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Simon Abrams
RogerEbert.com
Oct 29, 2026
0/4
The soccer scenes are especially disappointing, though, since the filmmakers’ use of AI only creates a disturbing Uncanny Valley effect.
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Kung Fu Soccer
(2026)
22%
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Simon Abrams
RogerEbert.com
Oct 18, 2026
1/4
It looks bland, doesn’t make much sense, and takes its time getting you to places you’ve been several times before.
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The Influencer Project
(2026)
40%
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Simon Abrams
RogerEbert.com
Oct 17, 2026
1.5/4
[It] struggles to weave a web of wispy interpersonal connections between Serena and Mr. Rossmore’s tenants, many of whom are barely stock types.
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Crawlers
(2026)
58%
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Simon Abrams
RogerEbert.com
Oct 17, 2026
2.5/4
Director Nelson Dilipkumar applies the same visual dynamism that made the first "Jailer" so satisfying.
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Jailer 2
(2026)
86%
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Simon Abrams
RogerEbert.com
Oct 12, 2026
2.5/4
[It] doesn’t have much of a plot, serving more as a vehicle for effect-driven jump scares and adrenalized dread.
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Other Mommy
(2026)
19%
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Simon Abrams
AV Club
Oct 8, 2026
D-
The biggest problem with Matchbox: The Movie isn’t that it’s a dumb, by-the-numbers action movie, but rather that it doesn’t know how to be both a parody of that kind of movie and an emotionally resonant defense of camaraderie-instilling group play.
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Matchbox The Movie
(2026)
30%
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Simon Abrams
RogerEbert.com
Sep 26, 2026
3/4
Boyle and his collaborators take a few jarring creative shortcuts and by-passes, but pull off most of what they attempt.
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Never After Dark
(2026)
98%
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Simon Abrams
RogerEbert.com
Sep 26, 2026
[It] works more often than not because Nicholson—Jack’s grandson—does what he can with his major and mostly thankless part.
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The Deputy
(2026)
57%
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Simon Abrams
RogerEbert.com
Sep 4, 2026
3.5/4
[It] is an arresting and surprisingly sensitive window into the past.
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Dear You
(2026)
91%
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Simon Abrams
AV Club
Sep 4, 2026
C
Unfortunately, while a number of car stunts are thrilling and a few of the less choreography-heavy melees look passable, the rest of Runner has the same basic problem as a Poochie cartoon: the movie loses all steam whenever Ritchson’s not on screen.
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Runner
(2026)
78%
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Simon Abrams
AV Club
Sep 2, 2026
C-
This thankless sequel’s highs simply aren’t high enough.
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Fall 2: Deadpoint
(2026)
52%
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Simon Abrams
RogerEbert.com
Aug 31, 2026
2/4
It’s not thoughtful or inspired enough to make you care about its paint-by-numbers story beats, and it’s certainly not angry enough to be disarming.
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Onslaught
(2026)
60%
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Simon Abrams
RogerEbert.com
Aug 28, 2026
3/4
It’s not for everyone, but ‘Idiots’ is already one of the most charming American comedies of the year.
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Idiots
(2026)
65%
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Simon Abrams
RogerEbert.com
Aug 20, 2026
2/4
It has a real Spirit Halloween fire sale vibe as far as its haphazard variety and wildly fitful effectiveness.
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Insidious: Out of the Further
(2026)
58%
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Simon Abrams
RogerEbert.com
Aug 4, 2026
2.5/4
It’s mostly pretty satisfying, even if there’s ultimately nothing surprising or essential here.
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Ice Cream Man
(2026)
25%
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Simon Abrams
RogerEbert.com
Jul 27, 2026
0/4
Good luck to Vijay in his political career, and I hope he never makes anything as perfectly oppressive as ‘Jana Nayagan’ again.
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Jana Nayagan
(2026)
20%
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Simon Abrams
RogerEbert.com
Jul 24, 2026
2.5/4
Kore-eda’s animating curiosity makes his latest feature more compelling than not, but you’ll still have to make your own leap of faith in order to accept the movie’s limited terms and conditions.
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Sheep in the Box
(2026)
43%
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Simon Abrams
RogerEbert.com
Jul 24, 2026
2/4
It isn’t a deconstruction of the genre, it does repeatedly deny viewers the formulaic pleasures that it promises.
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The Truthers
(2026)
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Simon Abrams
RogerEbert.com
Jul 6, 2026
3/4
Its action, much like its humorless dialogue and sudsy interpersonal relationships—and yes, even its standard-grade nationalism—is polished to a uniformly satisfying sheen.
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Alpha
(2026)
26%
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Simon Abrams
RogerEbert.com
Jun 26, 2026
3.5/4
[It’s] about the soul-expanding crossroads that we hopefully find ourselves at whenever we allow a combination of worldly and intellectual pleasures to transport us, without judgment or distinction, to a heightened state.
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Drunken Noodles
(2025)
100%
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