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Dipankar Sarkar
Upper Stall
Oct 19, 2026
Prahaar: The Untold Story Of Ujjwal Nikam is ultimately a competently made account of the legal proceedings following the 26/11 attacks in Mumbai that ultimately culminated in Ajmal Kasab’s conviction and eventual execution.
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Prahaar: The Untold Story of Ujjwal Nikam
(2026)
69%
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Dipankar Sarkar
Upper Stall
Oct 19, 2026
As we leave the theatre, a question lingers after the final revelation. Does Drishyam: The Conclusion have something genuinely new to say or is it principally an extension of a narrative whose central conceit has already been thoroughly explored?
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Drishyam: The Conclusion
(2026)
100%
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Dipankar Sarkar
Upper Stall
Sep 27, 2026
Films like The Vvaan: Force Of The Forrest do little to expand what mainstream Hindi cinema can do with mythology, folklore, or spectacle.
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The Vvaan: Force of The Forrest
(2026)
21%
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Dipankar Sarkar
Upper Stall
Sep 21, 2026
Meghna Gulzar’s Daayra asks whether taking the law into one’s own hands can be justified when heinous crimes go unpunished through failures in the judicial system.
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Daayra
(2026)
74%
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Dipankar Sarkar
Upper Stall
Sep 15, 2026
It is a solid and watchable crime drama, even if it never quite delivers the impact its premise promises.
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Ghamasaan
(2024)
46%
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Dipankar Sarkar
Upper Stall
Sep 7, 2026
What remains is a film that gives its admirers much of what they have come to expect from the series, but not quite enough of a reason for this particular story to exist on the big screen.
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Mirzapur: The Movie
(2026)
80%
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Dipankar Sarkar
Upper Stall
Sep 4, 2026
What lends Gandhari much of its atmosphere is the way it locates its milieu within the fictional town of Joypurra, a place steeped in folklore and superstition.
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Gandhari
(2026)
17%
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Dipankar Sarkar
Upper Stall
Sep 2, 2026
Toxic is, unmistakably, a Yash film, and he slips into the character with the ease of someone wearing a familiar suit.
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Toxic: A Fairytale for Grownups
(2026)
21%
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Dipankar Sarkar
Upper Stall
Aug 26, 2026
Emraan Hashmi is the film’s saving grace, bringing enough conviction and dramatic weight to give us a reason to stay with him.
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Awarapan 2
(2026)
47%
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Dipankar Sarkar
Upper Stall
Aug 26, 2026
Rajkumar Santoshi’s Batwara 1947, based on Asghar Wajahat’s play Jis Lahore Nai Vekhya, O Jamya E Nai, approaches Partition not by reopening its wounds but by asking what, amid them, might have survived.
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Batwara 1947
(2026)
60%
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Dipankar Sarkar
Upper Stall
Jul 15, 2026
Pritha Chakraborty’s second feature, Phera (Return), traces the tentative repair of a fractured relationship, exploring how the demands of contemporary life can erode intimacy and turn bonds of affection into distances that appear impossible to overcome.
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Phera
(2026)
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Dipankar Sarkar
Upper Stall
Jul 14, 2026
Though Alpha deserves some praise for its female-led narrative, it doesn’t quite match the assurance of Shiv Rawail’s The Railway Men. Still, displays a confident hand with both drama and action, hinting at stronger work ahead.
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Alpha
(2026)
26%
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Dipankar Sarkar
Upper Stall
Jul 14, 2026
Welcome To The Jungle reveals the state of mainstream commercial comedy, where excess routinely substitutes for imagination.
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Welcome to the Jungle
(2026)
47%
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Dipankar Sarkar
Upper Stall
Jul 14, 2026
Cocktail 2 possesses the ingredients for something more daring but opts instead for crowd-pleasing resolutions.
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Cocktail 2
(2026)
20%
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Dipankar Sarkar
Upper Stall
Jun 8, 2026
Chand Mera Dil is the kind of film that neither reaches excellence nor collapses into total failure.
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Chand Mera Dil
(2026)
50%
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Dipankar Sarkar
Upper Stall
Jun 8, 2026
Hai Jawani Toh Ishq Hona Hai feels like the work of a filmmaker trapped within the grammar of his own past successes.
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Hai Jawani Toh Ishq Hona Hai
(2026)
17%
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Dipankar Sarkar
Upper Stall
May 17, 2026
Pati Patni Aur Woh Do is ultimately a film that mistakes exaggeration for entertainment, ending up as a bloated spectacle of mistaken identities and diminishing returns and little more.
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Pati Patni Aur Woh Do
(2026)
17%
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Dipankar Sarkar
Upper Stall
Apr 22, 2026
Bhooth Bangla is easily among the weaker works in Priyadarshan’s Hindi oeuvre, suggesting a director woefully out of step with his own strengths.
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Bhooth Bangla
(2026)
15%
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Dipankar Sarkar
Upper Stall
Apr 16, 2026
Everybody Loves Sohrab Handa becomes another addition to Rajat Kapoor’s body of work as a filmmaker committed to probing the complexities of human behaviour within intimate social spaces.
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Everybody Loves Sohrab Handa
(2026)
92%
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Dipankar Sarkar
Upper Stall
Apr 12, 2026
Dacoit: Ek Prem Katha ultimately feels like a film caught between intention and realisation, leaving one with the impression of a work that understands the grammar of its genre, but not quite its pulse.
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Dacoit: A Love Story
(2026)
23%
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