of the legal proceedings following the 26/11 attacks in Mumbai that ultimately culminated in Ajmal Kasab’s conviction and eventual execution. Go to Full Review Prahaar: The Untold Story of Ujjwal Nikam (2026) 69% - -
Dipankar Sarkar Upper Stall Oct 19, 2026 As we leave the theatre, a question lingers after the final revelation. Does Drishyam: The Conclusion have something genuinely new to say or is it principally an extension of a narrative whose central conceit has already been thoroughly explored? Go to Full Review Drishyam: The Conclusion (2026) 100% - -
Dipankar Sarkar Upper Stall Sep 27, 2026 Films like The Vvaan: Force Of The Forrest do little to expand what mainstream Hindi cinema can do with mythology, folklore, or spectacle. Go to Full Review The Vvaan: Force of The Forrest (2026) 21% - -
Dipankar Sarkar Upper Stall Sep 21, 2026 Meghna Gulzar’s Daayra asks whether taking the law into one’s own hands can be justified when heinous crimes go unpunished through failures in the judicial system. Go to Full Review Daayra (2026) 74% - -
Dipankar Sarkar Upper Stall Sep 15, 2026 It is a solid and watchable crime drama, even if it never quite delivers the impact its premise promises. Go to Full Review Ghamasaan (2024) 46% - -
Dipankar Sarkar Upper Stall Sep 7, 2026 What remains is a film that gives its admirers much of what they have come to expect from the series, but not quite enough of a reason for this particular story to exist on the big screen. Go to Full Review Mirzapur: The Movie (2026) 80% - -
Dipankar Sarkar Upper Stall Sep 4, 2026 What lends Gandhari much of its atmosphere is the way it locates its milieu within the fictional town of Joypurra, a place steeped in folklore and superstition. Go to Full Review Gandhari (2026) 17% - -
Dipankar Sarkar Upper Stall Sep 2, 2026 Toxic is, unmistakably, a Yash film, and he slips into the character with the ease of someone wearing a familiar suit. Go to Full Review Toxic: A Fairytale for Grownups (2026) 21% - -
Dipankar Sarkar Upper Stall Aug 26, 2026 Emraan Hashmi is the film’s saving grace, bringing enough conviction and dramatic weight to give us a reason to stay with him. Go to Full Review Awarapan 2 (2026) 47% - -
Dipankar Sarkar Upper Stall Aug 26, 2026 Rajkumar Santoshi’s Batwara 1947, based on Asghar Wajahat’s play Jis Lahore Nai Vekhya, O Jamya E Nai, approaches Partition not by reopening its wounds but by asking what, amid them, might have survived. Go to Full Review Batwara 1947 (2026) 60% - -
Dipankar Sarkar Upper Stall Jul 15, 2026 Pritha Chakraborty’s second feature, Phera (Return), traces the tentative repair of a fractured relationship, exploring how the demands of contemporary life can erode intimacy and turn bonds of affection into distances that appear impossible to overcome. Go to Full Review Phera (2026) - - - -
Dipankar Sarkar Upper Stall Jul 14, 2026 Though Alpha deserves some praise for its female-led narrative, it doesn’t quite match the assurance of Shiv Rawail’s The Railway Men. Still, displays a confident hand with both drama and action, hinting at stronger work ahead. Go to Full Review Alpha (2026) 26% - -
Dipankar Sarkar Upper Stall Jul 14, 2026 Welcome To The Jungle reveals the state of mainstream commercial comedy, where excess routinely substitutes for imagination. Go to Full Review Welcome to the Jungle (2026) 47% - -
Dipankar Sarkar Upper Stall Jul 14, 2026 Cocktail 2 possesses the ingredients for something more daring but opts instead for crowd-pleasing resolutions. Go to Full Review Cocktail 2 (2026) 20% - -
Dipankar Sarkar Upper Stall Jun 8, 2026 Chand Mera Dil is the kind of film that neither reaches excellence nor collapses into total failure. Go to Full Review Chand Mera Dil (2026) 50% - -
Dipankar Sarkar Upper Stall Jun 8, 2026 Hai Jawani Toh Ishq Hona Hai feels like the work of a filmmaker trapped within the grammar of his own past successes. Go to Full Review Hai Jawani Toh Ishq Hona Hai (2026) 17% - -
Dipankar Sarkar Upper Stall May 17, 2026 Pati Patni Aur Woh Do is ultimately a film that mistakes exaggeration for entertainment, ending up as a bloated spectacle of mistaken identities and diminishing returns and little more. Go to Full Review Pati Patni Aur Woh Do (2026) 17% - -
Dipankar Sarkar Upper Stall Apr 22, 2026 Bhooth Bangla is easily among the weaker works in Priyadarshan’s Hindi oeuvre, suggesting a director woefully out of step with his own strengths. Go to Full Review Bhooth Bangla (2026) 15% - -
Dipankar Sarkar Upper Stall Apr 16, 2026 Everybody Loves Sohrab Handa becomes another addition to Rajat Kapoor’s body of work as a filmmaker committed to probing the complexities of human behaviour within intimate social spaces. Go to Full Review Everybody Loves Sohrab Handa (2026) 92% - -
Dipankar Sarkar Upper Stall Apr 12, 2026 Dacoit: Ek Prem Katha ultimately feels like a film caught between intention and realisation, leaving one with the impression of a work that understands the grammar of its genre, but not quite its pulse. Go to Full Review Dacoit: A Love Story (2026) 23% - -
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