This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
MoviesTV Shows
Nicolás Medina
Montevideo Portal / Latido Beat
Sep 15, 2026
8/10
It combines situational comedy with elements typical of thrillers and suspense, while the conversations, silences, and glances gradually reveal what the characters would prefer to keep hidden. [Full review in Spanish]
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The Invite
(2026)
96%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Sep 15, 2026
8/10
There's one thing it has never lost: the desire to make the movies a gathering place even for those who don't usually find many reasons to go and to recognize the act of going to see a movie as it was intended, for the masses. [Full review in Spanish]
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The Fast and the Furious
(2001)
56%
74%
Nicolás Medina
Montevideo Portal / Latido Beat
Sep 15, 2026
7/10
There is something complex at play here—a relationship that speaks to trauma, identity, and the need to find a way to heal what has remained unresolved for years. [Full review in Spanish]
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La Perra
(2026)
62%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 27, 2026
6/10
It's not a great punk movie, nor a great coming-of-age...But it has good songs, three main characters who are hard not to like, and a genuine connection to what it's celebrating. [Full review in Spanish]
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Nimrods
(2025)
72%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 27, 2026
4/10
Humor is its strongest point, but It isn't naive enough to be a purely childish adventure, nor is it sophisticated enough for an adult to enjoy the absurdity without wondering what on earth they're watching. [Full review in Spanish]
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The End of Oak Street
(2026)
86%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
7/10
He understands that the appeal of Spider-Man has never depended on the scale of the spectacle, but on the person behind the mask. [Full review in Spanish]
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Spider-Man: Brand New Day
(2026)
90%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
7/10
If this film marks Korean cinema's first major step toward large-scale blockbusters, it's hard to imagine a more exciting starting point. [Full review in Spanish]
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Hope
(2026)
80%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
4/10
You leave with the feeling that you've watched an episode of Black Mirror—but one that's a bit naive and lacks any real bite, as if it were imagined by someone who still believes deeply in people. [Full review in Spanish]
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Sheep in the Box
(2026)
43%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
9/10
A political film without slogans, that’s unsettling without resorting to cheap provocation, and smart to understand that the best discussions aren’t the ones that are resolved when the credits roll, but the ones that start there. [Full review in Spanish]
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Fjord
(2026)
92%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
10/10
Far from the dominant aesthetic of mainstream anime, Kadowaki opts for a combination of traditional animation and sequences created using rotoscoping, with a style that subtly shifts depending on the emotional tone of each scene. [Full review in Spanish]
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We Are Aliens
(2026)
67%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
5/10
As a directorial debut, it's disconcerting. But as an exercise in personal memory, on the other hand, it possesses an authenticity that ultimately evokes a certain tenderness and affection. [Full review in Spanish]
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Propeller One-Way Night Coach
(2026)
50%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
7/10
It features Pawlikowski's usual formal precision, magnificent performances, and a remarkable sensitivity in connecting collective trauma with personal tragedies. [Full review in Spanish]
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Fatherland
(2026)
93%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
7/10
In its refusal to take possession of what does not belong to him, there is a form of cinema that is strangely moving. [Full review in Spanish]
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La Grazia
(2025)
88%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
6/10
It doesn't redefine Sweeney's career, but it does put a strain on it. It forces her to step out of her comfort zone and achieve something that isn't necessarily reflected in the numbers. [Full review in Spanish]
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Christy
(2025)
66%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
10/10
Because that "Hail Mary" stops being just an unlikely play and becomes something else. It doesn’t guarantee that it will work, or that it will reach its target. But it still holds out hope that something will come of it. [Full review in Spanish]
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Project Hail Mary
(2026)
95%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
10/10
It is one of Linklater's most intimate films in years. Shot almost like a play, but with the director's characteristic conversational pace, *Blue Moon* functions less as a biopic than as a character study. [Full review in Spanish]
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Blue Moon
(2025)
90%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
8/10
The film is a solid, intelligent film that is aware of its place in the tradition of Latin American political cinema and, at the same time, open to engaging with the genre. [Full review in Spanish]
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The Secret Agent
(2025)
98%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
10/10
The film returns not as a relic, but as a reminder of a time when commercial cinema could afford to be whimsical, cinephile, and radical all at once. [Full review in Spanish]
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Kill Bill: The Whole Bloody Affair
(2006)
100%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
5/10
Not an explanation of Shakespeare or a definitive interpretation of his work, but an invitation to linger in that space that precedes art, where pain has not yet taken shape and language has not yet reached it. [Full review in Spanish]
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Hamnet
(2025)
86%
- -
Nicolás Medina
Montevideo Portal / Latido Beat
Aug 17, 2026
8/10
There is, moreover, an image that leaves hanging over itstheories, itsabductions, and its dialogues: that of the bees. They appear at the beginning and return at the end, as a presence that gauges what is at stake. [Full review in Spanish]
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Bugonia
(2025)
87%
- -
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