This publication’s reviews only count towards the Tomatometer when published by individually approved critics.
MoviesTV Shows
Akhil Arora
The Long Take Podcast
6 days ago
A thoroughly unhinged and deeply misogynistic sequel that trades a coherent plot for a never-ending parade of celebrity cameos and slow-motion walking.
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Jailer 2
(2026)
85%
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Akhil Arora
The Long Take Podcast
Oct 12, 2026
A frustratingly illogical police procedural that ruins an engaging premise by burying it under an avalanche of unearned twists.
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Pradhama Drishtya Kuttakkar
(2026)
- -
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Akhil Arora
The Long Take Podcast
Oct 7, 2026
A brilliantly localised, laugh-out-loud rom-com that respectfully handles the age-gap romance and gives Mamitha’s character the agency to initiate the relationship.
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Bethlehem Kudumba Unit
(2026)
92%
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Akhil Arora
The Long Take Podcast
Sep 29, 2026
A coming-of-age drama that fundamentally undercooks its characters.
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Don't Be Shy
(2026)
33%
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Akhil Arora
The Long Take Podcast
Sep 24, 2026
The frustratingly derivative nature of Shakun Batra’s divorce drama, Kiran Rao’s contrived thriller complete with an unnecessary twist, Vikramaditya Motwane’s confused exploration of partner swapping, and Vishal Bhardwaj’s whimsical 1980s segment.
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Lust Stories 3
(2026)
87%
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Akhil Arora
The Long Take Podcast
Sep 8, 2026
Instead of a gritty, remorseful gangster saga, Toxic is an exhausting 194-minute ego trip for its lead star, Yash.
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Toxic: A Fairytale for Grownups
(2026)
21%
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Akhil Arora
The Long Take Podcast
Aug 22, 2026
Imtiaz Ali desperately wants to build a timeless love story, but forgets to make his lead characters believable.
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Main Vaapas Aaunga
(2026)
86%
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Akhil Arora
The Long Take Podcast
Aug 1, 2026
Christopher Nolan’s The Odyssey serves as a massive anti-war critique of the insatiable appetites of men and the erosion of trust.
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The Odyssey
(2026)
94%
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Akhil Arora
The Long Take Podcast
Jul 31, 2026
Satluj traces the long battle human rights activist Jaswant Singh Kalra fought to uncover the insidious violence embedded in ’90s Punjab—and just like its protagonist, the biopic too fought its own battle to release.
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Satluj
(2026)
100%
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Akhil Arora
The Long Take Podcast
May 9, 2026
Doesn’t take its intriguing premise to the pinnacle.
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Dug Dug
(2021)
90%
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Rohan Naahar
The Long Take Podcast
May 8, 2026
Good, but could've been better with an alien or an Ambani.
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Dug Dug
(2021)
90%
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Rohan Naahar
The Long Take Podcast
May 1, 2026
It's like an anti-Australia propaganda video paid for by people still traumatised by the 2003 Cricket World Cup final.
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Apex
(2026)
68%
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Akhil Arora
The Long Take Podcast
Apr 29, 2026
Netflix’s dedication to making instantly forgettable movies is unprecedented.
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Apex
(2026)
68%
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Rohan Naahar
The Long Take Podcast
Apr 3, 2026
Mardaani 3 has the same flawed feminism as its predecessors, but a larger canvas to project it on.
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Mardaani 3
(2026)
50%
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Akhil Arora
The Long Take Podcast
Mar 29, 2026
The same flawed feminism as its predecessors, but a larger canvas to project it on.
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Mardaani 3
(2026)
50%
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Akhil Arora
The Long Take Podcast
Mar 24, 2026
Doubles down on everything that made the first film so controversial. The level of sycophancy on display borders on the pathetic.
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Dhurandhar: The Revenge
(2026)
36%
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Rohan Naahar
The Long Take Podcast
Mar 15, 2026
The very existence of such slop is a slap in the face of talented filmmakers who struggle for decades trying to do honest work. This is an insult not only to them, but also to audiences who pay hard-earned money to Netflix every month.
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Made in Korea
(2026)
31%
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Akhil Arora
The Long Take Podcast
Mar 14, 2026
A lazy excuse of a film made by an inept group of people with no idea what they’re doing.
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Made in Korea
(2026)
31%
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Rohan Naahar
The Long Take Podcast
Mar 5, 2026
Subedaar fools you into watching a ‘70s-style neo-Western about corruption and caste by presenting it as a South Indian remake.
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Subedaar
(2026)
69%
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Akhil Arora
The Long Take Podcast
Mar 5, 2026
Anil Kapoor’s refreshingly muted lead performance and the film's disguised social commentary do not make up for its tonal missteps and a frustrating lack of imagination.
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Subedaar
(2026)
69%
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